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literary analysis on a midsummer nights dream
theme of love midsummer night's dream
Theme of love in a midsummer night's dream
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“The course of true love never did run smooth,” comments Lysander of love’s complications in an exchange with Hermia (Shakespeare I.i.136). Although the play A Midsummer Night’s Dream certainly deals with the difficulty of romance, it is not considered a true love story like Romeo and Juliet. Shakespeare, as he unfolds the story, intentionally distances the audience from the emotions of the characters so he can caricature the anguish and burdens endured by the lovers. Through his masterful use of figurative language, Shakespeare examines the theme of the capricious and irrational nature of love. As the play opens, Theseus, Duke of Athens, and Hippolyta, his fiancée discuss their upcoming wedding. With the introduction of Theseus and Hippolyta, Shakespeare presents the backdrop for the multi-faceted love relationships which take place in the play. In an effort to celebrate the occasion with “pomp, triumph and reveling”, (Shakespeare I.i.20) Theseus instructs Philostrate, Master of the Revels, to “stir up the Athenian youth to merriments” (Shakespeare I.i.13) as well as to provide entertaining distractions for him and Hippolyta until their wedding. These simple, innocent instructions for merriment and entertainment set the stage for Shakespeare to intricately weave the young lovers, the fairies and the rustics into the story. Introducing the main conflict, Egeus, an Athenian citizen seeking the wise counsel of Theseus, arrives. Egeus’ complaint is against his daughter, who refuses to wed Demetrius, the suitor he has chosen. Although Demetrius loves Hermia, she has given her heart to Lysander and therefore refuses to obey her father and Athenian law. Interestingly, Demetrius not too long ago professed his love for Helena,... ... middle of paper ... ...ss of love. The audience must wonder if Demetrius will have another change of heart or if he has truly matured. Thomas Marc Parrott asserts of Shakespeare’s A Midsummer Night’s Dream, “It is his use of language, as in so much else in this play, that Shakespeare shows himself the master” (Kehler 22). Through Shakespeare’s intricate weaving of figurative language throughout the play, he leads the audience on an imaginative, melodramatic, and enchanting parody of exploration into the complexities of love. As Parrott contends, Shakespeare’s true expertise lies in his artful handling of the complexities and subtleties of both the written and spoken word. Work Cited Shakespeare, William. “A Midsummer Night’s Dream.” The Norton Shakespeare: Based on the Oxford Edition, 2nd ed. Eds. Greenblatt, Stephen et al. New York: W.W. Norton & Company, Inc, 2009. Print.
William Shakespeare, an illustrious and eminent playwright from the Elizabethan Age (16th Century) and part owner of the Globe theatre wrote A Midsummer Night’s Dream in which he portrays the theme of love in many different ways. These include the paternal love seen in the troubled times for Egeus and his rebellious daughter Hermia, true Love displayed with the valiant acts of Lysander and Hermia and the destructive love present in the agonizing acts of Titania towards her desperate lover Oberon. Through the highs and lows of love, the first love we clasp is the paternal love from our family.
William Shakespeare has a habit of creating complicated plots, and A Midsummer Night’s Dream is no exception. Three distinct worlds are presented within the play, and the story’s theme is most prevalent when they collide or mirror one another. Shakespeare’s allusions very intentionally cast light on these themes as he uses them to develop characters, settings, and comedy. The point of that development is the effective delivery of the theme that love renders us equals.
Shakespeare’s literature exemplifies creativeness and powerful word use to create bodies of work with strong attributes that grab the reader’s attention. Midsummer’s night dream is an example of some of Shakespeare’s best work. The thesis of this essay is Hermia’s father, Esues wants his daughter to marry someone that he approves of and more importantly he wants someone for her that is respected by the rest of society to admire. This play has love, drama and characters that follow their hearts. Hermia is told she is not allowed to love or marry Lysander by her father. Her father Esues wants her to marry Demetrius. The setting of the play is taken in Athens. Athens is a place of order and royalty and a place where people are supposed to marry
In conclusion, in A Midsummer Night’s Dream, Shakespeare effectively uses the motifs of the seasons, the moon, and dreams to show that love, irrationality, and disobedience directly cause chaos. By calling to mind the seasons in unnatural order, describing the moon behaving strangely, and discussing the dualistic, irrational nature of dreams, Shakespeare effectively evokes a sense of chaos and disorder. Linking each of these motifs to the themes of love, irrationality, and disobedience allows Shakespeare to illustrate the disarray that is bound to result from any romance.
