James Tait Black Memorial Prize Essays

  • The Important Role of the Marabar Caves in A Passage to India

    2641 Words  | 6 Pages

    The Important Role of the Marabar Caves in A Passage to India During the fourteen years that followed the publication of Howards End, Edward Morgan Forster underwent a harsh mood change that culminated in the publication of A Passage to India, Forster's bitterest book (Shusterman 159).  Forster was not alone in his transition to a harsher tone in his fiction.  A Passage to India was written in the era that followed the First World War.  George Thomson writes that the novel

  • Gender Bias in the 1920’s as Portrayed in "A Passage to India"

    2299 Words  | 5 Pages

    that the female characters are not smart or important in society. Ma... ... middle of paper ... ...chnique 20.3 (1990): 331-41. JSTOR. Web. 4 Mar. 2011. . Sharpe, Jenny. “A Passage to India by E.M. Forster.” Contemporary Literary Criticism. Ed. James P Draper, Jennifer Brostrom, and Jennifer Gariepy. Vol. 77. Detroit: Gale, 1993. 253-57. Rpt. of “The Unspeakable Limits of Rape: Colonial Violence and Counter-Insurgency.” Genders 10 (1991): 25-46. Literature Criticism Online. Web. 4 Mar. 2011. .

  • Modernism in Forster's A Passage to India

    3463 Words  | 7 Pages

    Modernism in Forster's A Passage to India When considering the novels of E.M. Forster, it is natural to recall the reserved landscapes of the Merchant and Ivory cinematic versions. Gauzy images - green hills, languorous boat rides, tender embraces - these impressions, cousins, really, to Jane Austen's plots and settings, are remembered as period pieces seldom associated with the literary experimentation of Virginia Woolf or the winsome angst of the lost War poets. It seems - does it not

  • A Passage to India by Forster

    661 Words  | 2 Pages

    novel in the 1920’s had different views on women than it has today a... ... middle of paper ... ...ique 20.3 (1990): 331-41. JSTOR. Web. 4 Mar. 2011. . Sharpe, Jenny. “A Passage to India by E.M. Forster.” Contemporary Literary Criticism. Ed. James P Draper, Jennifer Brostrom, and Jennifer Gariepy. Vol. 77. Detroit: Gale, 1993. 253-57. Rpt. of “The Unspeakable Limits of Rape: Colonial Violence and Counter-Insurgency.” Genders 10 (1991): 25-46. Literature Criticism Online. Web. 4 Mar. 2011. .

  • A Passage to India by E. M. Forster

    1542 Words  | 4 Pages

    When reading the novel A Passage to India or watching the film of the same name, the characters a reader or viewer remembers are Aziz, Adela, Ronny, Mrs. Moore, and many more. There is one character within the story that fails to receive the credit that is due to her: India herself. Throughout the entire novel, E. M. Forster provides thoughts and words for India, though she cannot truly speak. David Lean also attempts to create a separate persona for India in his film. The two of them, in their

  • A Clash of Cultures in A Passage To India

    4248 Words  | 9 Pages

    A Passage To India is a classic example of how different cultures, when forced to intermix, misunderstand each other, and what consequences stem from those misunderstandings. All of Forster's greatest works deal with the failure of humans being able to communicate satisfactorily, and their failure to eliminate prejudice to establish possible relationships. A Passage To India is no exception. (Riley, Moore 107) To understand Forster's motive, it must be established that he is a humanistic writer

  • An Inward Collapse of the Human Perspective in Forster's A Passage to India

    3963 Words  | 8 Pages

    An Inward Collapse of the Human Perspective in Forster's A Passage to India The reverberation of sound in the form of an echo is threaded throughout E.M. Forster's A Passage to India, and the link between the echo and the hollowness of the human spirit is depicted in the text. The echo is not heard in the beginning of the text when the English newcomers, Mrs. Moore and Ms. Quested, arrive in India; it is more clearly heard as their relationship with India gains complexity. The influence of the

