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The Creator Who Started the Trend of Vampire
Bram Stoker was the author of the world-wide famous novel, Dracula (1897). He was born on November 8, 1847 in Dublin, Ireland. His full name was Abraham, but was called Bram for short. Unlike today’s families, he grew up living with seven siblings. When he was young, he was an enfeebled child bedridden for his first 8 years. His father, Abraham Stoker (1799-1876), was a civil servant – someone who works for the government – and his mother was Charlotte Mathilda Blake Thornley (1818-1901). He married actress Florence Baleombe (1858-1937) in 1878. Stoker and Florence had one son named Irving Noel Thornley Stoker (1879-1961). (Merriman, 1)
Even though Stoker was a sallow child, he eventually recovered and was able to attend Trinity College to study a variety of subjects. He studied mathematics, participated in sports, and was designated a spot on the school council as president of the Philosophical Society. He graduated with honors in 1870. (Merriman, 1)
Due to his father’s occupation, Bram Stoker himself became a civil servant while reviewing dramatic theater. Stoker quit being a civil servant to pursue his career as a writer through the meeting of Sir Henry Irving (1838-1905), an actor for William Shakespeare’s plays and manager of the Lyceum Theater in London. With Sir Henry Irving, being one of Stoker’s reliable friends, he offered him the job of becoming co-manager of Lyceum Theater in London, where he continued to delve into the writing world. (Weinfeld, 365) From there on, he wrote many books, one of which he created the masterpiece Dracula (1897).
Dracula
Stoker’s first copy of Dracula (1897) was published in the year 1887, starting the trend of vampires. It underwent numero...
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...tinue to live on to this day. He based Count Dracula on two historical people – Vlad Tepes and Elisabeth Bathory. Using mainly these two characters, Stoker created a book on which it would be the founder of vampire books.
Without the existence of Bram Stoker, vampires might not have been as popular as they are today. For instance, in today’s world, vampire books such as Twilight, Vampire Diaries, and Vampire Academy have become world famous through vampirism. Movies have even been based on Dracula (1897), similarly close to the original, using special effects on how to kill a vampire. Without the publication of Dracula (1897), there would not have been dark, gory, or evil stories to set off the advances using a new essence of writing. With Stoker’s great mind and ability to create Dracula (1897), it changed the thought of many writers throughout the world.
In Senf’s essay she points out that modern readers of Stokers novel are more likely to be surprised by this version of Dracula. In Stokers novel most of the action occurs in nineteenth-century London. Senf also shines a light on the fact that Stoker has made it so he cannot comment directly on his characters’ failures in judgment, or their lack of self knowledge with the type of narration selection he has chosen, Dracula as well is never allowed a voice in this novel.
The presence of racial stereotypes and commentary on the interaction of different races is a cornerstone of the Dracula narrative. In Stoker’s novel, Count Dracula is representative of the growing European culture of xenophobia and anti-Semitism which would rise to near hysteria in the coming decades. The concept of race was not limited to skin color or nationality in the nineteenth century, and was a means of categorizing people by “cultural as well as physical attributes” (Warren 127). Dracula is described as being covetous of ancient gold and jewels, childlike and simple in his malice, and more animalistic than human, traits frequently attributed to the Jewish people by Christian society (Newman). His material appearance is distinguished by extremely pale skin, dark features, a nose with a “high bridge…and peculiarly arched nostrils,” and “bushy hair that seemed to curl of its own profusion.” Stoker’s audience would have recognized...
In the novel Dracula, by Bram Stoker, there is much evidence of foreshadowing and parallels to other myths. Dracula was not the first story featuring a vampire myth, nor was it the last. Some would even argue that it was not the best. However, it was the most original, using foreshadowing and mood to create horrific imagery, mythical parallels to draw upon a source of superstition, and original narrative elements that make this story unique.
Bram Stoker was born into a lower-class Irish family in late 1847. He grew up with six siblings, at least four of which were brothers. Throughout his childhood, Stoker was an invalid, sickened with an unknown disease. Many days were spent listening to his mother tell stories of Ireland. It is thought that her stories played a large role in his writing (Stoker 5). Perhaps due to Stoker’s childhood illness and relationship with his brothers, his writing in Dracula exhibited a great deal of homosociality, the idea of same-sex relationships on a social level, rather than romantically. In the novel, Stoker introduces the idea of homosociality by creating a friendship and camaraderie between the main male characters.
