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How are women depicted in the media essay
Racial stereotypes on black people
Racial stereotypes on black people
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Common misrepresentations of women are said to be that they are weak and inferior to men in which American society continuously place women in these roles within domestic, political, economic, and social settings. The public rarely pays tribute to the feminine heroine because she is unrecognized and unseen in American culture. However, during the 1960s to 1970s, African-American female representation has changed the way we define femininity and the modern woman through the genre known as Blaxploitation. Blaxploitation was a genre created for the black and urban audiences which highlighted black unity and empowerment. With this, the “ideal” black woman has changed. Through the workings of Edward Guerrero, Eithne Quinn, and Yvonne Sims, I am going to explain the key origins and definitions of Blaxploitation in which Guerrero takes a socioeconomic standpoint and Quinn and Sims value a more social view. With Quinn’s and Sims’s point-of-views, I will argue that Blaxploitation have altered the ideas of African-American female representation in which characters like Foxy Brown have assumed masculine traits, thus, making her a stronger female. Lastly, I will discuss what Guerrero is missing in relation to the black female representation compared the real world.
According to Edward Guerrero, the origins of Blaxploitation occurred during the Civil Rights Movement as a film strategy for the deteriorating film industry. During 1960, profits from the box office decreased from $60 million to $15 million; however, in 1967, one-third of the black population added to the box office gross and Hollywood used this fact towards making a profit .The large African-American population within the movie industry was due to their desire to spectate black...
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...tion and is only limited to his socioeconomic argument.
Although authors like Guerrero, Quinn, and Sims have different observations of their origins and definitions of Blaxploitation, they can all agree the notion of how it was popular among African-American audiences. Guerrero argues that Blaxploitation was a mockery of Black Nationalism and was created for the sole-purpose of profit of Hollywood. Also, Quinn believes that Blaxploitation was created after the Civil Rights movement to highlight individualism and needs of the powerful black male in which these traits portrays the male as violent and sexual; and lastly, Sims adheres to the idea that female characters later embodied these traits to illustrate the important of women in film. Unlike Quinn and Sims, Guerrero does not see the important of the gender dynamics of the black heroine within Blaxploitation.
In 1975 the death of Franco and forty years of dictatorship and censorship offered Spanish women the freedom to reexamine their identity and question their role in a patriarchal society. At the same time on another continent, African-American women are also struggling to find their identity among the numerous American literary images that, until the 20th-century, had not realistically represented their gender or race. Notwithstanding the different histories, geographies, and ethnicities between African-American and Spanish women, a common thread that appears to bind them is their inheritance of a legacy of struggle against the internalization of controlling patriarchal perceptions and images of women that lead them to believe that they are, indeed, the stereoty...
...black woman myth has not been studied as intensely as the Jezabel and Mammy images, it still has significance in present society. Sapphire, more commonly views as the angry black woman is viewed as, the bad black woman, the black “bitch, and the emasculating matriarch (88). The reason there may not be much research on this myth is because many researchers themselves acknowledge the stereotype (89). The stereotype is seen not as black women’s anger towards the unequal treatment and circumstances they endure, but an irrational desire to control black males, families, and communities around them (95). This stereotype bestows yet another double standard for black women in America today. While a white woman’s passion and drive may be seen as ambitious and exceptional, a black woman displaying the same perseverance would be seen in a negative rather than glorified light.
In the first paragraph of Laurie Penny’s essay “What to do when you’re not the hero anymore” she tells the reader how she recently went to see the new Star Wars movie. To her surprise a female character, Rey, fought off a bad guy as an equal. Hollywood has incredible power in how messages are portrayed in books, TV shows, and movies. It is no secret that media representation normalizes the reality of white male power. Penny explores how it is becoming more common to see a women lead in books, movies, and TV shows, rather than the stereotypical male.
After the success of antislavery movement in the early nineteenth century, activist women in the United States took another step toward claiming themselves a voice in politics. They were known as the suffragists. It took those women a lot of efforts and some decades to seek for the ratification of the Nineteenth Amendment. In her essay “The Next Generation of Suffragists: Harriot Stanton Blatch and Grassroots Politics,” Ellen Carol Dubois notes some hardships American suffragists faced in order to achieve the passage of the Nineteenth Amendment. Along with that essay, the film Iron-Jawed Angels somehow helps to paint a vivid image of the obstacles in the fight for women’s suffrage. In the essay “Gender at Work: The Sexual Division of Labor during World War II,” Ruth Milkman highlights the segregation between men and women at works during wartime some decades after the success of women suffrage movement. Similarly, women in the Glamour Girls of 1943 were segregated by men that they could only do the jobs temporarily and would not able to go back to work once the war over. In other words, many American women did help to claim themselves a voice by voting and giving hands in World War II but they were not fully great enough to change the public eyes about women.
Despite the fact that the character of Phyllis as the “tough as nails” perpetual, intentional aggressor is a valid attempt to obliterate the image of women as the oppressed, one interpretation of this role is that she ultimately seems to misrepresent herself, and females in cinema, anyway. Janet Todd, author of Women and Film, states that, “Women do not exist in American film. Instead we find another creation, made by men, growing out of their ideological imperatives”(130). Though these “power girl”characters are strong examples of anything but submissive and sexual females,the...
