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Example of cultural personal identity
T.S. Eliot’s “The Love Song of J. Alfred Prufrock”
Human nature according to Freud
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T.S. Eliot's The Love Song of J.Alfred Prufrock Works Cited Not Included The Love Song of J. Alfred Prufrock, a poem by T.S. Eliot, provides an abundant source of material for applying Freudian analysis.[1] Specifically, it is the character Prufrock who supplies this rich source. Although many Freudian themes could have been addressed in relation to Prufrock, in this paper it will be narrowed to the prevalent themes of ambivalence and cultural frustration found in Freudπs work and the contributing role the super-ego plays in their occurrence. In fact, Prufrock exemplifies ambivalence and its necessary conditions so well that Freud himself would have probably labeled him a neurotic. Before applying Freudian analysis to Prufrock, it is important to address one issue that will have an immediate effect on the interpretation of the poem. It stems from the following translated passage found in Danteπs Inferno that appears right before the body of the poem. The passage is spoken by a person within the eighth chasm of hell.[2] If I believed that my answer would be To someone who would ever return to earth, This flame would move no more, But because no one from this gulf Has ever returned alive, if what I hear is true, I can reply with no fear of infamy. (Eliot, 3) Although this passage may suggest that Prufrock is speaking to someone who he can trust, his character would suggest otherwise. Prufrock is far too consciously anxious when it comes to what people think of him. This can be displayed by his enduring indecisiveness found in the many questions he asks throughout the poem, such as, ≥Do I dare / Disturb the universe?≤ (45-46) and ≥S... ... middle of paper ... ...y. The issue of sexual repression, an example being when he asks "Do I dare to eat a peach?" (125), could easily be another thematic focus. Also, one could focus on the dream-like structure of the poem, and how the issues of manifest and latent content come into play. Of course, as alluded to, repression (not just the sexual kind) is extremely prevalent throughout the poem, and would thus provide an excellent case study for Freudian analysis. However, it was interesting to address the issues of ambivalence and cultural frustration because when applying these to the poem Prufrock's character began to make more sense. There was an explanation provided for his previously inexplicable behavior. Also, there was a vivid example of Freudian theory at work. In this sense, the coupling of Freudian theory and this poem, made both even more comprehensible and enriching.
"The Love Song of J. Alfred Prufrock" is about a timid and downcast man in search of meaning, of love, and in search of something to break from the dullness and superficiality which he feels his life to be. Eliot lets us into Prufrock's world for an evening, and traces his progression of emotion from timidity, and, ultimately, to despair of life. He searches for meaning and acceptance by the love of a woman, but falls miserably because of his lack of self-assurance. Prufrock is a man for whom, it seems, everything goes wrong, and for whom there are no happy allowances. The emptiness and shallowness of Prufrock's "universe" and of Prufrock himself are evident from the very beginning of the poem. He cannot find it in himself to tell the woman what he really feels, and when he tries to tell her, it comes out in a mess. At the end of the poem, he realizes that he has no big role in life.
Before we are introduced to Prufrock himself, we notice that the initial scenes of this poem paint a landscape of apathy. The narrator mentions little about himself initially and beckons that we follow him down into a world without consequence “of restless nights in one-night cheap hotels” (Eliot 6). The later “streets that follow like a tedious argument of insidious intent” set the stage for Prufrock’s dilemma (ibid 9-10). Audrey Cahill says this scene foreshadows “Prufrock’s dialogue with himself, a dialogue which leads nowhere” and that thrusts the reader into meaningless chaos (6). Thus, even if these streets lead to an overwhelming question, the journey down them is rather mind-numbing and unnecessary if the answer gets us nowhere or, worse, merely emphasizes our own desolation. This is compounded by the appearance of a mysterious yellow catlike fog that “curled once about the house and fell asleep” (Eliot 22). Cahill also affirms that becaus...
"(10) which is never identified, asked, or answered in the poem. This "question" is somehow associated with his social status, but both its ambiguity and Prufrock's denial to even ask "What is it? " (11) gives some insight into his state of internal turmoil. Prufrock's dissatisfaction with his personal appearance is evidence of an underlying lack of self-confidence. Not only is he unhappy with the way he looks, having "to prepare a face to meet the faces that you meet," but he is constantly afraid of what others will have to say about him.
... poem reflects upon the skeptical poet sitting writing this and moves towards a center ground of realization that while they may be forcing false ideas onto the population that reads their work, they cannot justify either way if the "Dream" that they are creating is reality or just a figment of their imagination which the people are now sucked into believing.
The Love song of J. Alfred Prufrock is a poem that was written by T. S Eliot. The poem introduces the character, Prufrock, as a man who is very pessimistic about everything and is incapable of change. Prufrock sees the society he lives in as a place that is full of people who think alike, and he thinks he is different from them. Though Prufrock, realizes that the society he is associated with needs a change and have more people who think differently, but the fact that he is very concerned about what people would think of him if he tries to speak up to make a change or that he would be ignored or be misunderstood for whatever he says hindered him from expressing himself the way he would like to. Prufrock then decides not to express himself in order to avoid any type of rejection. In the poem, Prufrock made use of several imagery and metaphor to illustrate how he feels about himself and the society he is involved in. Prufrock use of imageries and
Prufrock throughout the poem appears to make constant reference to these small social meetings which he supposedly hates as he feels crippled by the constant pressure of social interaction. It also potentially shows that he is constantly in the environment to achieve his goals but finds it impossible to take action due his crippling social anxiety. He also makes the actual taking of the “toast and tea” appear to be a large event, perhaps showing his anxiety as he places such significance on a relatively small
So often, it seems, life can seem like a "patient etherized on the table" (Eliot, 3). Be it the apparent futility of existence as a whole, or the insecurity of those single moments of doubt; life is often fleeting. I believe life is best described as a fickle beast, always elusive; always turning down some new and unexpected road. This fleeting life is what both Jay Gatsby of The Great Gatsby and Alfred J. Prufrock of "Love Song of Alfred J. Prufrock" experience. These two men experiences move down remarkably similar paths as they quest for love and life. Yet each has sealed their shared fate in a different manner. As they head toward the seeming abyss of death, both remiss on all they wish they had done during their lives. By the time each man meets his end they both feel they have failed themselves and life as a whole.
There are a few instances in the poem that refer to Prufrock as an introverted person distinguishing him from typical people today. For instance, in the poem Prufrock says “I
The poem “The Love Song of J. Alfred Prufrock” written by T.S. Eliot is a depiction of sadness and a disillusioned narrator. While reading this poem, one senses that the narrator is disturbed and has maybe given up hope, and that he feels he is just an actor in a tedious drama At the very beginning of the poem, Eliot uses a quote from Dante’s “Inferno”, preparing the poem’s reader to expect a vision of hell. This device seems to ask the reader to accept that what they are about to be told by the poem’s narrator was not supposed to be revealed to the living world, as Dante was exposed to horrors in the Inferno that were not supposed to be revealed to the world of the living. This comparison is frightening and intriguing, and casts a shadow on the poem and its narrator before it has even begun. J. Alfred Prufrock is anxious, self-concsious, and depressed.
Sigmund Freud has been heralded as one of the greatest thinkers of the twentieth century. He is renowned for his discoveries about the human mind, particularly dreams, fantasies, and the role of the unconscious. Even though many of his theories were (and are) viewed as controversial, his ideas revolutionized the way people think about themselves. The potency of his notions have permeated almost every discipline, including literature, art, and medicine. This paper will examine the life, the influences, and the impact of Sigmund Freud. It will begin by discussing who he is, his personal history, and then talk about his role in the development of psychoanalysis. Next it will discuss some of the individuals who greatly inspired Freud. Finally, it will move on to talk about some of those upon whom Freud was an influence.
