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symbolism in the streetcar named desire
tragedy a streetcar named desire
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A tragedy is a genre of a play, a form of drama that portrays the suffering of a heroic individual who is often overcome by the very obstacles he is struggling to remove. A tragedy excites terror or pity. Each tragedy can be considered a tragedy because it involves a tragic ending to the play as a whole and a tragic hero. However, there are three main different types of tragedies. Firstly, in Greek tragedies, everything is deterministic. For example in the story of Oedipus (where he kills his father and marries his mother), fate is said to be responsible for all the events. This type of tragedy is very entertaining to watch because the protagonist is unable of changing and knowing the events. Greek tragedies are interesting because they followed the "Three Unities" : unity of time, unity of place, and unity of action. Greek tragedies normally took place in a single day, happened at a single location, and had one plot line without any subplots. Greeks used to use this because tension could be built up easily.
Another different type of tragedy is the Shakespearean type, where in general people are great and rise to a greater position. The hero has a fatal flaw in his/her character that makes him/her act in a way that eventually leads to his/her downfall (like in Macbeth where his fatal flaw is his excessive obsession with ambition and power). Another example of a Shakespearean tragedy is Romeo and Juliet because their fatal flaw was excessive passion for each other. Shakespeare did not follow any of the three unities because he felt that it was easier to facilitate the plot.
Finally, another type of tragedy is a modern version of the Shakespearean type. Where someone not great is put into a situation where they are forced to t...
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... a tragedy of Stanley’s incomprehension of Blanche’s needs. However there were many criticisms concerning this statement of this play being a tragedy. There are many factors that contributed to Blanche’s downfall and she seems to fit, the requirements for being a tragic heroine, perfectly. One may think that Blanche Dubois does not fit into the category as a tragic heroine, not because she is not tragic enough, but because she is not sympathetic enough to a heroine.
By writing A Streetcar Named Desire, Williams seems to be playing with different styles of tragedies. The set of the play is in one place (the apartment and its street), so in this way one can consider it as a Greek tragedy. It also seems clear that Williams created an American tragedy with Shakespearean drama in mind. Williams stated that “creating a new, modern tragic form of a play was difficult”.
told Allan "I saw, I know, you disgust me…"( p.96). To Allan, Blanche seemed to
In this paper it will be shown that the functionalists are correct. Functionalists argue that Blanche's self-concept, which she believes is a traditional upper class woman, eventually leads to her mental and emotional breakdown. Feminists argue Blanche is sent off to a mental hospital to hush up Stanley's crime of rape, not because of any illness. Although there is some value to the feminist interpretation, it contains several weaknesses. The following review of some aspects of the plot will reveal some of those weaknesses.
In conclusion, the story of Blanch Dubois in A Streetcar Named Desire is a very sad and pitiful one. Williams stirs the audience's emotions and basically begs them to show Blanch sympathy. I also believe that many people feel as Blanche did, alone, worthless, yet trying desperately to cover their emotion, which reaches out to the viewers in a more personal way. There could not be a more rattling ending than to see old pitiful Blanch dragged off to a nut house, leaving the audience in the same mood Blanche herself would have been.
Death in A Streetcar Named Desire Tennessee Williams uses the theme of death continually in the play ‘A Streetcar Named Desire’ through the use of dramatic imagery and literal references. The characters of Blanche and Mitch are used the most frequently to express Williams’ own obsession with death. Though neither of the characters actually obsesses about death, Blanche’s life has been smothered by the deaths of those she loves and the coming death of Mitch’s mother is an obvious motivation for his actions. Blanche first voices the theme of death in the very first scene whilst discussing the fate that has befallen Belle Reve.
2. What causes Mitch and Blanche to take a "certain interest" in one another? That is, what is the source of their immediate attraction? What seems to draw them together? What signs are already present to suggest that their relationship is doomed/problematic?
“Illusions commend themselves to us because they save us pain and allow us to enjoy pleasure instead. We must therefore accept it without complaint when they sometimes collide with a bit of reality against which they are dashed to pieces” (Sigmund Freud). Illusion can be a part of our lives; however, if taken to the extreme, it can lead one to forget reality. Every individual has problems in life that must be faced with reality and not with illusion, even though it might throw one into flames of fires. Tennessee Williams' play of a family reveals the strength of resistance between reality and desire, judgment and imagination, and between male and female. The idea of reality versus illusion is demonstrated throughout the play. Blanche's world of delusion and fantastical philosophy is categorized by her playful relationships, attempts to revive her youth, and her unawareness in the direction of reality of life. In Tennessee William’s play, A Streetcar Named Desire, through the study of character and tropology, fantasy and illusion allow one to make life appear as it should be rather than as it is.
