“Truman Capote, as obsessed with fame and fortune as with penning great words, was a writer who became as well-known for his late-night talk show appearances as for his prose” (Patterson 1). Capote was a literary pop star at the height of his fame in 1966, after he had written such classic books as, Other Rooms, Other Voices, Breakfast at Tiffany’s, and In Cold Blood. Postmodernism was a literary period that began after the Second World War and was a rejection of traditional writing techniques. It used fragmented sentences and questionable narrators, as well as many other unconventional techniques, to break the previous barriers of literature. Truman Capote was a major player in the postmodern game, using his own broken childhood to sympathize with a convicted murderer, and invent an entirely new genre of non-fiction literature known as the true crime genre.
The first and possibly most important fact about Truman Capote is that he did not have a happy, or even decent, childhood. His parents split up when he was very young at which point he began to travel around the south with his mother. During this time, Capote’s mother would lock him into hotel rooms for entire days at a time and give the waiting staff specific instructions to ignore his cries. Capote attributes his free-floating anxiety to his mother’s locking him into hotel rooms. As an adult, Capote said about his mother, "She locked me in and I still can't get out". His disturbing childhood is one of the forces that took part in shaping his personality, and ultimately his voice on the page. Capote’s childhood is also one of the things that made connect so strongly with Perry Smith, the murder in his “Non-fiction Novel” In Cold Blood (Kim 4). During Capote’s long interviews ...
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...Its Consequences. New York: Random House, 1966. Print.
Kim, Lydia. "Critical Essay on 'In Cold Blood'." Nonfiction Classics for Students: Presenting Analysis, Context, and Criticism on Nonfiction Works. Ed. David M. Galens, Jennifer Smith, and Elizabeth Thomason. Vol. 2. Detroit: Gale, 2001. Literature Resource Center. Web. 15 May 2014.
"Motif - Definition and Examples | Literary Devices." Literary Devices. N.p., n.d. Web. 15 May 2014.
Patterson, Eric. "Truman Capote: Overview." Contemporary Popular Writers. Ed. Dave Mote. Detroit: St. James Press, 1997. Literature Resource Center. Web. 16 May 2014.
"Point of View - Definition and Examples | Literary Devices." Literary Devices. N.p., n.d. Web. 16 May 2014.
"Truman Capote." Gay & Lesbian Biography. Ed. Michael J. Tyrkus and Michael Bronski. Detroit: St. James Press, 1997. Literature Resource Center. Web. 15 May 2014.
Six years later Truman Capote wrote a very detailed book about the whole case, from the
Truman Capote, and his book In Cold Blood has a tone of tragic and mellow on pages 134-135. These pages we read carefully and analyzed, the two pages have these two sentences that pop out and things make sense. The pages are injected with irony and confusion. Completely contradicting himself, Capote writes about the crime that has happened and the loveable moments in the café.
This lesson will examine the impact of Harper Lee on Truman Capote 's true-crime novel, 'In Cold Blood. ' Lee helped her childhood friend with much of the research for the book, although she was not credited when the book was published.
Truman Capote understood that using the right words and the right time can persuade readers to not only think as you think, but also make the audiences think deeper into the meanings of the words put in front of them. Using various rhetoric devices Capote sparked insight into Holcomb just by describing simple landmark buildings and the surroundings of the town. In one page the audience can completely grasp the concepts and emotions of the village.
Truman Capote establishes respect and trust in what he writes from with audience, ethos, through the use of an extensive variety of facts and statistics, logos. Capote uses so many dates, times, and other facts about the crime committed in the book and the subsequent investigation that the reader has to believe what the author is writing. The use of all these facts shows that Capote did his research and he interviewed, questioned, and obtained the opinions of every person that even slightly important to crime itself and the investigation/trial. The author is obviously very meticulous when it comes to dates and times; every important event in the book has a date and sometimes even a time of day to go with it. Some examples of dates included were the day of the murders (November 15th, 1959), dates of when Perry and Dick were here or there (December 31th, 1959- a small restaurant in Texas or noon on December 25th, 1959- beach in Miami Florida), date when the two criminals were apprehended (January 1st, 1960), dates when they were brought from this prison to that one and finally when they were brought to death’s row (April, 1960). Other small facts are also used by the author, like facts about the criminal’s early lives or experiences that they had, which could only have been obtained through extensive interviews with Perry and Dick. The use of all these logos by Capote establishes strong ethos, showing the reader that the author did more than enough research to show that he has the knowledge to write a whole book on the subject.
Truman Capote showcases his very distinct style of writing in his true crime novel, In Cold Blood. Capote intentionally frames ruthless murderer Perry Smith as a relatable, well-intentioned human throughout the whole novel, and employs various rhetorical devices to show us that Perry is not just a stone cold killer. Specifically, Capote uses diction comprised of complex words, interviews conducted by Capote personally in which he interacted with the suspects and their loved ones, and sentence structure that came off as very to the point, in order to illustrate Perry’s dynamic and unique personality, opposed to the one dimensional heartless murderer many made him out to be.
The film Capote, based on the how the writer of “In Cold Blood” did his research to write his book, a masterpiece of literature, has portrayed Capote’s behavior during his research vividly. Capote’s behavior during the years Perry waits on death row in order to get personal testimony of the night of killings is a controversial topic. Some argue that what Capote did was absolutely necessary for an ambitious writer to create such a master piece while other argue that human ethics is more important than the creation of an ideal “non-fiction noble” and the paths he took to get there are morally ambiguous. Even though he gave the world a milestone in literature, his behaviors seem unethical because he lied, pretended to be a friend of an accused murderer who was in a death row, and did not have any empathy to him.
Print Garson, Helen S. "Truman Capote." Truman Capote. Helen S. Garson, Ph.D. Ungar, 1980. Rpt. in Contemporary Literary Criticism.
Capote's structure in In Cold Blood is a subject that deserves discussion. The book is told from two alternating perspectives, that of the Clutter family who are the victims, and that of the two murderers, Dick Hickock and Perry Smith. The different perspectives allow the reader to relive both sides of the story; Capote presents them without bias. Capote masterfully utilizes the third person omniscient point of view to express the two perspectives. The non-chronological sequencing of some events emphasizes key scenes.
Although Perry lives a complicated life and it’s hard to explain the way he thinks, Truman Capote utilizes rhetorical devices such as imagery and metaphors to make clear his past life, thus relaying what drives him to make the choices he makes.
...ion...” (“Truman” 84). Capote creates a story that was based on true events while being able to evoke emotions out of the readers. The use of an objective writing style was a fundamental part in adding to the garnering of emotions to the story as well. Through In Cold Blood, Capote alerts the audience to “...Ambiguities of the American legal system and capital punishment” (“Truman” 84), stating that in the court of law in America there are some flaws and laws that are obscure in their purpose that one should be weary about. Capote wrote In Cold Blood in order to convey the idea that whenever a person or a group of people is murdered, vengeance is always sought upon the murderers. In a place where everyone knows everyone, it is hard for the community to adjust to the losses without proper compensation, and sometimes the only way is through punishing those by death.
Capote uses different voices to tell the story, creating an intimacy between the readers and the murders, the readers and the victims, and all the other players in this event—townspeople, investigators, friends of the family. This intimacy lead...
In Truman Capote’s non-fiction novel In Cold Blood, the Clutter family’s murderers, Perry Smith and Dick Hickock, are exposed like never before. The novel allows the reader to experience an intimate understanding of the murderer’s pasts, thoughts, and feelings. It goes into great detail of Smith and Hickock’s pasts which helps to explain the path of life they were walking leading up to the murder’s, as well as the thought’s that were running through their minds after the killings.
In the nonfiction novel, “In Cold Blood” by Truman Capote, the author tells a story of the murderers and victims of a slaughter case in Holcomb, Kansas. Instead of writing a book on the murder case as a crime report, the author decides to write about the people. The people we learn about are the killers, Dick and Perry, and the murdered family, the Clutters. The author describes how each family was and makes the portrayals of Dick and Perry’s family different from the Clutters.The portrayal of the Clutters and of Dick and Perry’s families, was used to describe what the American Dream was for each character. In the beginning we learn about what type of family the Clutters were and how they represented the American Dream for the people of Holcomb.
Gerald Clarke, ed. Too Brief a Treat: The Letters of Truman Capote. New York: Random House,