Course Reflection The use of drama and play techniques in therapeutic situations has always intrigued me. The opportunity to experience a drama therapy course was too much for me to miss. Although my daughter is in the drama therapy program, I was not prepared for the weekend workshop. According to the course title the subject would be about how to create a playful connection with the therapist. I assumed that I would learn how to use play and specific techniques in a therapeutic setting. Although
focused the importance of games for the social and emotional development of children and adults. The article expounds on the significance of group therapy that contains the use of verbal games in a psychiatric setting with late adolescents who suffer from instability in their environments. The authors described each game that was used in group therapy along with the significance of the game as a therapeutic and a diagnostic tool (Weil & Pascal, 1990). There are clear limitations of this research
Thesis statement The aims and intentions of this essay is to discuss and evaluate the ways of how social change exists in applied theatre in non-traditional settings, as well as the educational, social and therapeutic mission of this change. We will do this discussion by under-taking an evaluation of theatre companies such as Crag Rats and organizations which work under Open Clasp theatre, Forum and Reminiscence theatre. Theatre for social change is a non-traditional theatre developed in marginalized
My response to both productions of Musical comedy murders of 1940’’ and “Beyond Therapy.” First of all, I’m going to start with musical comedy murder of 1940. Before the play started I was skeptical about watching a play because I thought it was going to be boring. I had a long time not attending to a theatrical play so; I kind of forgot how it felt to be watching a live play. When I arrived to the theater I felted welcome pleasant from the people who welcomed everyone to come inside the theatre
Allan H. "The Aristotelian Catharsis." The Philosophical Review 35.2 (1926): 301-14. Web. 5 Apr. 2014. Lucas, F.L. Tragedy in Relation to Aristotle's Poetics. London: Hogarth Press, 1928. Print. Swann, Darius L. "Indian and Greek Drama: Two Definitions." Comparative Drama 3.2 (1969): 110-9. Web. 5 Apr. 2014.
Phillip Kaufman’s 2001 film Quills represents the last year of the Marquis de Sade’s life in the Charendon Insane Asylum as a struggle between good versus evil. While this may be thematically correct in terms of the de Sade’s overall life, Kaufman takes many liberties with the actual historical record. The historian must ponder whether or this is a valid approach. Does Hollywood have an obligation an obligation to remain true to history? I contend the film is a historical fiction whose only charge
southern Chinese court of Wu-hou. Called kiak in Korea and gigaku in Japan, the Aryan features of some of its masks clearly indicate Indian (or Central Asian) influence. Such complicated genealogies are common in East Asian performing arts. Korean drama has its origins in prehistoric religious rites, while music and dance play an integral role in all traditional theatrical performances. A good example of this classical theatrical form is the masked dance called sandaenori or talchum, a combination
My Childhood Memory It was the fourth grade. I always heard rumors and gossip about a certain teacher. This year, kids said to take any teacher except Mrs. Williams, the oral project teacher. Of course in elementary, we did not have a choice of which teacher to choose. Boy, I was shocked when I glanced at the window that had my schedule. Just by looking at that plain white piece of paper sticking on a safety-glass window, I knew it was going to be a bad year. The old, grouchy, strict, and mean
Bloomfield observed in 1952, an understanding of the sins might provide a means of understanding the quality and “absolute worth” of the “medieval fabric” (243). Certainly, the sins appear throughout the literature of the Middle Ages. In sermon, drama, and verse, the sins are seen as the chief weapons of humanity’s three ancient foes, the world, the flesh, and the devil. From the unknown authors of the Celtic penitentials to the more artistically driven Chaucer, Langland, and Gower, the sins appear
nature in the opening scene. Yank is given to outbursts of violent threats against his fe... ... middle of paper ... ...Scene Five.” The Eugene O’Neill Review 17.1-2 (1993): 39-43. Massa, Ann. “Intention and Effect in The Hairy Ape.” Modern Drama 31.1 (1988): 41-51. O’Neill, Eugene. The Hairy Ape. Four Plays by Eugene O’Neill. New York: Signet, 1998. ---. “O’Neill Talks about his Plays.” O’Neill and His Plays: Four Decades of Criticism. Ed. Oscar Cargill, N. Bryllion Fagin, and William
