Love of Life and Fear of Death in the Works of T.S. Eliot and Yulisa Amadu Maddy Both T.S. Eliot and Yulisa Amadu Maddy have experienced difficulty and hardship in life. Eliot lived through two world wars and Maddy struggled with oppression and poverty growing up in his homeland of Sierra Leone. These life experiences are reflected in their writing. Both of these writers present the reader with the concept of human mortality in such a way that not only is the fear of death prevalent in their
Life Lessons in Yulisa Amadu Maddy’s No Past, No Present, No Future An age-old cliché states that one really never appreciates what he or she has until it is gone. Does this mean that nobody has ever truly appreciated the gift of life while living? Such an assumption cannot easily be made because no one can truly know the experiences or feelings. One can only try to understand by relating it to personal experience. On the other hand, this cliché would seem to explain the changes that people
The Connection of Mortality with One’s Love of Life in T.S. Eliot's The Wasteland and Yulisa Amadu Maddy's No Past No Present No Future Through many writers’ works the correlation of mortality and love of life is strongly enforced. This connection is one that is easy to illustrate and easy to grasp because it is experienced by humans daily. For instance, when a loved one passes away, even though there is time for mourning, there is also an immediate appreciation for one’s life merely because
Amathophobia Death is the great equalizer. We all have unique experiences in life, but we each succumb to the same final fate. Rich or poor, strong or weak, exalted or scorned; everyone is humbled when faced with his own mortality. Death does not play favorites, and Death will find everyone. Though often frightening, some argue that the thought of death also heightens appreciation of life. British novelist EM Forster wrote, "Death destroys a man, the idea of Death saves him." Indeed, knowing
Cultural Decay in T.S. Eliot’s poem "The Waste Land" and Yulisa Amadu Maddy’s novel NO Past, NO Present, NO Future In both T.S. Eliot’s poem "The Waste Land" and Yulisa Amadu Maddy’s novel NO Past, NO Present, NO Future, the characters experience a downfall. It is human nature, though, to experience some sort of self-destruction. W.B. Yeats wrote the line "Things fall apart; the centre cannot hold." Humanity tends to cling to that which is most destructive to itself, whether it is intended or
the good and the bad with a handful of optimism. Works Consulted Eliot, T. S. The Waste Land, Prufock, and Other Poems. New York: Dover, 1998. Life Application Study Bible. Trans. New International Version. Grand Rapids: Zondervan Maddy, Yulisa Amadu. No Past, No Present, No Future. 1973. , Portsmouth, NH: Heinemann-Reed, 1996.
Everyday people take their lives for granted. But after they have faced mortal loss or life-threatening situations, their attitude towards life changes. They soon come to understand that the gift of life is to be appreciated and not taken for granted. Yulisa Amadu Maddy and T.S. Eliot are two writers who through their literature prove that death can change a person’s outlook on life. Both of these authors, however, express this theory differently. For instance Maddy, author of No Past, No Present,
T.S. Eliot's The Waste Land and Morality T.S. Eliot and Yulisa Amadu Maddy both address the topics of fear of death and then correlative love of life, but from entirely different points of view. T.S. Eliot wrote during a time when people were questioning relativity, especially moral relativity and it's effect on life after death. Maddy wrote about young boys who were going through that time in a teenager's life when they realize that they will die someday. Thus, teenagers begin to acknowledge
land" (l. 1-2). Eliot shows the connection between death (emptiness) and life (fulfillment). Flowers and trees awaken and grow after the long, harsh winter months. The plants receive nutrients—and life—from the decayed remains of past vegetation. Yulisa Maddy’s No Past No Present No Future begins with the same ideas of new life beginning out of death. Joe Bengoh, after witnessing the fire that destroys his house, mumbles, "My parents dead?" (3). His callous words hardly conceal his true feelings
Other Poems. New York: Dover, 1998. Gore, Albert Jr., Concession Speech. C-Span.Org: Public Affairs on the Web. 13 Dec. 2000: 24 Jan. 2001. http://www.c-span.org/campaign2000/gorespeech.asp. Jin, Ha. Waiting. New York: Vintage, 2000. Maddy, Yulisa Amadu. No Past No Present No Future. Portsmouth, NH: Heinemann- Reed, 1996. Tanksley, Charlie. Speech on the Proposed New Flag. Ajc.com. 30 Jan. 2001. < http://www.accessatlanta.com/partners/ajc/flag/tankspeech.html>. Taylor, Mark. Remarks
Yulisa Cerezo Engl 001B Dr. Richard Hunt 15 May 2017 Tropico In today’s pop culture, one can see how many artists are trying to create memorable performances to garner an audience in order to convey a message. Typically, artist like to create music videos that have subliminal or explicit video content to get their message across, or they create performances that has a lot of symbolism incorporated. However, other’s like to create short film because they feel that their thoughts or ideas need a