One of the most fascinating traits of humanity is the tendency to reflect and to create art on the basis of that reflection. In the days before writing, cave paintings and the oral tradition of storytelling demonstrated ways that people expressed their feelings – taking the time after winning, even if only briefly, the struggle against the demands of subsistence to leave a product behind, for posterity. Even the earliest recorded examples of literature, such as The Epic of Gilgamesh, poignantly express the struggles that humanity faced when dealing with such abstractions like mortality and grief. The most recent bestseller books published last week may have cooler cover art and use figurative language more intricately than that ancient poem. But the anger and grief that Gilgamesh felt after a snake ate the plant of immortality was much greater and powerful. It was the plant he found after a long and bloody journey. Because of one careless moment when he stopped to take a quick dip in a pool, he lost it to the snake. The absurdity of life comes into high relief at this moment, and while the writings of Samuel Beckett, Joseph Heller and Sylvia Plath are just some of the many that express the same theme, none will be displayed more vividly than. Giovanni Boccaccio’s Decameron, Mary Shelley’s Frankenstein, and Michael Seigneur de Montaigne’s Of Experience also mirror the irrationality of existence. These books suggest that what is important in life, and what gives life meaning is much more than what we are able to accumulate and acquire during our time on the planet; it is how we respond to what Hamlet would term the “slings and arrows of outrageous fortune” (Shakespeare).
The Decameron by Giovanni Boccaccio was written in the 1350’s...
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...es. Throughout European history, such movements as the Age of Reason and the Romantic Era represented different schools of thought as the way to find happiness and contentment in life. Boccaccio, Shelley, and Montaigne are just three of the many writers who have taken on this idea as a theme. Ironically, there may be as many answers to the question of finding the significance of life as the number of people trying to answer it.
Works Cited
Boccaccio, Giovanni, and George H. MacWilliam. The Decameron. Harmondsworth, Middlesex: Penguin, 2003. Print.
Montaigne, Michel De. "Of Experience." Essays By Michel De Montaigne: 633-88. Print.
Shakespeare, William. Hamlet. Web. Retrieved 4 December 2011 from http://www.online-literature.com/shakespeare/hamlet/
Shelley, Mary Wollstonecraft, and Joseph Pearce. Frankenstein. San Francisco: Ignatius, 2008. Print.
Modris Eksteins presented a tour-de-force interpretation of the political, social and cultural climate of the early twentieth century. His sources were not merely the more traditional sources of the historian: political, military and economic accounts; rather, he drew from the rich, heady brew of art, music, dance, literature and philosophy as well. Eksteins examined ways in which life influenced, imitated, and even became art. Eksteins argues that life and art, as well as death, became so intermeshed as to be indistinguishable from one another.
In nature, someone can hear the sounds of a creek flowing and birds chirping and insects buzzing; in civilization, someone can hear engines roaring, people chattering, and buildings being built. In nature, one feels happiness and contentment; in civilization, one feels guilt and misery and sorrow. These simplicities of nature are what appeals to William Cullen Bryant in the poem ‘Inscription for the Entrance to a Wood’. The poem tells the reader that nature is a happier place than civilization and that nature gives one the answers to their existence and problems of life that civilization created. Civilization is ugly and corrupt while nature is beauty and tranquility.
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...eality was about the horrors and trepidations that have consumed a once healthy society, but he never noticed that there is a different side to reality. It is about friendship, free will, and compassion. The true meaning of joyfulness is to experience new things like going into the wild, but to experience them with another human being. This is the most fulfilling aspect of life because a person is impacting not only his/her life, but also the life of another. When a person joins the amorous aspects of reality, and then mixes it into commencing and enveloping the freedom that nature has to offer, only then will he/she truly have a life of pleasure and contentment.
... the echoes of intellectuals as Epicurus, Gramsci, Sartre and Picasso, though if we look at each of us more closely our actions do have a weight and consequences in the course of history. It is for this reason that we, as citizens and “not-organic” intellectuals, must try to find our meaning.
