Compare/Contrast Dracula and Bram Stoker's Dracula A noticeable difference in the way movies have changed over the years is evident when comparing and contrasting two films of different eras which belong to the same genre and contain the same subject matter. Two vampire movies, Dracula and Bram Stoker's Dracula, present an interesting example of this type of study. Comparing the 1931 version of Dracula, starring Bela Lugosi, with Frances Ford Coppola's Bram Stoker's Dracula 1993 version yields
Coppola's Adaptation of Bram Stoker's Dracula The legendary creature Dracula has mesmerized readers and viewers for nearly a century. In Bram Stoker's masterpiece, Dracula, the infamous monster affects each reader in a different way. Some find the greatest fear to be the sacrilegious nature of his bloodsucking attacks, while others find themselves most afraid of Dracula's shadow-like omnipresent nature. The fascination with Dracula has assimilated into all parts of society. Dracula can now be
Bram Stoker's Dracula In act 2 scene 6 and act 3 scene 6 of the play ‘Dracula’, the playwrite creates impressive tension by using spine-chilling, ghostly settings, and slyly showing us situations in which characters such as vampires, prey on vulnerable characters such as Mina. Also, he uses soliloquies to give the opposing character no power. Also, by using soliloquies in these scenes he gives the point of view from the weak characters’ eyes. Firstly, the playwrite creates impressive
Paternalism in Bram Stoker's Dracula Paternalism is the domination of a society by a male or parental figure that leads or governs much like the way a father would direct his family. In Victorian society, the idea of paternalism was prevalent. The idea was also frequently used as a motif in western literature. Bram Stoker's novel Dracula, published in 1897, depicts a paternalistic society through a repression of the female sex and a continuous exaltation of the domineering male sex
Bram Stoker’s legendary novel, Dracula, is not simply any literary piece of gothic-spawning fiction, but rather a timeline containing the popular thoughts, ideas, and beliefs of the Victorian era that paints a vivid description of what society was like for Bram Stoker’s generation. The dated ideas reflected in Dracula focus primarily on the concepts of lust, intimacy, and immorality as they were depicted during the late 19th and 20th century, in what was considered a relatively conservative society
Repressed Sexuality in Bram Stoker's Dracula Perhaps no work of literature has ever been composed without being a product of its era, mainly because the human being responsible for writing it develops their worldview within a particular era. Thus, with Bram Stoker's Dracula, though we have a vampire myth novel filled with terror, horror, and evil, the story is a thinly veiled disguise of the repressed sexual mores of the Victorian era. If we look to critical interpretation and commentary to
Gothic originates from the Northern tribes that invaded Europe in the 4th, 5th, and 6th centuries. When founded, Gothic writings were created to express new feelings toward order, nature, and emotion. Resulting from connecting all key elements together, Bram Stoker created one of the most well written Gothic novels of all time. Stoker includes gothic elements in his characterization, setting, and plot to expand the consciousness of his characters and readers, while simultaneously expanding the boundaries
Bram Stoker's Dracula is Anti-Christian There are many ways that Bram Stoker's Dracula can be considered Anti- Christian by showing of Anti-Christian values and perversions of the Christian religion. In chapter one as Jonathan Harker is traveling to Castle Dracula he is met by several people. When he meets these people and tells them where he is going they cross themselves along with doing several other superstiscious actions. One of the women he meets gives him a crucifix to protect him
The Treatment of Women in Bram Stoker's Dracula In reading Bram Stoker's Dracula, I find the treatment of the two main female characters-- Lucy Westenra and Mina Harker-- especially intriguing. These two women are two opposite archetypes created by a society of threatened men trying to protect themselves. Lucy is the Medusa archetype. She is physically attractive, and wins the heart of any man who comes near her (e.g. Arthur, Quincey, Jack, and Van Helsing). Her chief quality is sensual beauty
characters. Dracula is written as an epistolary but is also written with characters similar to people who lived at the same time as bram stoker or how being completely dependent on technology can lead to problems. This is why Dracula is written in a way to warn against forgetting history and letting it repeat. Dracula is written as an epistolary which is the first way Bram Stoker tries to warn about forgetting the past. Every time the point of view changes in Dracula there is a little notation saying
