Tension in Act II of 'The Crucible'

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In early 1692, in the small Massachusetts village of Salem, a collection of girls became ill, falling victim to hallucinations and seizures. In the extremely religious Puritan New England, frightening or surprising occurrences were often attributed to the devil or his cohorts. The unexplainable sickness spurred fears of witchcraft, and it was not long before the girls, and then many other residents of Salem, began to accuse other villagers of consorting with devils and casting spells. Old grudges and jealousies spilled out into the open, fuelling the atmosphere of hysteria. The Massachusetts government and judicial system which was heavily influenced, if not blinded by, religion, launched to action. Within a few weeks, dozens of people were imprisoned on charges of witchcraft, and by the time the ‘fever’ had dissipated, nineteen people (and two dogs) had been convicted and hanged for witchcraft.

"The little crazy children are jangling the keys of the kingdom and common vengeance writes the law!"

More than two centuries later, Arthur Miller wrote ‘The Crucible’, a play based around those events in Salem that are considered one of the bleakest moments in American history. The play is a device created and used by Miller him to voice his aversion towards the McCarthy Trials that took place in America during the 1950s. The trials were born of the fear of communism that enveloped the United States during the Cold War, and were such that speaking out against them meant you must be a communist; Miller himself was put on trial during this time. As fear and mass hysteria were the cause of the trials, accusations could be made by anyone, however unfounded. Like ‘The Crucible’, many of the accusations came not from reliable unquestionable...

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...he happenings on Salem: there is a resounding lack of trust and lots of underlying tensions which are only now surfacing fully rather than just bubbling away beneath the surface.

Elizabeth informs John of the activities taking place in Salem: Miller is using him as a device to tell the audience what is going on. He is using exposition rather than flashbacks to stop the tension of the scene being lost and to enable the audience to empathise with the play’s main protagonist, forging the link between the character and audience which is later crucial to the sustaining of tension in the final act.

1. Books

Miller, Arthur, 1986, The Crucible, Reading, Penguin Books

2. Websites

http://www.brainyquote.com/quotes/authors/a/arthur_miller.html

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