The Heart of Darkness by Joseph Conrad
Marlow, an ordinary sailor with idealistic dreams, goes on a dark yet fascinating journey as a newly hired riverboat captain, traveling up the Congo River, seeking out the legendary chief of the Belgium trading company. When describing typical sites and events situated in the Congo, Joseph Conrad wrote "The Heart of Darkness" in a first person's view, with Marlow as the highlight character. As he writes on about Marlow's experiences, he portrays typical issues set in the time period of the late 1800's, such as slavery, trading and imperialism. He emphasizes these events using pensive, pessimistic phrases throughout Marlow's train of thoughts. As Marlow travels up the river to a specific trading station where Kurtz, the chief, is located, he encounters troubling difficulties including the attack of the angry colonized locals, disturbing settings of slavery and suffering, having to repair his broken down steamboat, and unfortunate deaths, including the very own, Kurtz. He then ends up back in Europe after being extremely ill, having to tell Kurt's fiancé the horrible news of his death. Although Joseph Conrad shows the darker side of the world, he throws in different messages in various places in the book, making the reader experience the emotions of Marlow during his adventure and his portrayals of the different characters, which are typically found in such a time period of imperialism.
Throughout the book, the reader understands what Marlow is feeling, seeing, or hearing when issued at different places around the Amazon River. Marlow is the storyteller of ...
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The Heart of Darkness is a book showing Marlow's experiences in a foreign country, while being historically accurate. It also mainly shows the dark history of colonization and its effects of it, including slavery and such depression. It is an interesting yet symbolic book, filled with Marlow's great deep thoughts, and philosophies. It really makes one ponder about different events, of such dark times. Joseph Conrad has successfully passed on his message about the darkness of the typical issues of slavery, European imperialism, and the sufferings of those times.
Sources:
http://www.bouncing-balls.com/timeline/people/nr_leopoldmorel.htm
http://www.warchild.ca/rocked_context.asp
Heart of Darkness is a kind of little world unto itself. The reader of Conrad’s Heart of Darkness should take the time to consider this work from a psychological point of view. There are, after all, an awful lot of heads and skulls in the book, and Conrad goes out of his way to suggest that in some sense Marlow's journey is like a dream or a return to our primitive past--an exploration of the dark recesses of the human mind.
As Marlow tells his story we see and understand the situations Marlow faced. In his first encounter with the tribes men, Marlow steps into a "gloomy circle of some inferno", where dark figures surrounded him. He compares this incident with that of a massacre, the starving and wasting bodies lying in "confusion". Marlow then encounters a young black boy with a piece of white cotton string tied around his neck. This simple piece of string symbolizes the young boy's innocence. Shortly after Marlow offers the boy a biscuit, another one of the shapes approaches the river , crawling, and drinks of the water. Marlow could not stand the sight of the suffering any longer. It was as though he felt what they were feeling and just when he was willing to help, he stands up and walks away. The path where Marlow meets those that had traveled to an unknown land, and walked uncertain of where they where but sure of what they wanted, started here.
Joseph Conrad polish colonial worked as a seaman on French and British ships before becoming a British citizen in 1886. He developed an elegant, stunning English prose style what probed many of the modern fiction in his short stories and novels. His works ware by turns adventurous and darkly gloomy, attentive in the traditional qualities of resoluteness and bravery. Also, it concerned with the epistemological voids that define modern reality and awareness. It noted one of the most experts of fictional impressionism. Conrad offered that type of fictional rendering of subjective retort that reflectively impact on writers. However, the experiences of his life as a sailor greatly influenced his writing. He wrote that the principal task of the novelist was “Heart of Darkness”.
...s of the jungle, which sought to swallow him whole like the snake devouring its prey, sending it deeper within its body digesting it by stripping it of its layers one by one, paralleling the snake-like qualities of the river that drew Marlow deeper and deeper into its dark nothingness. And just like the Ancient Mariner, who is doomed to tell his tale for the rest of his life for the sake of penitence, Marlow, too, seems to retell his story of the tragic loss of innocence, of death and rebirth. Regardless of how many times the story had been told before it got to the narrator who eventually transcribed the events, it is one of great importance. It tells us that we must not judge a book by its cover, regardless of how convinced we may be of what is inside.
Heart of Darkness by Joseph Conrad, “opens at sunset with Marlow in the company of four friends aboard the yawl Nellie at anchor in the Thames estuary waiting the turn of the tide” (Knowles and Moore 173). Marlow tells the story of his personal experience in the Congo. He, as a sailor of a steamboat, departed from Europe to Africa, where was “one of the dark places of the earth” (Conrad 3). His first assignment was to rescue Kurtz, who was a top agent working of the company in Africa and had fallen ill. Marlow voyaged along the Congo River. On the way up to the Congo, he “passed through several abandoned villages” (Conrad 17). He felt “the silent wilderness surrounding this cleared speck on the earth struck him as something great and invincible” (Conrad 20). He went through three stations of his company: Outer Station, Central Station, and Inner Station. He saw the despicable behavior of the European traders had done to the Africa natives, only for ivory. Marlow presented with this unseen violence in the cruel suffering of the indigenous Congolese. He saw the corruption of imperialists through his journey. He witnessed scenes of the “horrors” in the Congo. He was shocked by the “horrors.” He described his pilgrimage like nightmares. Conrad uses a frame narrative (Chantler 11) to show his attitude towards imperialism in the depiction of the different stations along Marlow's journey and the people that Marlow encounters.
