artist, Sofonisba Anguissola. Being the first woman artist, during a time of mainly male artist’s is an achievement in of itself, but her work on self-portraits helped in shaping the renaissance and in advancing the ideal of humanism. Painting since her father sent to her to train under the great painter Bernardino Campi the age of 14. Sofonisba quickly mastered painting techniques, developing such life-like paintings that “they seem to confront nature itself” (Sofonisba Anguissola). Sofonisba Anguissola
Sofonisba Anguissola was born in the bustling city of Cremona, Italy. She was the eldest of seven children, only one of whom was a boy. Both her parents were of noble blood, her father Amilcare Anguissola, and her mother Biance Ponzone. Her name was derived from a Carthaginian princess which stands for, “exceedingly beautiful and notable”. At a very young age, Sofonisba was pushed to her explore her artistic abilities. She showed her skills through bold uses of identity, she shadowed and studied
Sofonisba Anguissola was one of the most prominent female painters of the Renaissance. Not only was she one of only four women mentioned by Giorgio Vasari in his famous Lives of the Artists, she also paved the way for later female artists. One may look at Sofonisba’s upbringing and assume that her talents were a result of her wealth and family background. However, if investigated more carefully through both analytical secondary sources and primary sources, it becomes clear that Sofonisba’s painting
Queen Elizabeth of Valois could as evidence. She gazes into her models attentively, friendly, but very seriously – there is no consciously overworked details. Sofonisba died in 1625, at the age of 93, during her trip to Palermo. Seven years later, her husband set a monument on the grave of Sofonisba with the following inscription: "To Sofonisba, to my wife ... to the one of the most famous women in the creation of outstanding portraits ... Horatio Lomellino, filled with grief because of the loss of
automatically think of great artists like Donatello, Leonardo, Raphael, Michelangelo, Van Gogh, Rembrandt and so forth. However, none of these great fine artists are female. Yes, there are a couple of famous female artists throughout history such as Sofonisba Anguissola, Lavinia Fontana, and Frida Kahlo, but they do not amount to the same number or fame as male artists. Today, many aspiring fine artists are female, but the times for them to shine has barely begun. Women in the fine arts are barely making
Easel, c. 1550, led Sofonisba to work in the Spanish court of King Philip the second as the first female court painter in 1559. Regardless of her artistic talent and international reputation, Sofonisba had never produced the complex multi-nude figure compositions essentially required for large-scale History Painting since she did not have any opportunity to study nude model. In fact, as a virtuous woman artist, she inscribes on her 1552 Self-Portrait that, “Sofonisba Anguissola ‘virgin’ of Cremona
beauty—almost archetypical—and social role. Female portraiture in Italian Renaissance art was not meant to be a direct representation of the individual. During the Renaissance and the Baroque Italian, female artists such as Lavinia Fontana and Sofonisba Anguissola, offering a distinctive view of female artistic perspective at the time, promoted a more assertive image of the woman. This is most apparent when the woman becomes a violent figure as in Artemisia Gentileschi's painting Judith Slaying Holofernes
accepted as aesthetically pleasing reflections of the social ideals of the time. Hence by comparing and contrasting a range of different portraits of depicting men and women of the Renaissance such as Titian’s La Bella, Bronzino’s Eleonora de Medici, Sofonisba Anguissola’s Self Portrait, Vasari’s Alessandro de Medici, Bronzino’s Cosimo de Medici as Orpheus and Pedro Berruguete’s Portrait of Federico da Mentelfeltro, viewers can gain an understanding of the conceptual differences in definitions of masculine
1998), pp. 3-8 Nochlin, Linda. "Why Have There Been No Great Women Artists." Women Artists. N.p., n.d. Web. 01 May 2014. Pamspages. "Femininity versus Feminism in 19th Century Impressionism." HubPages. N.p., n.d. Web. 01 May 2014. Sofonisba Anguissola." Sofonisba Anguissola. N.p., n.d. Web. 06 Mar. 2014. .
Artemesia Gentileschi Artemesia Gentileschi was very different from other artisis of her time. Being a woman painter was all but unheard of during the High Renaissance. She had the style of Caravaggio, while at the same time bringing in women's characters who were in the position of power. Throughout art history, an idea that women are present solely for men to look at has been shown. This could be because men have generally been the target audience, and naked women the subject. In her
However Artemisia also had many problems as an painter of the day. First off, she was female and females (including their work) were not easily accepted during the time, though there were several before her, including renowned renaissance painter Sofonisba Anguissola. Understandably much of her work leaned toward the suffrage of women but showing them in a very powerful, protagonistic, untypical setting. Her teen years unfortunately help refine her as an artist of picturesque suffrage, as she herself was
Across Europe, between 1400 and 1650, there were women present in all major styles of time. They worked along side of great artists and were developing new techniques and styles. Women also played a very important role in the Renaissance. Although not as well documented as their male counterparts, women worked along with the other great masters, were just as innovating, and were key in developing new techniques. Artemisia Gentileschi (1593 – 1652), daughter of a well-known Roman artist, was one
"Known as the Renaissance, the period immediately following the Middle Ages in Europe saw a great revival of interest in the classical learning and values of ancient Greece and Rome" according to the article "Renaissance Art" from History.com. Starting in Italy, the movement spread throughout Europe over a course of time. During this period many changes happen to the world of art. The Renaissance can be divided into phases. The first of these phases is referred to as the Early Renaissance. According