In Their Eyes Were Watching God, by Zora Neale Hurston, the relationship between Janie and Nanny is one of great dispute over if it is healthy or not. The idea that the most influential person in Janie’s life is also the one who triggered her struggles when she was becoming a woman is sadly ironic. Nanny’s true influence on Janie is brought to light through symbolic, and decaying diction, Biblical, and Greek Mythological allusions, and natural metaphors, by describing Janie’s journey to womanhood, through finding her own opinion, acquiring a stable life from Nanny, her maturation, and what she gained when becoming a woman.
Through the use of symbolic diction, decaying diction, and metaphors, Hurston illustrates Janie’s inner struggle around accepting Nanny’s opinions as the correct ones. Inside Janie’s conscious self, “There is a basin in [her] mind where words float around on thought and thought on sound and sight…” where she can think freely with thoughts that are, “…untouched by words” (24). This is a place where Janie can flourish by thinking about ideas without being inhibited by peer pressure. To truly understand the ideas formed in Janie’s mind, it is necessary for Janie to get in touch with her body and herself. However, through symbolic diction, it is clear that Janie’s impressionability leads her to not completely understand these thoughts; she has not reached the level of maturity necessary for this level of self-reflection. These qualities cause Janie to have the tendency to mirror Nanny’s opinions on issues, even when she internally disagrees with them. This tension is demonstrated when, “Nanny entered this infinity of conscious pain again on her old knees” (24). The “conscious pain” (24) which Janie speaks...
... middle of paper ...
... Nanny’s ideals, values, and opinions. Every aspect of Nanny was drilled inside of Janie, and once Nanny died, Janie was finally a free woman. The reason Janie was able to truly become a woman was because she realized that she was able to become a woman because when Nanny died she set her free.
During the journey that Janie went through when she became a woman she gained self-knowledge, and understood on a deeper level why Nanny did things. While Janie matured, it looked at first glance like Nanny was hindering her advancement. However, Nanny’s controlling actions were justified by her belief that she was doing the right thing, and that God would look after Janie. It is difficult to become a person unimpeded by what other people think, it took Nanny’s death for Janie to be released of an important influence, and never return to this time in her life.
In Zora Neale Hurston's novel, Their Eyes Were Watching God the character of Nanny dies in the beginning of Janie's adventures, but her influence is felt throughout the book. In this way, she is a minor character with effects on the major character. This makes Nanny important. The reader learns a lot about Nanny in last paragraph of chapter two, mainly from her dialogue, including unique syntax and diction, and imagery.
In, Their Eyes Were Watching God, the author takes you on the journey of a woman, Janie, and her search for love, independence, and the pursuit of happiness. This pursuit seems to constantly be disregarded, yet Janie continues to hold on to the potential of grasping all that she desires. In, Their Eyes Were Watching God, the author, Zora Hurston illustrates the ambiguity of Janie’s voice; the submissiveness of her silence and the independence she reclaims when regaining her voice. The reclaiming of Janie's independence, in the novel, correlates with the development and maturation Janie undergoes during her self discovery.
As Janie is growing up she has to learn to accept her Nanny’s belief of how a woman is supposed to live in society. Nanny grew up in slavery so she believes that the role of men is to support his wife financially. Nanny thinks Janie should marry a man according to how successful he is and Janie should keep up the household responsibilities. Janie’s grandmother said, “Ah been waitin’ a long time, Janie, but nothin’ Ah I
Of least significance to Janie is her first husband, Logan Killicks. Hurston uses pathos to show that Janie and her first husband are not meant to be even though society thinks otherwise. Nanny thinks that Logan is really made for Janie, but Janie doesn’t love Logan. Janie tells Nanny, “Cause you told me Ah
In the novel Their Eyes Were Watching God by Zora Neale Hurston, Janie Crawford, the protagonist, constantly faces the inner conflicts she has against herself. Throughout a lot of her life, Janie is controlled, whether it be by her Nanny or by her husbands, Logan Killicks and Joe Starks. Her outspoken attitude is quickly silenced and soon she becomes nothing more than a trophy, only meant to help her second husband, Joe Starks, achieve power. With time, she no longer attempts to stand up to Joe and make her own decisions. Janie changes a lot from the young girl laying underneath a cotton tree at the beginning of her story. Not only is she not herself, she finds herself aging and unhappy with her life. Joe’s death become the turning point it takes to lead to the resolution of her story which illustrates that others cannot determine who you are, it takes finding your own voice and gaining independence to become yourself and find those who accept you.
The first two people Janie depended on were her Grandmother, whom she called Nanny, and Logan Killicks. Janie’s marriage to Logan Killicks was partially arranged by Nanny. Nanny had felt the need to find someone for Janie to depend on before she died and Janie could no longer depend on her. At first, Janie was very opposed to the marriage. Nanny responded with, “’Tain’t Logan Killicks Ah wants you to have, baby, it’s protection. ...He (God) done spared me...a few days longer till Ah see you safe in life.”(p.14) Nanny instilled the sense of needing a man for safety on Janie that Janie keeps with her throughout her life. After Nanny’s death, Janie continued to stay with Logan despite her dislike for him. She would have left immediately, however, if she did not need to depend on him.
Identity is something every human quests for. Individuals tend to manipulate views, ideas, and prerogative. Janie's identity became clay in her family and friends hands. Most noteworthy was Janie's grandmother, Nanny. Janie blossomed into a young woman with an open mind and embryonic perspective on life. Being a young, willing, and full of life, Janie made the "fatal mistake" of becoming involved in the follies of an infatuation with the opposite sex. With this phase in Janie's life Nanny's first strong hold on Janie's neck flexed its grip. Preoccupation with romantic love took the backseat to Nanny's stern view on settling down with someone with financial stability. Hence, Janie's identity went through its first of many transformations. She fought within her self, torn between her adolescent sanction and Nanny's harsh limitations, but final gave way and became a cast of Nanny's reformation.
Nanny let Janie believe that she would find love after she is married by saying, “‘ Yes, she would love Logan after they were married’”(21). Which in the long run distorted her view on finding love. Also, Nanny doesn’t let Janie go for someone who doesn’t have it together. She say, “‘Whut Ah seen just now is plenty for me, honey, Ah don’t want no trashy nigger, no breath-and-britches, lak Johnny Taylor usin’ yo’ body to wipe his foots on’”(27). Ever since then, Janie had the mindset of Nanny. Nanny doesn’t want Janie to settle for less than what she is worth. Nanny isn’t all to blame for giving Janie this false perception. Nanny knows what it’s like to try to make a good living in this time while being black and a woman. So she wants Janie to live in a protective
Through her three marriages, the death of her one true love, and proving her innocence in Tea Cake’s death, Janie learns to look within herself to find her hidden voice. Growing as a person from the many obstacles she has overcome during her forty years of life, Janie finally speaks her thoughts, feelings and opinions. From this, she finds what she has been searching for her whole life, happiness.
The role of women in a black society is a major theme of this novel. Many women help demonstrate Hurston's ideas. Hurston uses Janie's grandmother, Nanny, to show one extreme of women in a black society, the women who follow in the footsteps of their ancestors. Nanny is stuck in the past. She still believes in all the things that used to be, and wants to keep things the way they were, but also desires a better life for her granddaughter than she had. When Nanny catc...
Janie who continually finds her being defined by other people rather than by herself never feels loved, either by her parents or by anybody else. Her mother abandoned her shortly after giving birth to her. All she had was her grandmother, Nanny, who protected and looked after her when she was a child. But that was it. She was even unaware that she is black until, at age six, she saw a photograph of herself. Her Nanny who was enslaved most of her lifetime only told her that a woman can only be happy when she marries someone who can provide wealth, property, and security to his wife. Nanny knew nothing about love since she never experienced it. She regarded that matter as unnecessary for her as well as for Janie. And for that reason, when Janie was about to enter her womanhood in searching for that love, Nanny forced her to marry Mr. Logan Killicks, a much older man that can offer Janie the protection and security, plus a sixty-acre potato farm. Although Janie in her heart never approves what her Nanny forced her to do, she did it anyway. She convinced herself that by the time she became Mrs. Killick, she would get that love, which turned out to be wrong.
Nanny was determined that Janie would break the cycle of oppression of black women, who were "mules for the world". (Both of Janie's first two husbands owned mules and the way they treated their mules paralleled to the way they treated Janie. Logan Killicks worked his mule demandingly and Joe Starks bought Matt Bonner's mule and put it out to pasture as a status symbol.) After joyfully discovering an archetype for sensuality, love, and marriage under a pear tree at sixteen, Janie quickly comes to understand the reality of marriage in her first two marriages. Both Logan Killicks and Joe Starks attempt to coerce her into submission by treating her like a possession (Killicks worked her like a mule and Starks used her like a medal around his neck). Also Janie learned that passion and love are tied to violence, as Killicks threaten to kill her and Starks beat her to assert his dominance. She continually struggled to keep her inner self-intact and strong in spite ...
Nanny is Janie’s grandmother who took care of her since her mother abandoned her as a baby. Nanny uses her power as an authority over Janie to make her marry Logan Killicks. Logan Killicks is Janie’s first husband and he is a man she does not want to marry. But Nanny forces her and tells Janie that a marriage for a black woman is about being stable (money and land) and marriage is not about falling in love. She says that love will come later in the marriage and so Janie listens and does as she is told. Instead Logan uses his power (him having money and land) over Janie by telling her she should be working in the field but she is too spoiled. Although he says this he still forces her to do labor around the house when he leaves to buy a new
It’s no wonder that “[t]he hurricane scene in Zora Neale Hurston’s novel, Their Eyes Were Watching God, is a famous one and [that] other writers have used it in an effort to signify on Hurston” (Mills, “Hurston”). The final, climactic portion of this scene acts as the central metaphor of the novel and illustrates the pivotal interactions that Janie, the protagonist, has with her Nanny and each of her three husbands. In each relationship, Janie tries to “’go tuh God, and…find out about livin’ fuh [herself]’” (192). She does this by approaching each surrogate parental figure as one would go to God, the Father; she offers her faith and obedience to them and receives their definitions of love and protection in return. When they threaten to annihilate and hush her with these definitions, however, she uses her voice and fights to save her dream and her life. Hurston shows how Janie’s parental figures transform into metaphorical hurricanes, how a literal hurricane transforms into a metaphorical representation of Janie’s parental figures, and how Janie survives all five hurricanes.
Nanny Janie’s grandmother disapprove the kiss between Janie and Johnny Taylor under the pear tree (11). Janie was only sixteen years old and naïve to think that was love. Nanny knew Johnny Taylor did not mean to cause no harm, but she felt Johnny was trying to mislead Janie to hurt and humiliate her by being sexual that can be dangerous (Hurston 12-15). Likewise, Janie was forced into marrying Logan an older man, Nanny approved of because Janie will have a husband that will love her. Same as, Hurston describe Janie emotions of unhappiness within the marriage not having affection and desire for Logan, Hurston implies, “Ah ain’t got nothin’ tuh live for.” (118) Hurston also describes Janie as confident that caught men attention as well as her physique, the women were jealous of Janie implying “Janie will never fit in the upper class of white men because of her appearance.” (Hurston 41) The women try to make Janie feel worthless and unattractive of not having enough sexually appeal. . Hurston writing engage the character from love to lust in a unhappy marriage that lead to a prolonged period of difficulty