individuals create an icon to represent themselves. We construct ourselves by allowing our true self be viewed by people worldwide without the fear of rejection. Turkle claims that the online world allows us to “project ourselves into our own dramas, dramas in which we are producer, director, and star.” (Soules, 2001). We create fictional characters with different personali... ... middle of paper ... ...ss: http://www.com.washington.edu/rccs/intro.asp Retrieved: November 18, 2004 9. Soules
Everyman's Journey Everyman, a short play of around 900 lines, portrays the best surviving example of the Medieval Drama known as the morality play, which evolved side by side with the mystery plays, although written individually and not in cycles like the mystery play or ritual play. The morality play was a form of drama that was developed in the late 14th century and flourished through the 16th century in British Literature. The characterizations used in the works were typically based on the
The Dangers of Shirking Responsibility in Arthur Miller's All My Sons Arthur Miller's All My Sons is a well-made play in every sense of that term. It not only is carefully and logically constructed, but addresses its themes fully and effectively. The play communicates different ideas on war, materialism, family, and honesty. However, the main focus, especially at the play's climax, is the issue of personal responsibility. In particular, Miller demonstrates the dangers of shirking responsibility
Athol Fugard's drama, "Master Harold" . . . And The Boys, was written during a time of great conflict in South Africa, where he was raised. Fugard was torn between his mother, who was "Afrikaaner," (1291) and his father, who was "of English decent" (1291). These differing influences caused Fugard to use the discussions between Sam and Hally to demonstrate the religious, racial, and political tensions of his lifetime in South Africa. The discussion between Sam and Hally about
The Wisdom of Frost Exposed in The Oven Bird These seemingly negligible birds, symbols of the lyric voice, have intuited the Oven Bird's lesson and are the signs by which one is meant to divine Frost's acceptance of the linguistic implications of the fall from innocence. The Oven Bird, who watching "That other fall we name the fall" come to cover the world with dust, "Knows in singing not to sing." Instead, "The question that he frames in all but words / Is what to make of a diminished thing
... middle of paper ... ... the fate of Oedipus. These tragedies started off as Dithyrambs which formed from myths to stories that wee translated into words of song in addition to physical movement. They were the first step toward a literary drama with both tragedy and comedy. These plays were demonstrated at the city of Dionysus featuring Greek actors such as Thespis. The plays consisted of three unities. The unity of action, time and place. The all united to form a whole with a ‘certain degree
The Relevance of Aristotle’s Poetics to the World Today The Canadian novelist Michael Ondaatje, in his last novel titled In the Skin of a Lion, wrote that "the first sentence of every novel should be: Trust me, this will take time but there is order here, very faint, very human" (Ondaatje 223). Ondaatje noted that what makes a novel a novel is order or, as that order is sometimes referred to today, plot and structure. It is that structure that we, as both the audience and the artist, rely
Realism in Arthur Miller's Death of a Salesman Realism may be defined as an attempt to reproduce the surface appearance of the life of normal people in everyday situations (Kennedy 1410). Basically realism is a situation that normal people can relate to based on their own experiences. Realism is extremely prevalent in the play Death of a Salesman. The characters in the play have real world problems. Lack of money is one of the problems, which is a problem for many people. There are also many
The Importance of Biff in Death of a Salesman by Arthur Miller The play "Death of a Salesman", by Arthur Miller, follows the life of Willy Loman, a self-deluded salesman who lives in utter denial, always seeking the "American Dream," and constantly falling grossly short of his mark. The member’s of his immediate family, Linda, his wife, and his two sons, Biff and Happy, support his role. Of these supportive figures, Biff’s character holds the most importance, as Biff lies at the center of Willy’s
We all look for our beginnings. Whether we look for them in our personal life or in our professional life, we still look for them. As I was looking around the theatre recently, I was looking at and wondering where the idea of the theatre came from. Rather, who built it and why it is built the way it is. Who made the first one? Where do the roots of the theatre lay? All very good questions that I hope will be answered. In the beginning of time, man did not understand the complex workings of the