Northrop Frye states in his book Anatomy of Criticism that the tragic hero is “on top of the wheel of fortune, halfway between human society on the ground and the something greater in the sky”. The book also declares that tragic heroes are “inevitable conductors of the power around them”, and conductors may be victims as well as instruments of destruction (website). Willy Loman, the epitome of a tragic hero, brings suffering upon not only himself, but others, including his wife and sons. Willy establishes Northrop Frye's definition of a tragic hero through the suffering of both himself and his friends and family, and this suffering contributes to the great tragic vision of the play as a whole. According to Frye's definition, tragic heroes bring suffering upon themselves. Willy Loman is delusional and has a skewed view on the world he lives in. Willy asserts that he is young, popular, and respected among his family and workmates. Flashbacks of past memories, which interrupt the present day flow of time, prove that Willy is not everything he used to be in his younger years. This constant misconception of time is Willy Loman's main flaw, and he is the main victim in this suffering. Willy's misunderstanding of the world around him is shown in key scenes, such as his conversation with his brother Ben in the garden near the end of the play (Miller 99). The death of Willy Loman is also a consequence of his flaw: Willy's disorganized state of mind causes him to jump into a car and crash. Willy Loman is not the only victim of his tragic flaw. The rest of the Loman family is also affected by Willy's problem. Willy's wife, Linda, is the only one who supports and understands Willy's tragic flaw completely. Linda supports every far-fetched claim her husband makes. She is even described as having “infinite patience” whenever she is conversing with Willy (Miller 99). Willy's two sons, Biff and Happy, are also affected by his flaw. Happy, when in the company of two ladies, claims that Willy is not even his father, and “just a guy” (Miller 91). Later in the play, Biff decides that he does not want to be in his father's life anymore. Biff's problems are simply too much for Willy to handle with his current state of being, even though Willy needs Biff in his life. After both internal and external conflict, Biff reveals to Willy that Willy had been lied to for a number of years, and that the life he lives is essentially a lie (Miller 104).
At the beginning of the play it is evident that he cannot determine the realities of life, and so he repeatedly contradicts himself to establish that his conclusion is correct and opinion accepted. These numerous contradictions demonstrate that Willy is perturbed of the possibility that negative judgements may come from others. Willy strongly believes that “personality always wins” and tells his sons that they should “be liked and (they) will never want”. In one of Willy’s flashbacks he recalls the time when his sons and him were outside cleaning their Chevy. Willy informs Biff and Happy the success of his business trips and how everyone residing in Boston adores him. He mentions that due to the admiration of people he does not even have to wait in lines. He ultimately teaches his sons that being liked by others is the way to fulfilling one’s life and removing your worries. These ideals, that one does not need to work for success, demonstrate Willy’s deluded belief of achieving a prosperous life from the admiration and acceptance of others. This ultimately proves to be a false ideology during his funeral, when an insufficient amount of people arrive. Willy constantly attempts to obtain other’s acceptance through his false tales that depict him as a strong, successful man. In the past, he attempts to lie to his wife, Linda, about the amount of wealth he has attained during his
To quote critic Northrop Frye, “Tragic heroes are so much the highest points in their human landscape that they seem the inevitable conductors of the power about them, great trees more likely to be struck by lightning than a clump of grass. Conductors may of course be instruments as well as victims of the divisive lightning.” One such tragic hero who fits this view is Willy Loman of Arthur Miller’s Death of a Salesman. Throughout the play, Willy’s tragic fall from grace (experienced through Willy’s delusional flashbacks) is shown to have affected those around him--particularly his family--in a negative way. This suffering Willy brings upon those around him contributes to the tragic vision of the work as a whole in that the characters affected by Willy are also forced to deal with tragedy
Willy Loman, one of the few tragic heroes in the modern era, is not very different from other tragic heroes which precede him. Willy, similarly to other protagonists in Aristotle’s tragedies, has a tragic flaw which leads to his eventual downfall. However, Willy’s demise in the 1940s play Death of a Salesman by Arthur Miller, cannot be contributed purely to Willy’s own faults, but also to the actions of surrounding characters. These characters will go on to push Willy into a corner, making it even harder for him to overcome his circumstances, eventually playing a part in the tragic end of Willy Loman. By the end of the play, it is Ben, Biff, and Charley who contributes the greatest to the ultimate demise of Willy Loman.
Willy Loman becomes incredibly involved in work-related matters, instead of the happiness surrounding his family life. He discourages Biff to take his own path, and instead, nearly forces him to become a salesman, in hopes that Biff will be more successful than he turned out to be. Willy tells Biff that his dreams will “cut down (his) life…!” Willy cannot simply hope for Biff and Happy to attain satisfaction in life, which is the element that Willy misses. He is so consumed by the idea of success that he had not once stopped to reflect on being a good father or loving his wife. Having an affair was one of his main problems-he could not put enough love into his family, so he put it anywhere else he could. He visited his mistress on business ventures, which is the only aspect of his life he truly appreciated. Therefore, his home life became full of lies, Biff saying that they “never told the truth for ten minutes.” Miller is, again, critiquing American households, since their typical values revolve more around money and presentation than a loving, kind, and caring home. Willy had a family who loved him, but he neglected to notice this, which lead to his unhappiness. Never placing any type of value of love and kindness can cause a person to become cold and bitter, which is exactly what Willy became. He may have avoided suicide if he had realized the love and care he could have been surrounded
The life of Mr. Loman is one of loneliness, and lies. An online source emphasizes about Willy, “Willy convinces himself that he is successful, well- liked, and that his sons are destined for greatness.” Willy’s mind is consumed with being popular, and having material wealth. The results of Willy’s internal problems resulted with his children that could not be stable in any aspect of their lives, his failing marriage, and him struggling throughout all of his adulthood. Edward states (an online source), “Willy spent his life pursuing the wrong dreams for him. The wrong dream slowly possessed his life.” And also states, “Willy appears to have been obsessed with his goal of being known as a great salesman rather than with actually being a great salesman.” Willy is constantly under attack with thoughts of his past, to the point he has such vivid flashbacks that he will openly be talking to him, but thinking is he talking to people of the past. An online source states, “Unable to cope with reality, he entirely abandons it through his vivid fantasies and ultimately through suicide.” Willy is aware of his mistakes, but spends his time looking forward to the ‘perfect’ future he has planned, but never changes his ways to achieve his goals. Mr. and Mrs. Loman realize how different and happy Willy is when he is working outside with his hands. Both characters recognize
Willy Loman’s character is capable of making errors. He believes he is a very successful salesman and well liked. He also thinks that the company likes what he is doing. He once said, “I’m the New England man. I am vital in New England” (Miller pg. 32) Because of his false belief about his success Howard fired him. After he got fired charley offered him a job, but he refuses to accept, because he is too proud and jealous to work for Charley. His actions were wrong because at no time was a successful salesman. He is not a powerful character. Willy lives in his fantasies where he is the man. Who goes out to another place and comes out rich, he is love by everyone and admired by his family. In real life, he is lazy and does not live up to his own ideals. “As Aristotle explains, a tragic hero must be one of noble character and must fall from power and happiness.”(Www.ccd.rightchoice.org/lit115/poetics.html) but Willy neither has a noble characteristic nor does he fall from power because he does not have a position of power.
Willy Loman’s false pride leads him to believe that he has been successful as a father. He remembers how he was once looked up by his children, especially by his son Biff. However, Willy fails to realize that the relationship he once had with his son Biff has been broken, due to the fact that Biff caught Willy in an affair he was having with another girl; Biff was heartbroken to fin...
Although it is never actually said verbatim, it is obvious that Willy has some kind of mental problem that needs attention. Yet even in his own home, he can't get any help because his family can't bring it upon themselves to help him. This instance depicts the way society would rather "let someone else handle it" than take action and go against what is popular. This example is probably the saddest and most heartbreaking part of the play. A final instance of Willy Loman's alienation is the way he excludes himself from society.
Like countless characters in a play, Willy struggles to find who he is. Willy’s expectations for his sons and The Woman become too high for him to handle. Under the pressure to succeed in business, the appearance of things is always more important than the reality, including Willy’s death. The internal and external conflicts aid in developing the character Willy Loman in Arthur Miller’s Death of a Salesman.
When Willy was young, he had met a man named Dave Singleman who was so well-liked that he was able to make a living simply by staying in his hotel room and telephoning buyers. When Dave Singleman died, buyers and salesmen from all over the country came to his funeral. This is what Willy has been trying to emulate his entire life. Willy's need to feel well-liked is so strong that he often makes up lies about his popularity and success. At times, Willy even believes these lies himself. At one point in the play, Willy tells his family of how well-liked he is in all of his towns and how vital he is to New England. Later, however, he tells Linda that no one remembers him and that the people laugh at him behind his back. As this demonstrates, Willy's need to feel well-liked also causes him to become intensely paranoid. When his son, Biff, for example, is trying to explain why he cannot become successful, Willy believes that Biff is just trying to spite him. Unfortunately, Willy never realizes that his values are flawed. As Biff points out at the end of the play, "he had the wrong dreams."
...s personal failure and betrayal of his soul and family through the meticulously constructed artifice of his life. He cannot grasp the true personal, emotional, spiritual understanding of himself as a literal “loman” or “low man.” Willy is too driven by his own “willy”-ness or perverse “willfulness” to recognize the slanted reality that his desperate mind has forged. Still, many critics, focusing on Willy’s entrenchment in a quagmire of lies, delusions, and self-deceptions, ignore the significant accomplishment of his partial self-realization. Willy’s failure to recognize the anguished love offered to him by his family is crucial to the climax of his torturous day, and the play presents this incapacity as the real tragedy. Despite this failure, Willy makes the extreme sacrifice in his attempt to leave an inheritance that will allow Biff to fulfill the American Dream.
Willy believes that he is much more successful than he is in reality. The first sign of Willy’s illusion about his life occurs rather early in the play. He has the illusion that “[he’s] the New England man. [He’s] vital in New England” (14). In reality any person could have taken Willy’s position at work. This illusion leads to his downfall because as his life begins to fall apart, he lives in the illusion that he has enough money to support his family, so he does not recognize that he has to put the pieces of his reality back together. More towards the end of the play, in an outburst of anger Willy refuses to be called “a dime a dozen” and states “I am Willy Loman, and you are Biff Loman” (132), as if the Loman family is a special figure in society. His unclear view of his place in society leads to his destruction; with only one view of his life, Willy believes that he is living his life to the fullest.
Willy constantly battles with living in the past. Throughout the entire play, he seems to wander off into his confused mind. After Willy returns home early from a business trip, Linda, his wife, and he converse about their son Biff as follows:
In short, Willy Loman's unrealistic dreams caused his downfall. By trying to be successful with material desires and being "well-liked" he failed. By the play's end he had to lose his own life just to provide funding for that of his family. He put his family through endless torture because of his search for a successful life. He should have settled with what he had, for his true happiness included a loving family. Willy's example shows that one must follow their own dreams to be truly accomplished.
Willy’s hubris makes him feel extremely proud of what he has, when in reality he has no satisfaction with anything in his life. Willy Loman’s sons did not reach his expectations, as a father, but he still continued to brag about Biff and Happy in front of Bernard. Willy Loman caused the reader to empathize with him because before his tragic death he did everything he could for his family. Empathy, Hubris, and Willy Loman’s tragic flow all lead him to his death that distends from the beginning. He is unable to face reality and realize that he’s not successful in life or at his job; he remains living in a world where he thinks he’s greater than everybody else because he’s a salesman.