Loosely based on the novel Dracula by Bram Stoker, the film is the story of a
Vampires have been viewed with fear and fascination for centuries. Of all the vampires in literature, Bram Stoker’s Count Dracula is probably the most prominent vampire. Recently, there has been an upsurge of public interest in socially acceptable vampires, like the Cullens in the Twilight series by Stephanie Meyer. This essay will contrast Stoker’s Dracula with Carlisle Cullen, one of the newer vampires from the Twilight series. They will be examined in terms of their origins and how they dealt with immortality.
Bram Stoker took the legend of Vlad Tepes and used it as an idea for Dracula. He was the ruler of an old country called Wallachia. He is most famous for impaling his enemies on sticks around his castle. He taught himself how to miss vital organs in the body, causing the victim to die a slow painful death. This is why people consider him an ancient vampire. What people don’t know about him is that the rich loved him, but the poor hated him. To anyone that didn’t have to seal to make it by he was great. But to the poor people who couldn’t buy food, they were always in fear of him. He was abused as a child, and this is what is thought to have caused his behavior. (Melton 1053)
Stoker uses phenomenal imagery to produce a late nineteenth century setting, located somewhere within eastern Europe. Transylvania, the infamous home to Dracula himself, is described in great detail in Harker’s journal. There, Stoker purposely and meticulously outlines Dracula’s castle and the surrounding town. Stoker manages to do this with a very gothic tone, immediately lowering the societal status of women. In conjunction with Dracula’s gothic tone comes the understanding of male and female traditional roles of the era. The reader sees that there is no hesitation differentiating between the two, as Stoker “ cast[s] men as rational, strong, protective and decisive…[and] women as emotional (irrational), weak, nurturing and submissive.” (Tyson, 82).
It seems as though Bram Dijkstr was against Bram Stokers possible implications in regards to anti-feminist symbolism in Dracula. In Dracula’s Backlash he states, “Stoker clearly was a man of limited intelligence, typical of the fairly well-educated, fairly well-off, middle-aged-minded middle class”.(460). While Dracula did not bring about any criticism the years after its publishing. It did in fact gain its notable fame after the Victorian Era. With all of its subliminal messages, the audience is left wondering about Bram Stokers reasons for writing such a controversial novel.
Peters, Sarah L. "Repulsive to Romantic: The Evolution of Bram Stoker’s Dracula." Henderson State University. N.p., Mar. 2002. Web. 14 Apr. 2014.
Dracula, the most famous vampire of all time, which readers were first introduced to by Irish author Bram Stoker in 1897 with his novel Dracula, which tells the story of the mysterious person named Count Dracula (Stoker). The book is an outstanding masterpiece of work, which is why it has been a prototype for various movie releases over the decades. Whenever a film director decides to make a movie on behalf of a novel the hope is that the characters concur from the novel to the movie, which leads to the exploration of the resemblances and modifications between the characters in Dracula the novel by Bram Stoker and Bram Stoker’s Dracula 1992 movie directed by Francis Ford Coppola.
Bram Stoker’s “Dracula” was written the year after Stevenson released his book. Dracula follows Byron’s idea of being alluring and of magical ability, but differs in that he is unpleasant in ...
Dracula, by Bram Stoker, is a classic tale of Gothicism. Traditionally, gothic tales only carried single theme of horror. Through Dracula, Stoker breaks this single theme barrier. The theme throughout Dracula is clearly displayed through the characters as they step from ignorance to realization in this tale of horror.
... period where there was a mix of different feeling and ideas coming about. Religion was the core of his tale, and also modeled it. On one side were the humans and on the other Dracula. Through their struggles to defeat the monster they experienced changes in gender roles, which was also present in real time. Women were becoming more free and working. The only way this change happened was because of the trust and the love between family members; that led to good stable home and ultimately success in life. Stoker wrote Dracula later on his career, this way he had more experience and knowledge of life and grew to believe in common universal truth. Dracula was a hit because it had truth and history in it, and it turned the ordinary good beats bad story into a compelling and interesting narrative, and if readers read carefully they could even find themselves in the book.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.