Hollywood has not always been accepting of Latinas. Current stars Salma Hayek, Eva Mendes, and Penélope Cruz follow in the footsteps of pioneering Dolores Del Rio. Lauded as “The Princess of Mexico", Del Rio was a star whose allure captivated legendary figures Orson Wells, Marlon Brando, Elvis Presley, and Frida Kahlo. Fast friend Marlene Dietrich labeled Dolores, "The most beautiful woman in Hollywood. She has better legs than Dietrich and better cheekbones than Garbo". A beauty that lead to wild rumors of an orchid petal diet, or that Del Rio slept 16 hours a day to maintain her loveliness. Sadly, in a fundamental way, Del Rio’s talent became a prisoner of her splendor.
Del Rio’s life was not always glamorous, born in Durango, Mexico, in 1905, she was the only daughter of Jesus Jacques and Antonia Lopez-Negrete. Her father was the director of the Bank of Durango, but the family lost their wealth in the Mexican revolution. A forced relocation to Mexico City, when Dolores was five, quickly reestablished the familial standing in society. Little Dolores studied at prestigious Liceo Franco Mexicano convent (taught by French nuns), gaining a lifelong passion for literature, dance, and art.
A debutante’s life came at a price; for the 16 year-old Dolores it was an arranged, loveless marriage to lawyer Jaime Del Rio. Jaime was 18 years her senior, his family one of the oldest and most influential in Mexico. Their wealth allowed for a European honeymoon, where they were invited to dine with the Spanish Royal family. The honeymoon morphed into a three year romp, with Dolores delighting in voice and dance lessons at stately Madrid and Paris schools. In 1921, the couple returned to Mexico City, Jaime intent on advancing his career whil...
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...e best dramatic female performance in Del Rio’s honor. Vestiges of Del Rio remain in America, such as a statue at Hollywood-La Brea Boulevard in Los Angeles, honoring ethnic leading ladies of the cinema, featuring Del Rio with Mae West, Dorothy Dandridge and Anna May Wong. Del Rio also has a star on the iconic Walk of Fame, located on 1630 Vine Street.
Author Salvador Novo gave a perfect, if unintended, eulogy a year before her death. “With Dolores Del Rio we are in the presence of a case in which extraordinary beauty is only the material form of talent. She has been gifted with grace, and fresh and vibrant nimbleness that, being natural, seems exotic.” Time had finally caught up to the ageless beauty, which she herself never a vain person had never worried about. "So long as a woman has twinkles in her eyes, no man notices whether she has wrinkles under them."
Genaro Padilla, author of the article Yo Sola Aprendi: Mexican Women’s Personal Narratives from Nineteenth-Century California, expands upon a discussion first chronicled by the historian, H. H. Bancroft and his assistants, who collected oral histories from Spanish Mexican women in the 1870’s American West. Bancroft’s collection, however, did not come from this time period, but closer to the 1840s, a time where Mexican heritage still played a strong presence throughout most of California. These accounts, collected from many different women, in many various positions and lifestyles, shows just how muted the Mexican female voice could be during this era.
Unlike Papi, Juana did not put much emphasis on education for her kids; she would often pull out both Betty and Leonardo out of school to visit Mexico and as a results of their poor education, both Betty and Leonardo hardly spoke a word of English despite being an American born. Due to Mami’s unhealthy eating habits and parenting style, Betty grew up to be overweight and eventually becomes involved in gangs and ends up as a teenage mother.
Selena Quintanilla Perez was born on April 16, 1971 in Lake Jackson, Texas. Selena grew up understanding Spanish, but English was her first language. At the age of five Selena saw her brother learning to play the guitar and became jealous of the attention he was getting. She picked up a songbook and began to sing. Her family quickly turned their attention to her strong and beautiful voice. In the first grade Selena excelled at a game called Jump the Brook, in which two ropes are placed side by side and each kid takes a turn jumping across.1 In middle school Selena was in honors classes and made A’s and B’s. Selena used her allowance to put clothes on layaway. As a teenager, Selena hung all of her awards on the wall next to the staircase in her family’s house. As an adult, Selena was very involved with kids. She was a spokeswoman for the D.A.R.E. Program.
The emotional letter that Juan left for his mother might be one of the most emotional scenes in the documentary. The pure emotions that the letter was written by Juan to her mother leaves the audience with the bonds and emotions felt between the kids and families. Juan Carlos’s father abandoned the family years ago and left to New York, consequently Juan believe it is his responsibility to provide for his family. He also wants to find his father in New York and confronts him about why he has forgotten about them. The story of Juan is not just about migration of children, but also the issue of family separation. The documentary does not dehumanize but rather bring the humane and sensitive lens to the story of Juan where the human drama that these young immigrants and their families live. Juan Carlos is not the first of Esmeralda’s sons to leave for the United states, his nine-year-old brother Francisco was smuggled into California one month earlier. Francisco now lives with Gloria, his grandmother, who paid a smuggler $3,500 to bring him to Los Angeles, California. Once Juan Carlos is in the shelter for child migrants his mother eagerly awaits him outside. After she sees him she signs a paper that says if Juan Carlos tries to travel again, he will be sent to a foster home.
