When Emily Bronte wrote Wuthering Heights England was going through a time of great change. It?s past agrarian society was changing and the common man was able to obtain wealth. Setting helps us to further understand the conflict between the natural world and cultured humanity, through the two main houses in text, and the social situation on the English Moors. Wuthering Heights uses this time of social unrest to develop the theme of the natural world in conflict with cultured humanity. An example of the natural world is the house, Wuthering Heights which the text is named after. It is a place of violent emotion inside, and violent weather outside. The narrator, Lockwood describes it through the medium of his diary ?pure bracing ventilation they must have up there.? It is located up on the Yorkshire Moors and away from society, its isolation from the cultured world aides the violence and mistreatment that occurs to its inhabitants. To the reader, the Heights and its inhabitants show the dangers and severe turbulence of the natural world. The Moors, where the Heights is situated shows us the danger and unpredictability of nature. The narrator, Lockwood is caught in a storm ?sky and hills mingled in one bitter whirl of wind and suffocating snow? at the start of the novel and the setting of the moors has a big impact on the story from there hereafter it is a place ?where human beings, like the trees, grow gnarled and dwarfed and distorted by the inclement climate.? In contrast with the Heights, is the house at Thrushcross Grange which represents cultured humanity. The house is typical of the time, however to Catherine and Heathcliff (from the Heights) the inhabitants seem silly, petted and spoiled. It is described as ?... ... middle of paper ... ...in the novel behaves as though he has seen her ghost himself. When Heathcliff dies, he is found in the bedroom with the window open, raising the possibility that Catherine's ghost entered Wuthering Heights just as Lockwood saw in his dream. At the end of the novel, Nelly Dean reports that various superstitious locals have claimed to see Catherine and Heathcliff's ghosts roaming the moors. Lockwood, however, discounts the idea of "unquiet slumbers for those sleepers in that quiet earth." The reader is also given the impression of the natural worlds ?quiet earth? no longer struggling against the civilised world. Setting helped to develope the theme of nature in conflict with civilisation in the novel Wuthering Heights by Emily Bronte. We are shown both civilisation and nature through setting and the context of the novel helps us to further understand the conflict.
Wuthering Heights was written by Emily Bronte. The story is centered on hatred, jealousy, and revenge that spans two generations. Social class plays a significant role in the story, as it the factor that ultimately divides two loves from being together. The futures of Cathy, Hareton, and Linton are shaped by the vengeful decisions made by Heathcliff. Each character chooses to use Heathcliff’s manipulation in a different way.
Wuthering Heights is a classic in which Emily Bronte presents two opposite settings using the country setting. Country settings are often used as a place of virtue and peace or of ignorance and one of primitivism as believed by many city dwellers. But, in the novel Wuthering Heights, Emily Bronte has used Thrushcross Grange and Wuthering Heights to depict isolation and separation. Wuthering Heights setting is wild, passionate, and strong and Thrushcross Grange and its inhabitants are calm, harshly strict, and refined and these two opposite forces struggle throughout the novel.
Varghese, Dr. Lata Marina. "Stylistic Analysis of Emily Brontë’s Wuthering Heights." IOSR Journal of Humanities and Social Science 2.5 (2012): 46-50. Print.
Brontë’s choice for a complex narrative structure in Wuthering Heights not only adds depth to the reading, but gives a new meaning to the plot. The novel elaborately describes the events and dialogue in the novel, but Nelly’s closeness to the family, desire to be presented well, and precise story telling may cause the reader to think twice about how much truth is really intended to be in Brontë’s novel.
The setting used throughout the novel Wuthering Heights, helps to set the mood to describe the characters. We find two households separated by the cold, muddy, and barren moors, one by the name of Wuthering Heights, and the other Thrushcross Grange. Each house stands alone, in the mist of the dreary land, and the atmosphere creates a mood of isolation. These two places, Wuthering Heights and Thrushcross Grange differ greatly in appearance and mood. These differences reflect the universal conflict between storm and calm that Emily Bronte develops as the theme.
As we look to the past for clues to some authors and their works we may find clues to why they may have written some of these great works of art in their own life stories. Life and questions about it may have some effect on what some wordsmiths put to paper. If careful consideration is given to the past life of Emily Bronte the novel Wuthering Heights may be seen as somewhat of a mirror of her life. Much of her life is shrouded in mystery, but there is evidence that can and should be looked at as similar to the lives of several of the characters with this great novel.
The story of Emily Brontë's Wuthering Heights has been one of the most influential and powerful piece of literature ever written. After being published, it garnered a lot of interest because of the theme that was deemed misleading and critically unfit for society. The main theme of the book revolves around the evolution of love, passion and cruelty.
Emily Bronte, on the surface, appeared to be a very withdrawn woman and is said to be reclusive throughout her entire life. She was even incredibly embarrassed when her sister, Charlotte Bronte, found her book of poetry, even though Charlotte was incredibly impressed by it. Beneath the surface lies a woman full of passion and capable of powerful emotions, though she had never felt such emotions, to write a novel that is still discussed today and is regarded as a literary classic. Novels are often regarded as a window to the souls of the authors, and Wuthering Heights is no exception. Wuthering Heights is often seen as a type of construct of Emily’s life and personality, because of the similarity of characters to people in Emily’s life, and how the events that occur at Wuthering Heights are secluded in their own right, much like Emily’s own life.