Heart of Darkness by Joseph Conrad is a novel about a man named Marlow and his journey into the depths of the African Congo. Marlow is in search of a man named Kurtz, an ivory trader. Though Marlow?s physical journey seems rather simple, it takes him further into his own heart and soul than into the Congo. The setting, symbols and characters each contain light and dark images, these images shape the central theme of the novel.
Throughout the entire novella, Joseph Conrad uses simple events to describe significant dark and light imagery. As the story begins, a man named Marlow describes his journey into the depths of the African Congo. He is in search of a man name Kurtz who is an ivory trader. His experiences throughout his journey are physically difficult to overcome. However, even more complex, was the journey that his heart and mind experienced throughout the long ride into the Congo. Marlow’s surroundings such as the setting, characters, and symbols each contain light and dark images that shape the central theme of the novel.
Marlow is the raconteur of Heart of Darkness, and therefore is one of the more crucial characters within the plot. He embodies the willingness to be valiant, resilient, and gallant, while similarly seeming to be cautiously revolutionary. He is, seemingly the epitome of bravery, going into the jungle. Marlow’s voyage is, in essence, a “night journey into the unconscious, the confrontation with an entity within the self” (Guerard 38). The ominous coast is an allegory for the idea of the unconscious mind. “Watching a coast as it slips by the ship […] there it is before you—smiling, frowning, inviting, grand, mean, insipid, or savage, and always mute with an air of whispering” (1...
The novel, Heart of Darkness, by Joseph Conrad, is literally about Marlow’s journey into the Belgian Congo, but symbolically about the discovery of his heart and soul during his journey, only to find that it is consumed by darkness. He realizes that the man he admired and respected most, is really demonic and that he may be just like him. He is able to come to this realization however, before it takes the best of him.
The two main characters in Heart of Darkness, Marlow and Kurtz are used to show the true nature of man, that is, the capacity for good and evil within humanity. The central character is a thirty two year old sailor, Charlie Marlow. Marlow is the primary narrator in the novel, therefore his thought’s, opinions, experiences and revelations, shape the entire novels themes and the value system put forward. Marlow illustrates how forces of light and darkness serve to weave the human soul together; thus, essentially how good and evil are reflected in an individual. This is particularly important regarding the construction of Marlow, who is essentially a biased narrator, and a product of his European upbringing. An example is his inability to deal with the dying natives at the “grove of death”, offering a native a biscuit as an apparent kind gesture. Yet this is only due to him not being confronted with situations like this previously where his own values, and the whole premise behind colonialism, the exploitation is revealed. The patriarchial views of women he displays also outline the background of Marlow and the a...
In Joseph Conrad's novel Heart of Darkness the story of Marlow, an Englishman travelling physically up an unnamed river in Africa and psychologically into the human possibility, is related to the reader through several narrational voices. The primary first-person narrator is an Englishman aboard the yawl, the 'Nellie', who relates the story as it is told to him by Marlow. Within Marlow's narrative are several instances when Marlow relies upon others, such as the Russian, the brickmaker and the Manager at the central station, for information. Therefore, through complicated narrational structure resulting from the polyphonous account, Conrad can already represent to the reader the theme of the shifting nature of reality. As each narrator relates what is important to them, the audience must realise that each voice edits, absents information and is affected by their own experiences and the culture and ideology within which they judge and respond. Therefore the text reveals itself as non-essentialist. It is also seen through the narratorial voices, who are all significantly European males, although challenging the received view of imperial praxis as glorious and daring, a racist and patriarchal text, which eventually, through Marlow's own assimilation of the ideology of his time, reinscribes and replicates that which it attempts to criticise: European action in Africa.
Though honest, Marlow is a prejudiced man; he is the epitome of colonialism. Going into the Congo, Marlow views the natives as prehistoric evils in desperate need of white influence and civilization. Throughout the physical journey, Marlow is confronted with the natives time and time again, seeing them chained as slaves, living in a village and attacking his own steam boat.
Marlow is telling the story to his friends in the dark of night on the Thames river. As he begins the day is just ending "in a serenity of still and exquisite brilliance." It is a very sombre and dull atmosphere and as the calmness begins to fade it becomes more profound. At one point Marlow stops and is interrupted by the unknown narrator who describes the setting on the Nellie. "It had become so pitch dark that we listeners could hardly see one another. For a long time already he, sitting apart, had been no more to us than a voice....I listened, I listened on the watch for the sentence, for the word, that would give me the clew to the faint uneasiness inspired by this narrative that seemed to shape itself without human lips in the heavy nightair of the river."
... to a man's soul. Marlow's journey was not only into the heart of Africa, but also into the heart of Kurtz where he realizes the truth of colonialism and the potential evil it entails.
At the beginning of the novel the reader is informed that Marlow is “not typical”, that he, contrary to stay-at-home-minded seamen, is a “wanderer”. He has no home, in a psychological sense of the word. He simply “follows the sea”. This may evoke an interpretation that the man is disturbed, that he attempts to find out about the secrets of his soul, to get to know himself. Since boyhood he had been interested in unexplored lands and especially in a long winding snake-like river with the “head” in the sea and the “tail” plunging deeply into the land, which, as Marlow admits, “charmed” him. This image resembles a map of a journey from the dark lands of the soul, the unconstrained, uncivilised core, which may be called a Freudian Id, towards light, that is Superego. Marlow desires to follow this path in the opposite di...