“Jaimito think its suicide. He told me that he will leave me if I get mixed up in those things”. Here is where Dede confesses the truth about her participation with the Mariposas. Although later on she claims to be leaving Jaimito. Dede knew that she needed to join her sisters this was the only way she was going to show her loyalty to the “Mariposas”. Minerva, Patria, and Maria Teresa husbands were all involved with the “Mariposas” movement. Could this be the reason why they were so committed and involved with the “Mariposas” movement? The support that all their husbands gave them through the journey guided them to influent the change, and to them it was very important. We all ask ourselves could this be another reason why Dede felt so strong about getting people to hear he story, to find the interest in it. Dede made her family home into a museum, this way people can see how they lived when it all began. There is also a monument that tourist or native Dominican that would like to know the story of the Mirabal Sisters. Why is this so important? Its known that a lot of Dominican or people all around the world do not know the story of the Mirabal sisters and what they died for; the truth behind the lies and the unrealistic story telling. Dede’s accomplishment was to let everyone now what happened to her sisters to her father and how Trujillo dictated
As showed in the film, Latino American often misrepresented and underrepresented both in front of and under the camera. American Hispanic often portrayed as lazy, unintelligent, greasy and criminal. Hispanic women often pictured comfortable sexuality as prostitution in film production; while Hispanic actors limit to criminal characters such as drug dealers, gangster, and provide the power for the white American. Audiences have less interaction with Latino in their real world might be easily framed by media images regarding the race and ethnicity. The lack of Hispanic history and culture understanding allows these media portrayals to change and form unfavorable behavior and attitude against Latino communities.
Born on April 4, 1928, in St. Louis, Missouri she was named Marguerite Johnson nicknamed “Maya” by her brother; her surname is an adaptation of that of her first husband. Because of the breakup of her parents' marriage, she and her brother lived with their grandmother in Stamps, Arkansas. She was raped by her mother's boyfriend when she was eight and for the next five years
Born in Maine, of April, 1802, Dorothea Dix was brought up in a filthy, and poverty-ridden household (Thinkquest, 2). Her father came from a well-to-do Massachusetts family and was sent to Harvard. While there, he dropped out of school, and married a woman twenty years his senior (Thinkquest, 1). Living with two younger brothers, Dix dreamed of being sent off to live with her grandparents in Massachusetts. Her dream came true. After receiving a letter from her grandmother, requesting that she come and live with her, she was sent away at the age of twelve (Thinkquest, 4). She lived with her grandmother and grandfather for two years, until her grandmother realized that she wasn’t physically and mentally able to handle a girl at such a young age. She then moved to Worcester, Massachusetts to live with her aunt and her cousin (Thinkquest, 5).
Serenade – García Márquez tells the story of his parents’ courtship and marriage in the New Yorker.
Intertwined in allusions to women of Mexican history and folklore, making it clear that women across the centuries have suffered the same alienation and victimization, Cisneros presents a woman who struggles to prevail over romantic notions of domestic bliss by leaving her husband. In the story Woman Hollering Creek, Sandra Cisneros discusses the issues of living life as a married woman through a character named Cleófilas; a character who is married to a man who abuses her physically and mentally. Cisneros reveals the way the culture puts a difference between a male and a female, men above women. In Woman Hollering Creek, we see a young Mexican woman, who suddenly moves across the border and gets married. The protagonist, Cleófilas’ character is based on a family of a six brothers and a dad and without a mom, and the story reveals around her inner feelings and secrets.
"Julia Alvarez." Encyclopedia of World Biography. Detroit: Gale, 1998. Gale Biography In Context. Web. 8 Dec 2013.
Selena’s death sent “shockwaves” across the Latin community as well as the English-language. Tens of thousands went to her funeral to pay their respect to her and her family. After her death, Selena’s first English album, “Dreaming of You”, was released and became a huge hit. They made a movie of her biography in 1997, starring Jennifer Lopez as Selena and James Edward Olmos as her father. Thousands of people visit her grave, Mirador de la Flor, in Corpus Christi, near the Selena Museum dedicated to her life, fame, and career. Even today, she’s still considered “La Reina de Tejano” and her legacy still lives on.
To understand fully the implicit meaning and cultural challenges the film presents, a general knowledge of the film’s contents must be presented. The protagonist, Tita, suffers from typical Hispanic cultural oppression. The family rule, a common rule in this culture, was that the youngest daughter is to remain unwed for the duration of her mother’s life, and remain home to care for her. Mama Elena offers her daughter, Tita’s older sister Rosaura, to wed a man named Pedro, who is unknowingly in mutual love with Tita. Tita is forced to bake the cake for the wedding, which contains many tears that she cried during the process. Tita’s bitter tears cause all the wedding guests to become ill after consuming the cake, and Tita discovers she can influence others through her cooking. Throughout the film, Tita’s cooking plays an important role in all the events that transpire.
Not only does Gina portray an adorable and brave latina, but the viewers get to see how she evolves as a character. Gina Rodriguez also embodies an intelligent and hardworking Latina that many shows such as “Modern Family” fail to present. Throughout the series, I’ve become so attached the characters because of how well the actors work together. The connection is real and visible, so much so that when Jane seeks comfort from her mother and Abuela I feel as If it’s Sunday afternoon and my mother is cooking warm tamales and hot coffee
are a Latina, especially one like me who so obviously belongs to Rita Moreno's gene