also thinkers. Stoker, as an author, not only brings us into the novel Dracula, but expects us to be a part of it as well. This allows not only the question of what we see, but what we feel as well. Seeing as though blood is an extravagant symbol in Bram Stoker's Dracula, I began to see it all around. Blood covered the walls of the castle. Blood stained many
Vampires, they have sharp teeth, black capes, perfect skin and black hair, one of the key inspirations to how we see the vampire today is Bram Stoker's book Dracula, written in 1897. Over time the idea of a vampire has evolved from the standard can't go out in the sun and can only drink human blood to sparkling in the sun and can live off of a animal's blood. Either the change occurred from the evolution of writing styles or just written in a way to make a book as popular as possible. This essay
One of these authors, Bram Stoker, and his prolific monster known as Dracula, are quite frequently referenced in modern media. Bram Stoker was born in Ireland as the third of seven children in 1847, staying bedridden from a childhood illness until the age of seven. His father’s civil service job did not make enough to support the family of nine and thus Stoker grew up very poor (“Bram Stoker” 1). Stoker was formally taught by a tutor until entering Trinity
Dracula as the Persecuted Outsider in Bram Stoker's Dracula Bram Stoker's Dracula is highly acclaimed and has received many different interpretations which deal with complex symbolisms and metaphors. These interpretations often require a great deal of knowledge in psychology, political science, anthropology, and other non-literary disciplines. These interpretations may be valid, as they are related to the disciplines on which their arguments are based, but the true power of the novel is due
Bram Stoker entertained a subject that was not an appropriate manor to be discussed during the time period in which it was written; sex, within the text of Stoker’s novel Dracula was something that both fascinated and horrified its audience. The concepts of this novel dove deep beneath the surface of normal sexual enticements, and gave the readers an image of abnormal sexuality between that of a human and a vampire, of normal person and a person of great power, of men and women, and even of men and
in mythology, with many variations of them around the world. Although the most famous version is Bram Stoker’s Dracula, many variants have come before and after telling of the same legend with their own added ideas and modifications to relate to their cultures. Today, there is a multitude of literary and film works that convey and resurface peoples’ fear of vampires. As gothic works like Dracula, by Bram Stoker and Scooby-Doo! and the Legend of the Vampire directed by Scott Jeralds share certain traits
The first ever adaptation of the famous novel Dracula by Bram Stoker, was produced in 1922. Since then, it has set the standards for many popular Dracula films following. Some of the most iconic original Dracula films have influenced modern day vampire films, books, and TV series interpretations of appearance, abilities, monster, and underlying sexual stigmas. Dracula, like any vampire, is best known for his distinct, sharp fangs. Long tapering fangs allow a vampire to easily pierce the skin of
The term was a reaction against the long-held notions of femininity and the proper social sphere for women. Many people of the Victorian era were against this alternative lifestyle, which gave women new found freedom in many aspects of their lives. Bram Stoker use the women in Dracula as a tool to insist that if Victorian women evolve into ‘The New Woman’, they need to continue to submit to men and continue to be maternal people with no sexual desire. ‘Good’ women in the Victorian era were believed
Victorian England, as depicted in Bram Stoker’s Dracula was a much different time then the world that we live in today, this much should be obvious. The biggest difference, perhaps, is the one that is seen through the gender roles expressed in the novel. In Victorian England women were expected to maintain their chastity, at least until marriage or they would be shunned from society, or looked down upon. Once married they had “womanly duties” that were expected of them, duties that depended on them
changed many different people’s lives, including the life of the man who wrote it. The places that Bram Stoker has visited and experiences the he has gone through can be seen in Dracula as well as in several of his other novels. His experiences have led to a novel that is still widely read and has inspired other author’s works. All of this success from a man who was not expected to live long. Abraham (Bram) Stoker was born on November 24, 1847 in Clontarf as a premature. He was the third of seven children