In today’s society, pre-existing assumptions and stereotypes of other ethnicities and individuals play a large part in the way we see others. This social construct of stereotypes has placed restrictions on many people’s lives which ultimately limits them from achieving certain goals. In this sense, stereotypes misrepresent and restrict people of colour to gain casting within the Hollywood film industry. The issue of how casting actors to certain roles and how these actors are forced to submit and represent these false stereotypes is one worthy of discussion. White Chicks (2004), directed by Keenan Wayans, illustrates this issue through the performance of Latrell, performed by Terry Crews, and his performance of the hyper-sexualised “buck” will be a prime example in this essay to discuss the racial politics and stereotypes in Hollywood casting.
Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were the only way for African-Americans to express the deep pain that the white population placed in front of them. Singing, dancing and acting took many African-Americans to a place that no oppressor could reach; considering the exploitation of their character during the 1930's-1960's acting' was an essential technique to African American survival.
In the beginning half of the 20th century, China experienced an intellectual revolution, known as the May Fourth Movement. Among other things, May Fourth thinkers were passionate about women’s rights, and fought for equality between the sexes. Like in any school of thought, ideas about women and their roles evolved over time. In 1925, Lu Xun wrote “Regret for the Past”, a story about Shih Chuan-Sheng and Tzu-chun, a modern couple whose relationship falls apart. Ten years later, in 1935, the film “New Woman” was released. The film follows Wei Ming, a music teacher whose life begins to crumble due to the machinations of a lecherous businessman. Both Tzu-chun and Wei Ming represent a version of the “modern woman, but their similarities and differences illustrate how the idea of the modern woman changed and stayed the same over time.
In an interview I composed with my mother, I asked her “What were some challenges you had to face being a black woman in the south” which she replied “As a black woman, it was hard because you would be considered last on the totem pole, and we were seen as stereotypes such as barefoot and pregnant.” It hard to challenge these thoughts which Collins described as “controlling images” that society puts on you because of your race or sexuality (pg.1). The author Rhoda Jeffries touches on some black women struggles in her article Editor’s Introduction: Fortitudinous Femininity: Black Women’s Resilience in the Face of Struggle when she says “Jeffries and Jeffries further explore the role of mentoring among Black women and challenge mass media to carefully craft images that positively depict African American women in the various roles they play in “Mentoring and mothering Black femininity in the academy: An exploration of body, voice and image through Black female characters.” (p.82) Media has a huge impact on society, which is because of what people see on television or read on social media, since people aren’t use to or don’t understand something they tend to place it on a certain race or
Hollywood’s diversity problem is well-known; however, the extent might be surprising to most Americans. According to a 2014 report by the Center for the Study of Women in Television, Film & New Media, found that females comprised only 30% of all speaking characters among the top grossing films of 2013. (Lauzen, 2014) However, minority women faired far worse than their Caucasian counterparts. As a matter of fact, if one looks at the numbers even female characters from other world’s were as better represented in film than some minority women; the numbers are as follow for women: Caucasian (73%), African American (14%), Latina (5%), Asian and other world tied (3%). (Lauzen, 2014) If the lack of representation were not enough consider a 2009 study which found that when minority groups are portrayed on television the portrayal tends to be negative. (Alexandrin, 2009) A study by Busselle and Crandall (2009) found that the manner in which African-Americans are portrayed, often as unemployed criminals, tends to have an influence on the way the public perceives African-American’s lack of economic success. Furthermore, the news media does an equally poor job in the ways that African-American’s are presented; according to the same study while 27% of Americans were considered “poor” in 1996 the images of America’s “poor” being presented by news media was heavily Black (63%). (Busselle & Crandall, 2002) Today, this can be seen in the way that African-American victims of police brutality are depicted in the media. Even when African-Americans are murdered at the hands of police for minor and non-violent offenses (e.g. Mike Brown, Eric Gardner, and Tamir Rice) they are often portrayed as thugs, criminals, and vandals. What’s more, seve...
Elsa Barkley Brown focuses on the intersectionality of being a black woman in America, in “What Has Happened Here?”. Black women experience different forms of oppression simultaneously. Indeed, racism, sexism, classism, as well as heterosexism, intertwine and form layers of oppression.
These movies allowed female characters to embody all the contradictions that could make them a woman. They were portrayed as the “femme fatale” and also “mother,” the “seductress” and at the same time the “saint,” (Newsom, 2011). Female characters were multi-faceted during this time and had much more complexity and interesting qualities than in the movies we watch today. Today, only 16% of protagonists in movies are female, and the portrayal of these women is one of sexualization and dependence rather than complexity (Newsom, 2011).
This fieldwork aims to sociologically analyze gender roles and expectations within the movie White Chicks. In this film brothers, Marcus and Kevin Copeland, play the role of two black FBI agents looking to get back into good graces with their superior after they accidentally ruined a drug bust. They are assigned to escort two rich white females, Brittney and Tiffany Wilson, to the Hamptons for Labor Day festivities. While traveling they experience a minor car accident, leaving the girls with a single scratch each on their face. Because of their socialite status, the sisters no longer wish to continue their trip in fear of humiliation. The agents fear losing their chance of redemption, so they decide to disguise
Madison, D. Soyini. "Pretty Woman Through the Triple Lens of Black Feminist Spectatorship." From Mouse to Mermaid: The Politics of Film, Gender, and Culture. Indianapolis: Indiana UP, 1995. 224-35. Print.
Movies are a big part of people’s lives; everyone has a favorite movie, or set of movies. They have impacted people’s lives since they were first made, and continue to do so today. In recent years, movies have cast women to play the roles of heroes. Although women have been playing heroic roles recently, they have always been role models in movies, which have set examples for future generations, empowered women, and have shed light on the feminist movement in the U.S.