The drama is basically about a married couple -Stella and Stanley Kowalski- who are visited by Stella's older sister, Blanche. The drama shows the caustic feelings of these people putting Blance DuBois in the center. The drama tells the story of the pathetic mental and emotional demise of a determined, yet fragile, repressed and delicate Southern lady born to a once-wealthy family of Mississippi planters.3 No doubt that the character of Blanche is the most complex one in the drama. She is truly a tragic heroine.
A Streetcar Named Desire is a play of multifaceted themes and diverse characters with the main antagonists of the play, Blanche and Stanley infused by their polarized attitudes towards reality and society ‘structured on the basis of the oppositions past/present and paradise lost/present chaos’(*1). The effect of these conflicting views is the mental deterioration of Blanche’s cerebral health that, it has been said; Stanley an insensitive brute destroyed Blanche with cruel relish and is the architect of her tragic end. However, due to various events in the play this statement is open to question, for instance, the word ‘insensitive’ is debatable, ‘insensitive’ can be defined as not thinking of other people’s feelings but Stanley is aware of what he’s doing understanding the mental impairment he causes Blanche.
How do Blanche Dubois’s interactions with males in A Streetcar Named Desire lead to her self-destruction?
One of the first major themes of this book is the constant battle between fantasy and reality. Blanche explains to Mitch that she fibs because she refuses to accept the hand fate has dealt her. Lying to herself and to others allows her to make life appear as it should be rather than as it is. Stanley, a practical man firmly grounded in the physical world, disdains Blanche’s fabrications and does everything he can to unravel them. The relationship between Blanche and Stanley is a struggle between appearances and reality. It propels the play’s plot and creates an overarching tension. Ultimately, Blanche’s attempts to rejuvenate her life and to save Stella from a life with Stanley fail. One of the main ways the author dramatizes fantasy’s inability to overcome reality is through an explorati...
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
Aristotle once said, “A man cannot become a hero until he can see the root of his downfall.” According to Aristotle, the characteristic of a tragic hero is a man of noble stature and occupies a high status position. There should be a fatal flaw that eventually leads to his downfall, the tragedy is usually raised by its character’s fatal flaw and the audience must feel pity or fear for this character. While there is less pity or fear for Macbeth, Macbeth still is a character who portrays a tragic hero through his nobility, high status position, his hamartia, and error in judgment.
Tennessee Williams’ A Streetcar Named Desire is a play wrought with intertwining conflicts between characters. A drama written in eleven scenes, the play takes place in New Orleans over a nine-month period. The atmosphere is noisy, with pianos playing in the distance from bars in town. It is a crowded area of the city, causing close relations with neighbors, and the whole town knowing your business. Their section of the split house consists of two rooms, a bathroom, and a porch. This small house is not fit for three people. The main characters of the story are Stella and Stanley Kowalski, the home owners, Blanche DuBois, Stella’s sister, Harold Mitchell (Mitch), Stanley’s friend, and Eunice and Steve Hubbell, the couple that lives upstairs. Blanche is the protagonist in the story because all of the conflicts involve her. She struggles with Stanley’s ideals and with shielding her past.
A tragic play is a combination of dramatic scenes that act out a tragic event and usually labors unhappy endings. The play would usually portray the downfall of the main character. According to Aristotle, “Every Tragedy therefore must have six parts, which parts determine its quality—namely, Plot, Character, Diction, Thought, Spectacle, Song.” Based on Aristotle’s definition, Oedipus and Hamlet are a good examples tragedy. They both have been developed with a strong Plot and Characters. According to Aristotle, Plot is considered to be “the soul of tragedy” and very important in a play. Aristotle also implies Character to be second in line when it comes to developing a successful tragedy.
In 350 B.C.E., a great philosopher wrote out what he thought was the definition of a tragedy. As translated by S.H. Butcher, Aristotle wrote; “Tragedy, then, is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; with incidents arousing pity and fear, wherewith to accomplish its catharsis of such emotions. . . . Every Tragedy, therefore, must have six parts, which parts determine its quality—namely, Plot, Characters, Thought, Diction, Spectacle, Melody. (http://www.cnr.edu/home/bmcmanus/poetics.html)” Later in history, William Shakespeare wrote tragedies that epitomized Aristotle’s outline of a tragedy. Shakespeare’s Hamlet is one such tragedy.