Communication Word count: 999 Name of Speech: Commencement Address to Wellesley Class of 1996 – Nora Ephron Commencement speeches, which are presented in American graduation ceremonies, aim to inspire and motivate. Successfully, Nora Ephron 's commencement speech addressed to the Wellesley Class of 1996; inspired her audience to "be the heroine of [their '] li[ves], not the victim". Through anecdotes, Ephron explored the differences between her education and the graduates at Wellesley College, to remind
appearance of being right.” Appearances are the first thing to catch one’s attention. Whether it be a supermodel, a famous photograph, or the unmistakable golden arches: we take notice. The essays written by Judith Ortiz Cofer, Eric Schlosser, and Nora Ephron demonstrate the effect appearances have on individuals and our society undividedly. In Judith Ortiz Cofer's essay "The Story of My Body," she shares her struggle with appearance and self-esteem. Ms. Cofer admits her definitions of appearance changed
The Necessity of Truth: Censorship in Nora Ephron’s “The Boston Photographs” Originally published in 1975, Nora Ephron’s essay “The Boston Photographs” is both still relevant and controversial almost forty years later. It deals with the series of three photographs that were published in newspapers across the country. The most important one shows a mother and child falling off a collapsed fire escape. Both have their limbs outstretched. If both had survived, maybe the reaction would have been different
rally a protest, yet this is the same society who will pay $8.90 to see a horror movie accepts the sighting, sounds, and vivid image of a gruesome death? Yea okay. If this is acceptable then so is print! While reading The Boston Photographs by Nora Ephron, I really started to take to her way of thinking, and she thinks that newspapers should publish more photos of death. Well I completely agree. Nora's first reason states, "Beyond that, the pictures are classics, old-fashioned but perfect examples
you would lie if you were in his place.” Under most circumstances people in the world today would lie before they tell the true. I believe people would rather stretch the truth, than be honest with themselves and with others. Judith Ortiz Cofer, Nora Ephron, and Eric Schlosser, demonstrate honesty throughout their essays. Cofer’s essay “The Story of My Body” is an autobiography focusing on her childhood; how she honestly felt about herself growing up. She was truthful about her skin color; she did
therefore, this is why photographs are noteworthy. This statement rings valid; many people, including Nora Ephron, agree with it. Moreover, Ephron writes a final essay called “The Boston Photographs”, and she references an occurrence where a woman deceased. The photographs of her and her child falling are visible in news articles. People believe that these pictures were too private. Nevertheless, Ephron believes that newspapers should not censor obscenities from the public because they represent certain
realizing where they are headed. Annie proclaims, “What I really don’t want to do is end up always wondering what might have been, knowing I could have done something”. (Reed) The movie Sleepless in Seattle was produced in 1993 and directed by Nora Ephrons. It stars Meg Ryan playing Annie Reed, Tom Hanks playing Sam Baldwin and Ross Malinger playing Sam’s son Jonah. The film begins with a graveside scene as Jonah and Sam are standing beside the casket of their wife and mother. Sam explains to Jonah
Nora Ephron’s novel, “Heartburn”, is about a naïve cookbook writer (Rachel Samstat) who gets married to a political columnist (Mark Feldman). Soon after, Mark has an affair with an acquaintance of both, him and Rachel’s. Throughout the book, Rachel relates food with the ups and downs of her life. It is her passion. She turns to food in times of joy and in times of crisis and heartache. Throughout her whirlwind of life and marriage to Mark, food is the one consistency, and the one way that helps
The central theme of A Doll's House is secession from society. It is demonstrated by several of its characters breaking away from the social standards of their time and acting on their own terms. No one character demonstrates this better than Nora. During the time in which the play took place society frowned upon women asserting themselves. Women were supposed to play a role in which they supported their husbands, took care of their children, and made sure everything was perfect around the
Character of Torvald and Nora in A Doll's House In Ibsen's "A Doll's House", there are many clues that hint at the kind of marriage Nora and Torvald have. It seems that Nora is a type of doll that is controlled by Torvald. Nora is completely dependent on Torvald. His thoughts and movements are her thoughts and movements. Nora is a puppet who is dependent on its puppet master for all of its actions. The most obvious example of Torvald's physical control over Nora can be seen in his teaching
