In Michael Ondaatje’s The English Patient we see a world completely ravaged by war. The land itself is damaged, sometimes beyond recognition as it is torn apart by bombs. Just as these human-made structures have faced the damage of imperialism, so have female bodies in the novel. Ondaatje creates several parallels between man’s attempt to “own” the land around him and his “ownership” of the female body. As we see in the novel, this attempt at ownership almost always ends in destruction, “war,” and often, death. What I believe Ondaatje is trying to present to us is the impossibility of “owning” something that should ultimately be free, such as the female body (or any body, for that matter.) Though some feminist theorists such as Lilijana Burcar have claimed Ondaatje’s novel perpetuates the idea of male ownership of female bodies, I believe we see several examples of female empowerment hidden throughout the novel; examples of females outwardly rejecting such “ownership,” as Hanna refuses to be seen as a sexual object by Carravagio, and even changes her appearance to “defeminize” herself. We even see gender-roles reverse. The “male gaze” seems to apply not only to males, but to females as well as Hanna views the sapper, Kip, in a “feminized” and often “sexual” way. Most striking of all, however, is Ondaatje’s representation of the character Katharine as an almost voiceless physical body which is undoubtedly “owned” and consumed by Almasy’s desire. As we see, this “ownership” leads to what is arguably the biggest destruction in the novel: the destruction of both Katharine and Almasy altogether.
Before focusing on the most extreme example of male ownership that is Almasy’s ownership of Katharine, I want to first exa...
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...vere gender-divide that is only normally present in same-sex relationships. This along with Hana’s appreciation for her own body and sexuality show readers a new type of relationship. In this way, I feel Ondaatje’s novel is progressive and reflects several feminist values and ideals, though they are often hidden just below the surface.
Works Cited
Burcar, Lilijana. “Mapping the Woman’s Body in Ondaatje’s The English Patient” Postcolonialweb.org
Bordo, S. 1993. "Feminism, Foucault, and the Politics of the Body." In C. Ramazanoglu, (Ed.): Up Against Foucault. Explorations of some Tensions between Foucault and Feminism. London and New York: Routledge.181 -202.
Butler, J. 1990. Gender Trouble. Feminism and the Subversion of Identity. London and New York: Routledge.
Suleri, Sara. The Rhetoric of English India. Chicago: University of Chicago Press, 1992.
...le dominance over female acquiescence. His goal is to ascertain that those qualities identified as feminine are used to undermine those qualities considered masculine. Kesey minimizes the mental suffering of the male patients while focusing on the inability of a woman to have control over men and keep it without resorting to emasculatory tactics. This is a social commentary on the representation of a woman or an institutional system that abuses power (Leach; Termpaperwarehouse.com).
Gender Trouble published in 1990 by Judith Butler, argues that feminism was and still relaying on the presumption that ‘women’ a...
Saiving, Valerie. "The Human Situation: A Feminine View" in Womanspirit Rising, Carol P. Christ and Judith Plaskow, eds. Harper & Row, 1979, pp. 25-42.
I decided to focus my paper on the first volume, the most mentioned and most known, which is a deep analysis of the last two centuries of history of sexuality, particularly oriented in finding out why and how sexuality is an object of discussion. Foucault is not interested in sexuality itself, but he is interested in how it has become an object of knowledge. Why, in the past few centuries, have we increasingly come to see our identity as bound with our sexuality?
Since the dawn of the Victorian Era, society has perpetuated unrealistic gender performance ideals that supposedly find their roots within biological sexual differences. Judith Butler has spent a lifetime seeking to break the mold todays social constructions, specifically surrounding gender and sexuality. The theory this pioneer pegged is now known as Queer Theory, and brought forth in the education system through Queer Studies courses. In the text Sexing the Body: Gender Politics and the Construction of Sexuality by author Anne Fausto-Sterling, gender and sex are similarly challenged on both a social and biological level. When reviewing Fausto-Sterling’s work in conjunction with Queer Studies and Human Sexuality, an efficient and effective format is loosely based upon a Critical Literary analysis.
The writings of Foucault, Bartky, Butler, and Bordo are significantly separate from each other in the issues that they grapple with within the body of their texts but their also overlap on major points, as is to be expected when many people write on the same subject. Each of these writers is concerned with different aspects of power and how that power is used and how it operates within our society. Most of these writers are feminist theorists and concerned with the ways that the female body is affected by power used against her while Foucault is less concerned with how power affects female bodies specifically but that can be seen as a result of his lack of connection to feminist thought. If Foucault mentions women and how they are affected
hooks, bell. "Feminism: A Movement to End Sexist Oppression." Feminist Theory Reader. Ed. Caroline McCann and Seung-Kyung Kim. New York: Routledge. 2003, 50-57.
Foucault, Michel. “Power and Sex.” Politics. Philosophy. Culture-Interviews and Other Writings 1977-1984. Ed. Lawrence D. Kritzman. New York, New York: Routledge, Chapman and Hall, Inc., 1988. 110-124.
Shaw, Susan M., and Janet Lee. Women's Voices, Feminist Visions: Classic and Contemporary Readings. New York: McGraw-Hill, 2012. Print.
...archy is a set of social relations between men, which have a material base, and which, though hierarchical, establish or create interdependence and solidarity among men that enable them to dominate women” (Hartman, 1981, p. 192).
In the analysis of the issue in question, I have considered Mary Wollstonecraft’s Text, Vindication of the Rights of Woman. As an equivocal for liberties for humanity, Wollstonecraft was a feminist who championed for women rights of her time. Having witnessed devastating results or men’s improvidence, Wollstonecraft embraced an independent life, educated herself, and ultimately earned a living as a writer, teacher, and governess. In her book, “A Vindication of the Rights of Woman,” she created a scandal perhaps to her unconventional lifestyle. The book is a manifesto of women rights arguing passionately for educating women. Sensualist and tyrants appear right in their endeavor to hold women in darkness to serve as slaves and their plaything. Anyone with a keen interest in women rights movement will surely welcome her inexpensive edition, a landmark documen...
Udayagiri, Mridula. (1995) “Challenging Modernization: Gender and Development, Postmodern Feminism and Activism”, in Marchand, Marianne and Parpart, Jane (eds) Feminism Postmodernism Devlopment, London; New York: Routledge: 159-179.
Simone De Beauvoir authored The Second Sex which regards the treatment of women throughout history. Introducing the popular work, she framed the theoretical question of “what is a woman?” (de Beauvoir, 34). Writing, first, a consideration upon a biological definition, she ends up rejecting the societal norm, for her own existentialist notion. This can be both compared and contrasted to the views of radical feminists, including Monique Wittig. The differences between such views directly affect the formulation of gender inequality and strategies correlated to feminism.
Here, the distinction is made between the physiological aspect of sex and the meanings inscribed in it. In this discussion, Merleau-Ponty is referenced in explaining that the body continually realizes a set of possibilities. In framing the body in such a manner, one does not merely have or one is not merely a body – one “does” one’s body. However, there is a constraint to these possibilities made by historical conventions. What this means is that when Merleau-Ponty and Beauvoir claim that the body is a historical situation, the body does three things with that historical situation: it does it, dramatizes it, and reproduces it. These can be seen as the elementary structures of embodiment. This embodiment can then be viewed specifically from the perspective of the act of gender. Gender can then be understood differently from the biological sex as gender has a cultural interpretation that is used as a strategy for cultural survival. In its deep entrenchment, gender seems almost natural in the punishments that arise from deviating from acting in a way that creates the very idea of
In conclusion, David Lodge managed to embody the concrete term of feminism. Through the character of Robyn Penrose, he creates the breakup of the traditional Victorian image of woman.“ `There are lots of things I wouldn 't do. I wouldn 't work in a factory. I wouldn 't work in a bank. I wouldn 't be a housewife. When I think of most people 's lives, especially women 's lives, I don 't know how they bear it. ' `Someone has to do those jobs, ' said Vic. `That 's what 's so depressing. ' ”(Lodge