  • A Loss of Innocence

    1009 Words  | 3 Pages

    D.H Lawrence’s The Rocking Horse Winner and William Golding’s Lord of the Flies view children as easily manipulated figures. D.H. Lawrence’s short story demonstrates how easily children, Paul, can be influenced into believing that money and luck indicate one’s level of happiness. William Golding’s novel tries to show that all children are evil and have savage impulses. A common theme in both of these works is that children create their own downfall and loss of innocence. In D.H. Lawrence’s The Rocking

  • Walter De La Mare Research Paper

    634 Words  | 2 Pages

    was born on April 25 1873, and up until his death in June 22, 1956 lived a very uneventful life. Born to a principal at the bank of England by the name of James Edward De La Mare, he lived in a very privileged household. His mother, Lucy Sophia Browning, who was the daughter of a Scottish naval surgeon and author Dr. Colin Arrot Browning, was James’ second wife. Many believe his mother his mother was related to poet Robert Browning but this is false. Together his parent had two sons, and four daughters

  • William Golding's Lord Of The Flies

    607 Words  | 2 Pages

    William Golding Sir William Golding, best known for his novel Lord of the Flies, was an author, poet, playwright, and an overall intriguing man. He grew up in a town in Cornwall, England and attended school where his father was the schoolmaster. Throughout his life, Golding held a wide variety of jobs, such as a teacher and a member of the royal navy. After his career took off, William won a multitude of awards for his writing abilities. William Golding was born in Cornwall, England in 1911 to parents

  • William Golding

    1180 Words  | 3 Pages

    William Golding, bestselling English author, is famous for his dystopian novel, Lord of the Flies, translated into more than thirty-five languages. He is also known for his complex symbolism and themes of the struggle between good and evil. William Golding, born in Cornwall, England on September 19, 1911, was raised in a fourteenth century house located next door to a graveyard. From an early age, Golding believed he would grow up to become an author, unsuccessfully attempting to write a novel

  • No Country For Old Men Research Paper

    1059 Words  | 3 Pages

    into a film by the Coen brothers. This film won four Academy Awards, which included best picture and best writing adapted screenplay. The most recent novel that McCarthy has published is The Road in 2006, which he won The Pulitzer Prize and the James Tait Black Memorial Prize. It was also adapted into a film in

  • The Road by Cormac McCarthy

    885 Words  | 2 Pages

    he revealed that some of the conversations he and his son shared in the novel were real conversations they had shared in real life. In 2006, McCarthy was given the Jame Tait Black Memorial Prize in fiction and was a finalist for the National Book Critics Circle Award for fiction. Later, in 2007, The Road was awarded the Pulitzer prize for fiction and soon after the novel was adapted into a film. In turn, The Road generates many themes throughout the book, but the most prominent is the unbreakable

  • Brave New World by Aldous Huxley

    910 Words  | 2 Pages

    his degree in 1915. Aldous Huxley wrote 47 books, but one of his most well-known novels, and some critics argue his most important, would be Brave New World. Huxley wrote it in only four months. Aldous Huxley won many awards; he won the James Tait Black Memorial Prize for Fiction from the University of Edinburgh in 1939, for his novel After Many a Summer Dies the Swan. In 1959, he received the Award of Merit and Gold Medal from the American Academy and Institute of Arts and Letters, and he also accepted

  • Angela Carter Research Paper

    1333 Words  | 3 Pages

    Angela Carter was an English writer born Angela Stalker in 1940, well known for her dark imagery and powerful female characters. She won the James Tait Black Memorial Prize for her novel Nights at the Circus. Monica Garcia: So Ms. Carter when did you first start to write? Angela Carter: Well, sometime after I finished high school I worked as a journalist for the Croydon Advertiser, from there I went to study English literature at the University of Bristol. MG: What lead you to write the Bloody Chamber