My life, although not without surprises and unusual events, is dictated by predictable and ordinary elements. However, through fiction I am transported into a world of boundless imagination and extraordinary themes. One such example is evident in my response to Mary Shelley’s gothic novel Frankenstein. Through fiction, Shelley invites the reader to accept the extraordinary. Firstly, we are led to believe that Victor Frankenstein is able to create life by shocking it with electricity, and to this I responded with an imaginative curiosity. But it was the consequences of the creation provoked a stronger response from me. The element of horror Victor experiences and his reaction to the ‘god like’ qualities bestowed upon him as creator is truly extraordinary. Victor, like no other man, experiences the feeling of immense power and responsibility as creator of man, and this provoked a sympathetic response from me. Finally I also accepted and responded to the extraordinary concept of the monster, who, unlike to the majority of humanity, is created without a sense of cultural identity. Additionally, what is extraordinary to me as a reader is the humanity and intelligence the monster displays, despite the disadvantageous of his creation. This made me have sympathy for monster and served to blotch the credibility of Victor. Throughout the novel I was inclined to accept Shelley’s invitation and to explore a deeper view of humanity.
For my final project I chose to compare two works of art from ancient Mesopotamia. A visual work of art and a literary one. The visual work of art I chose was the Statuettes of Worshipers which were created around 2900 to 2350 BCE at the Square Temple at Eshnunna, a city in ancient Mesopotamia. The literary artwork I have chosen is the Epic of Gilgamesh written roughly around 2800 BCE by author or authors unknown. It was set in Uruk, another city in ancient Mesopotamia. Both of these works of art share a common theme; the theme of immortality. It is my hopes that within this paper I can accurately show how each of these works of art express this theme, and how it relates to modern society.
In the three works, “The Tell-Tale Heart”, by Edgar Allan Poe and Emily Dickinson’s poems 340 (“I -felt a funeral in my brain”) and 355 (“It was not Death”), each display different aspects of the depths of the human mind through similar modes of rhetorical sensory overload. While Poe reveals the effects of denying one’s insanity, Dickinson displays the struggle and downfall of a depressed mind.
In our lives, we go through stages of mindset and maturity that naturally coincide with aging. One thing that remains the same, though, through all of these stages, is that eventually, we die; we are completely aware of that as humans. Whether because it’s due to the painful reality that is mortality, our ever-diminishing ability to be wistful and imaginative, or merely the impending coming of the Grim Reaper, our entire lives are, ironic as it is, surrounded by and flooded with death. However, as we grow older, our perception of death changes. It goes from taboo in our young ages to something that begins to surround and eventually consume us as we grow older. Between the poems “For the Anniversary of my Death” by
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Guzman, Jennifer de. Personal. Writing Therapy. “The Mirror of Grief: The Epic of Gilgamesh and Ecclesiastes” 28 December 2010. . 13 March 2013
In the Summa Contra Gentiles, Book III, Chapters 27 to 37, Thomas Aquinas in a very systematic fashion describes various pursuits of mankind that although they may be pleasurable they fail to meet the ultimate definition of happiness of which Aquinas speaks. He describes these various pursuits and then explains why they fail to meet the criteria required to be true happiness. To Aquinas the ultimate and most desirable kind of happiness is that which is found in the knowledge of God. These various pursuits’ progress from our most instinctive nature and progress towards more reason based assertions and pursuits.
Death is a great wave whose shadow falls upon the lives of all beings below Olympus. Amidst this shadow and its immediacy in war, humans must struggle to combat and metaphysically transcend their transitory natures. If they fail to forge a sense of meaning for themselves and their people in what often seems an inexorably barren world, they are lef...
One of the oldest and most prominent issues that mankind has faced throughout history is that of their own mortality. In every society mankind has wrestled with the inevitable problem of their eventual death, and literature often reflects each society’s take on their mortality. For instance one of the most pronounced motifs in the epic poem Beowulf is the impending doom that each and every character knows will eventually come for them. This is most clearly illustrated by the protagonist himself in his dialogue with other characters. It is also perpetuated by the compelling need for glory and renown that many of the characters continuously search for. Lastly, the issue of mortality is presented by the preeminence of the history of the clans
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