First, Wuthering Heights is a contribution to the theme of the novel because it sets the mood for the scenes taken place inside the house. The house is first introduced to the reader during a storm. The house stands alone and the land around it is described as dreary and foreboding, which creates a mood of isolation. “On the bleak Yorkshire moors” describes the Yorkshire moors physical appearance. The estate has little vegetation and is more weathered, which moors are, as they are jutting, bare rocks towards the ocean. Wuthering Heights is an old stone house with gothic architecture and bleak interior. The people that live in Wuthering Heights are bitter and act violent. The characters of the story act wild when they are at Wuthering Heights, compared to other places in the novel. The setting of the house enforces the actions of the Earnshaws’, and Heathcliff. The name of the estate even sets a theme of gloom in the novel. Lockwood says Wuthering is, “a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather” (12).
...e. On a very simplistic level, it is attractive, the name ‘Wuthering Heights’ sounds to the ear a more mysterious and enigmatic choice than Thrushcross Grange. But it can be assumed that the author had made the choice of naming the novel based on reasons that run deeper than mere attractiveness. The setting is vital to the plot, and as Wuthering Heights and its presence directly or indirectly precipitates a major part of the action, the choice is an apt one. In conclusion,the characters’ relation with Nature runs deep, and this too has been highlighted forcefully by the title, that keeps reminding the reader that in ‘Wuthering Heights’, the setting is the thread that runs through the entire narrative holding it together, and halfway through the novel, we can almost perceptibly feel the throb of Nature that is alive, that is at work, and that has a will of its own.
The imagery of weather is specific to each character in Wuthering Heights. Lockwood desires the weather to be bright and sunny and is highly disturbed with storms which reflect his cheerful attitude (Laar 75). Ellen Dean conjures several metaphors involving the weather such as rain and wind for example “…though our patient [Catherine] was as wearisome and headstrong as a patient could be, she weathered it through” (Bronte 80). She also loathes storms; she is unwilling to go out in the rain. Bronte created Nelly having a “close contact with nature” which symbo...
McKibben and Hagan take different approaches to Wuthering Heights, but both approaches work together to form one unified concept. McKibben speaks of Wuthering Heights as a whole, while Hagan concentrates on only sympathies role in the novel. McKibben and Hagan both touch on the topic of Catherine and Heathcliff’s passionate nature. To this, McKibben recalls the scene in the book when Catherine is "in the throes of her self-induced illness" (p38). When asking for her husband, she is told by Nelly Dean that Edgar is "among his books," and she cries, "What in the name of all that feels has he to do with books when I am dying." McKibben shows that while Catherine is making a scene and crying, Edgar is in the library handling Catherine’s death in the only way he knows how, in a mild mannered approach. He lacks the passionate ways in which Catherine and Heathcliff handle ordeals. During this scene Catherine’s mind strays back to childhood and she comes to realize that "the Linton’s are alien to her and exemplify a completely foreign mode of perception" (p38). Catherine discovers that she would never belong in Edgar’s society. On her journey of self-discovery, she realized that she attempted the impossible, which was to live in a world in which she did not belong. This, in the end, lead to her death. Unlike her mother, when Cathy enters The Heights, "those images of unreal security found in her books and Thrushhold Grange are confiscated, thus leading her to scream, "I feel like death!" With the help of Hareton, Cathy learns not to place her love within a self created environment, but in a real life where she will be truly happy. The character’s then reappear as reconciled, and stability and peace once more return to The Heights.
Heathcliff's character parallels with the qualities possessed by The Heights; he is depicted as a member of lower class and does not have the qualities necessary to live at Thrushcross Grange. Cold, dark, and...
“Wuthering Heights is a strange, inartistic story”(Atlas, WH p. 299). “Wuthering Heights is a strange sort of book” (Douglas, WH p.301). “This is a strange book” (Examiner, WH p.302). “His work [Wuthering Heights] is strangely original” (Britannia, WH p.305). These brief quotes show that early critics of Emily Bronte’s first edition of Wuthering Heights, found the novel baffling in its meaning - they each agreed separately, that no moral existed within the story therefore it was deemed to have no real literary value. The original critical reviews had very little in the way of praise for the unknown author or the novel. The critics begrudgingly acknowledged elements of Wuthering Heights that could be considered strengths – such as, “rugged power” and “unconscious strength” (Atlas, WH p.299), “purposeless power” (Douglas, WH p.301), “evidences of considerable power” (Examiner), “power and originality” (Britannia, WH p.305). Strange and Powerful are two recurring critical interpretations of the novel. The critics did not attempt to provide in depth analysis of the work, simply because they felt that the meaning or moral of the story was either entirely absent or seriously confused.
In the novel Wuthering Heights, the dark and mysterious Heathcliff once began his life with an open heart, but after mistreatment from Edgar and Hindley he turns to revenge. Heathcliff's actions are reasonable; he has been hurt from the unfair reason of discrimination. Heathcliff slowly becomes sickly obsessed with planning an elaborate revenge after eavesdropping a conversation between his beloved Catherine to Nelly. He hears his young beautiful and idolized Catherine say, “It would degrade me to marry Heathcliff” (77). Heathcliff, heartbroken and hopeless, abruptly leaves Wuthering Height for two years. Catherine is left wondering where he is. Heathcliff leaves in search of revenge.