“The course of true love never did run smooth” ~William Shakespeare. In the play A Midsummer Night’s Dream, Theseus and Hippolyta plan their wedding, which includes a play by the craftsman. While the other characters are trying to figure out their love for one another, the fairies interfere. Throughout the play the characters alternate lovers often. Although they bicker at one another, everyone finds their way to their true soul mate. The characters in William Shakespeare’s A Midsummer Night’s Dream are successful, after many trials and tribulations, in acquiring their desired relationships.
Theseus and Oberon are both compassionate and understanding towards the young lovers, Hermia and Lysander, and Helena and Demetrius. They are involved in a love triangle that encompasses matters of the law and love. Demetrius intends to marry Hermia, although, she shares a mutual love with Lysander; Helena loves Demetrius, although, he no longer loves her. Theseus, as the Duke of Athens, maintains the laws and standards of Athenian society. He acknowledges “the Ancient privilege of Athens” (I.1.41) that allows Egeus to “dispose of” (I.1.42) Hermia. This law permits Egeus to give his daughter to Demetrius or “to death, according to [the] law” (I.1.44). However, Theseus takes pity on Hermia and gives he...
Shakespeare, William. A Midsummer Night's Dream. The Norton Shakespeare: Greenblatt, Stephen, editor. New York: W W Norton & Company, 1997.
In A Midsummer Night’s Dream, the main conflict is between love and social relations. The play revolves around the magical power of love which transforms many lives. As a result of this, it gets the reader’s emotionally involved through ways of reminding us of love’s foolishness and capabilities, as well as violence often followed alongside of lust. This play shows passion’s conflict with reason. For example, the father presented in the play Egeus, represents tradition and reason while Hermia represents passion for love and freedom. Egeus wants Hermia to marry Demetrius and accuses Lysander of “bewitching” Hermia with love charms and songs. This is one way love’s difficulties are presented in the play between father and daughter. Additionally, Helena recognizes love’s difficulties when Demetrius falls in love with her best friend Hermia. Helena argues that strong emotions such as love can make extremely unpleasant things beautiful. This is another way the play presents love’s difficulties between lovers and capricious emotions.
Fairies, mortals, magic, love, and hate all intertwine to make A Midsummer Night’s Dream by William Shakespeare a very enchanting tale, that takes the reader on a truly dream-like adventure. The action takes place in Athens, Greece in ancient times, but has the atmosphere of a land of fantasy and illusion which could be anywhere. The mischievousness and the emotions exhibited by characters in the play, along with their attempts to double-cross destiny, not only make the tale entertaining, but also help solidify one of the play’s major themes; that true love and it’s cleverly disguised counterparts can drive beings to do seemingly irrational things.
Love plays a very significant role in this Shakespearian comedy, as it is the driving force of the play: Hermia and Lysander’s forbidden love and their choice to flee Athens is what sets the plot into motion. Love is also what drives many of the characters, and through readers’ perspectives, their actions may seem strange, even comical to us: from Helena pursuing Demetrius and risking her reputation, to fairy queen Titania falling in love with Bottom. However, all these things are done out of love. In conclusion, A Midsummer Night’s Dream displays the blindness of love and how it greatly contradicts with reason.
Demetrius is willing to go to any extent to have Hermia marry him, even allowing Hermia to be subject to a life of a nun or death, if she does not marry him. Demetrius? infatuation with Hermia brings out the tyrannical and possessive part of his character, as can be seen when he says ?and, Lysander, yield thy crazed title to my certain right?
Shakespeare, William. A Midsummer Night’s Dream. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press, 2004.
Schanzer, Ernest. "_A Midsummer-Night's Dream." 26-31 in Kenneth Muir, ed. Shakespeare: The Comedies: A Collection of Critical Essays. Englewood Cliffs: Prentice-Hall, 1965.
Shakespeare, William. A Midsummer Night's Dream. Comp. Folger Shakespeare Library. New York, NY: Simon & Schuster Paperbacks, 2009. Print.
The play A Midsummer Night’s Dream, written by Shakespeare is a comedy filled with love, magic and dreams. Shakespeare has created four groups of characters for the reader to learn about, the lovers, the royals, the fairies and the mechanicals. All groups have a major impact on the play but one of the main groups is The Lovers who consist of Lysander, Helena, Demetrius and Hermia. Shakespeare uses Diction and Syntax to help the reader understand the characters better.