The thought of Freud has a total focus on an individual’s mind and how this internal struggle effects how humans interact within society. Freud argues that every human has three functional parts of their personality that exist within the mind itself: the id, super-ego and the ego. Thurschwell describes these three layers as how they relate to each other. The id is the deepest level of the unconscious, which is dominated by the pleasure principle and has no concept of time except for the present, demanding instant gratification of sexual and aggressive (Eros and Thanatos) urges. The superego originates through identification with the individuals parents, functioning as an internal censor witch represses the dangerous urges of the id. The ego starts as part of the id but is more sensible as it has knowledge of the outside world. Unlike the id, the ego is dominated by the instinct to protect oneself. Although these three layers cannot be physically mapped out in the mind they do show how Freud constantly focused on the internal mind...
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” is an ironic depiction of a man’s inability to take decisive action in a modern society that is void of meaningful human connection. The poem reinforces its central idea through the techniques of fragmentation, and through the use of Eliot’s commentary about Prufrock’s social world. Using a series of natural images, Eliot uses fragmentation to show Prufrock’s inability to act, as well as his fear of society. Eliot’s commentary about Prufrock’s social world is also evident throughout. At no point in the poem did Prufrock confess his love, even though it is called “The Love Song of J. Alfred Prufrock”, but through this poem, T.S. Eliot voices his social commentary about the world that Prufrock lives in.
Long regarded as the father of psychoanalysis, Sigmund Freud (1856-1939) lives on today as an incredibly influential and powerful figure in the applied discipline of psychology. For Freud, it was his intense study of dialogue and interplay of involuntary human communication that ultimately led to his conclusions concerning the human unconscious. In contemporary studies, these conclusions have evolved into many of the distinguished, and more importantly controversial theories we associate with his name: the Oedipus complex; castration anxiety; penis envy; repetition compulsion; repression; etc. Much of the contention surrounding Freud is grounded in the belief that his works instituted notions that cannot be proven scientifically, such as personality development in infantile stages; sexuality in unconscious desire; and the unconscious drives behind human mannerism. Yet, despite the fact that many of Freud’s theories have not withstood the test of scientific scrutiny, few can argue against the fact that Freudianism is still impactful and has permeated other branches of modern theory. To prove this point, we can bring to attention the names of two modern theorists that have not only built upon Freud’s ideas in their work, but have consequently expanded his influence into other realms of literature, and other spheres of study. Harold Bloom (1930 – present) and Jacques Lacan (1901-1981) are only two notable thinkers that extend Freud’s ideas and have gained far-reaching influence in intellectual life. In response to this revival however, new opponents of Freud have found the opportunity to retaliate with their concerns and arguments. Nevertheless, the presentation of human identity and unconscious by Freud’s opponents and successors c...
Prufrock, the narrator of the poem, is a middle-aged man who is living a life void of meaning and purpose. His thoughts are depressing as he mulls over his dull, uneventful life. One of his most crippling traits is cowardice. He's v...
The theme of Prufrock is the negative, individuality repressing effect that society has on its people. The Prufrock persona illustrates this, he is alienated by the inane social rituals that define his life, “I have measured out my life with coffee spoons” and make it insignificant and useless. The Waste Land’s theme is that the world, in particular western civilisation, is a culturally and spiritually barren place. Society is portrayed as a pile of “…stony rubbish…”, the ruins of a once great city now reduced to rubble where nothing can grow. Lives mean nothing, but the poem also offers hope through a return to basic religious values, ending with the repeated chant of “Shantih shantih shantih”, which means, “the peace which passeth understanding”. The poems both portray the same basic idea, but they have two main differences. Firstly, there is the way in which the themes are expressed. In Prufrock , Eliot uses a persona as an example of the debilitating effect of living with so many expectations, rules, standards and meaningless rituals has on a the individual. In many ways, this is a very effe...