the lack of communication between Nora and her husband. Nora confides in Dr. Rank, involving him in secrets and everyday conversation. For instance, Rank is the first character to be let in on Nora's secret plan to take Helmer on a "vacation," supposedly paid for by her father. Also, Rank refers to Christine Linde as "a name I have often heard in this house," when Helmer is virtually unaware of Linde's existence (Ibsen 542). The quote further indicates Rank and Nora share things in which Helmer is
bringer of fortune and influence. In his play A Doll's House, Henrik Ibsen portrays, through the character of Nora, the power women are gaining in patriarchal societies. Nora, who symbolizes all women, exercises her power throughout the entire play. She cleverly manipulates the men around her while, to them, she seems to be staying in her subordinate role. In all three acts of the play Nora controls many situations and yields the most power. Act I, along with the introduction of Ibsen's tone and
game of hide and seek that Nora plays with her children, she also plays with her husband. She hides her actions and her true personality from him. He also hides his life from her. Thinking that she would never even understand, he keeps all the business of their relationship secret from her. Although Nora hides from her husband, she also plays the role of seeker. Nora wants to seek out the truth of her life. Much of the play is a game of hide and seek. Excellent. Nora plays a game of "hide and
Henrik Ibsen. Torvald is sometimes portrayed as a sexist pig. Such a reading does an injustice to Torvald. There is more depth to his character if one follows the hints that he had actively covered up for Nora's father. The first hint came when Nora told Kristina that Torvald had given up his government post because there was no prospect of advancement. It may be that there was no opportunity for getting ahead because promotion was slow in the bureau, but it may have been because his most intimate
The Character of Nora in Act 1 of A Doll's House The character of Nora, of Isben's A Doll's House, is particularly difficult to interpret. Her character is constructed by the combination of a number of varying traits. Throughout Act 1 her ambiguity is particularly prominent. Her frivolous, playful moments are readily followed by moments of practicality and astuteness. It is not surprising that Nora is such a changeable character for she is constantly interchanging between three main roles:
reader to follow Nora, the main character, “along her difficult journey to regain her self-esteem and self worth”(Durbach 153). From the very first lines of the play, we notice the status quo between Torvald and Nora. Torvald is the stereotypically strong, dignified husband while Nora is "little skylark twittering" (Isben 148). Torvald's continual reference to Nora using bird names parallels Nora's image of herself. For example, in the first act, Torvald continually refers to Nora as his "little
character, Nora, is in a situation where she is caused to act, emotionally and physically, as a doll to please her husband. Nora has to be very sneaky and conniving in order to be perfect and talked down to by her husband. The translation of this play from Norwegian was a little difficult. The title can either be translated as "A Doll House" or as "A Doll's House". Many people believe either title fits the theme of the play. I believe that the title "A Doll's House" may fit because it is Nora being a
begins on Christmas Eve. Nora Torvald enters the living room carrying packages. Torvald Helmer, her husband, enters. He says that she shouldn’t have spent so much on Christmas gifts. He says that they have to be careful with money for now, but that he got a promotion at the bank that will increase their quality of life. Helene, their maid, says that Dr. Rank has come to visit. Also, Nora’s school friend, Kristine Linde, comes. The two have not seen each other in years. Nora tells Linde about her life
Imprisonment in A Doll’ s House In a Doll’ s House, a certain number of imprisonment effects are at hand. Characters such as Nora or Kristine, are condemned either by poverty or by the situation or even by the role that women were expected to play and accept in this very conventional society, regardless of the fact that they were, despite this, respected and considered as the “pillars'; of society. In the play “A Doll’s house';, all the main characters are imprisoned
Rebellion of Nora and Mrs. Linde in A Doll's House An underlying theme in Ibsen's play, A Doll's House is the rebellion of Nora and Mrs. Linde against society. Over the course of the play, Nora and Mrs. Linde both experienced an evolution from passive victims in a life pre-programmed for them by society to active agents in an uncertain and insecure life. In an effort to save her husband's life, Nora has committed forgery and Krogstad is ready to use this information in order achieve his goals: