The Temptations’ 1970 hit “Ball of Confusion (That’s What the World is Today)” bravely sheds light on the political and social issues plaguing the world during the 1960’s. Written by Norman Whitfield and Barrett Strong, this song deviates from Motown’s usual clean and charismatic approach and serves as a prelude for songs like Marvin Gaye’s “What’s Going On.” Through the use of shrewd lyrics, psychedelic instrumentals, and intimidating vocals “Ball of Confusion (That’s What the World is Today)” serves its purpose in making a statement against the tumultuous world America created.
The Vietnam War is one of the most controversial issues in American history. It is no secret that the American public was not in favor of this war, which is why the government’s decision to keep the US involved for over ten years created such a disconnect between America’s people and their government. In the third verse the Temptations sing, “People all over the world are shouting 'End the war.'” The Temptations bravely attack the government, addressing their continuation of a war no one wants. Although The Temptations avoid explicitly naming the war, or the government as the guilty party, it is evident that this is a criticism, or at least an acknowledgement of a predicament America found itself in.
The Temptations go even further in their attack on the government singing lyrics such as, “Politicians say more taxes will solve everything.” This time they are uncensored in their criticism. This is an undisputed recognition of the people in power at fault for making poor decision. In the first verse Eddie Kendricks sings, “Vote for me and I'll set you free.” Kendricks sings this line in his usual falsetto, but with a sarcastic tone that suggests the poli...
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...ir voices, just like there is no escaping these turbulent times.
However, perhaps what is most impressive about “Ball of Confusion (That’s What the World is Today)” is its ability to withstand time. Three times within the song the phrase, “And the band played on” is repeated. Well, the band has continued to play, as these problems, forty-three years later, have yet to be resolved. People still complain about taxes, the US still gets involved in wars that the public does not favor, and gun control is still in question. “Ball of Confusion (That’s What the World is Today)” reveals a sad reality: the world is a confusing place that humans have yet to make sense of. However, the brilliance of Norman Whitfield and Barrett Strong’s song cannot be ignored. This song serves a perennial wake-up call reserved for every time the world begins to turn a blind eye on its problems.
The Vietnam War has become a focal point of the Sixties. Known as the first televised war, American citizens quickly became consumed with every aspect of the war. In a sense, they could not simply “turn off” the war. A Rumor of War by Philip Caputo is a firsthand account of this horrific war that tore our nation apart. Throughout this autobiography, there were several sections that grabbed my attention. I found Caputo’s use of stark comparisons and vivid imagery, particularly captivating in that, those scenes forced me to reflect on my own feelings about the war. These scenes also caused me to look at the Vietnam War from the perspective of a soldier, which is not a perspective I had previously considered. In particular, Caputo’s account of
“Film has established itself as a major medium by which our culture reflects and shapes its reality” (Taylor 186). Nowhere is Bruce Taylor’s statement made more clear than in movies about the Vietnam War. While some films, like Stanley Kubrick’s Full Metal Jacket, illustrate how horrible the army can be, other Vietnam War films glorify the armed services and American superiority in an attempt to alleviate the public’s fears that the war was a negative undertaking. China Gate (1957), The Green Berets (1968), and Rambo: First Blood, Part Two (1985) all glorify Americans at war. As Leo Cawley claims in his essay, “The War about the War: Vietnam Films and American Myth,” they sought to show that “the Americans are the good guys, the Viet Cong are the bad guys, and the peasants are the frightened townsfolk who need protection and rule of law” (74). The characters in these films have no ambiguity to them, but rather just the opposite: they are either paradigms of goodness or pillars of evil. By analyzing these one-dimensional characterizations, we are clearly able to see the propaganda in these films.
In the summer of 1969, a music festival called, “Woodstock”, took place for three straight days in Upstate, New York, with thirty-two musical acts playing, and 500,000 people from around the world coming to join this musical, peaceful movement. Woodstock started out being a small concert, created to locally promote peace in the world, by the power of music and its lyrics. Now, Woodstock is still being celebrated over 40 years later. The chaotic political climate that the ‘baby boomers’ were growing up in is most likely the reason for this event becoming of such an importance to the world. The violence of the Vietnam War, protests at Kent State and the Democratic Convention, and the assassinations contributed to an ‘out of control’ world. The fact that so many people came to Woodstock and were able to latch onto the ideals of peace, love, and community became a wonderful, joyous symbol to this generation. This three day music festival represented the ideal for baby boomers during a chaotic political time.
By 1968 the Vietnam War was a time by which Americans saw deep divide, disappointment, and tragedy. Their government had let them down, the figures they could trust had been killed, and their loved ones were scared by the effects of war. Rightfully so, the American people were upset and angry. The dynamic I have explored that made Vietnam such a critical piece in America’s history that influenced and entire party and a nation will only magnify in time not just in 1968 and not just for one primary election, but for all who shared a stake in this window.
In the short story “Field Trip” by Tim O’Brien, the poem “Camouflaging the Chimera” by Yusef Komunyakaa, and the song “Fortunate Son” by Creedence Clearwater Revival, the authors feel the emotional reasoning for staying in the Vietnam War outweighed the diplomatic reasons that they were originally there for. For these soldiers, they were simply used by the government to enact on their orders, and in all events criticized and demoralized for doing so.
Enlightened rap seemed poised to enjoy mainstream popularity. But something about its message did not capture the popular imagination, and it has remained a sub-genre. Conversely, the highly materialistic rap that was popular when B-D-P appeared in 1987, glorifying jewelry, cars and brand names, is in vogue again. However, B-D-P--vintage B-D-P--enjoys a paradoxically respected position. This is strange because in some respects B-D-P's version of political rap was stricter than the other groups that comprised the so-called New School, the consciousness-raised groups that followed in his path. Something about B-D-P's asceticism had an edge that made it strangely attractive. I wish to explore this ambiguity.
The world was in 1950 at a point of multiple crossroads. After two World Wars an exemplary series of bad events followed, like the Cold War and the atomic menace. But it was also the beginning of some prosperity. People started again to gather material values. Nevertheless, the slow awakening from the fog of war was a process too complex to be generally accepted. In an apparently healing world there were still too many fears and too many left behind. On this ground of alienation, isolation and despair Allen Ginsberg’s “Howl” emerged together with the Beat movement. John Tytell observed that the “Beat begins with a sense of natural displacement and disaffiliation, a distrust of efficient truth, and an awareness that things are often not what
John Lennon’s Imagine walks us through life with lyrics of peaceful protest, helping us imagine a world unity much less division.
The year is1965, 8 years into the Vietnam war and 2 years in the shadow of a presidential assassination, marked the inception of an artistic vision, cut to Vinyl. Bob Dylan’s Highway 61 revisited is a testament to the state of America in the 1960s, using poetic devices, and engaging rock and roll music to capture the imagination of a breadth of people, unwittingly, it would seem, brought change to the minds of Americans. Opening their eyes to what was happening and inflicting a sense of new found justice in their hearts, Living vicariously through Bob Dylan’s intense imagery, due to the events unfolding in that period, People latched on to Dylan’s lyrics and imposed their own expression and feeling onto his songs.
Political issues such as the war on terrorism is evoked as an issue throughout the song. American was divided “All across the alien nation” when troops were sent to Iraq to search for weapons of mass destruction. Metaphorical language was used to explore the issue. Audience positioning from techniques indorse concerns with a country divided and positions them to feel the need to cooperate and sort things out other than civil unrest and debate.
Ann Powers’ review of “Pumped Up Kicks” mainly focuses on what the words in “Pumped Up Kicks” are saying rather than looking at the song as a whole. Powers’ review also expresses an overall negative connotation toward “Pumped Up Kicks”. Powers works for National Public Radio (NPR) and she is one of the nation’s most notable music critics. Just as NPR has a reputation for being very professional and serious, Powers’ review reflects her working environment. Because of Powers review being published through NPR, her target audience would have been the people who wanted a professional opinion on “Pumped Up Kicks”. They would have wanted an in-depth review of the song, not just a surface level review of how popular “Pumped Up Kicks” was.
Music can be traced back into human history to prehistoric eras. To this day archeologists uncover fragments of ancient instruments as well as tablets with carved lyrics buried alongside prominent leaders and highly influential people. This serves as a testament to the importance and power of music, as well as its influence in society. Over its many years of existence, music’s powerful invocation of feelings has allowed it to evolve and serve many purposes, one being inspiring change. American journalist and author Hunter S. Thompson once said, “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel.” This fuel is the very things that powers the influence of Rock ‘n’ Roll on American society, that author Glenn C. Altschuler writes about in his book, “All Shook Up – How Rock ‘n’ Roll Changed America.” Between 1945 and 1965 Rock ‘n’ Roll transformed American society and culture by helping to ease racial integration and launch a sexual revolution while most importantly developing an intergenerational identity.
The 1960s was the era of rebellion. It was a time when views of many people started to change dramatically as unexpected things were happening from the Cold War to the assassinations of nation’s leaders. So within this disturbed era, many citizens started to rebel and question the authorities saying that they were ruining the country. The younger generation, especially, stood firmly in front to lead the action to change the ideas of the older generation. One of the main methods they used to speak their opinions was through music and we can see the power it had on the people through one of the main protest anthems called “Fortunate Son” by Creedence Clearwater Revival in 1969. The song speaks out to the elite controlled America and becomes one of many instances of the younger generation questioning and rebelling against the authority in the late 1960s. They send people a message that the citizens of United States do not live in a fair world and the authorities are not doing their jobs. By creating images through the comparative and descriptive lyrics such as who “waves the flag” , and “some folks are born with silver spoons in hand”, its repetition of the chorus “it ain’t me” and the instrumentation of the song which sounds like the cry of the working class to signify that the Vietnam War is a rich man’s war and a poor man’s fight, this song by the Creedence Clearwater Revival shouts to the world that the elite-controlled America is unfair as it can get; and becomes a big part of the counterculture movement. However, contrary to the message of the song, challenges to authority and privilege did not come exclusively from the working class. Rather, members of the upper class were also involved in opposition movements, for instance vi...
There are a lot of issues with politicians exceeding the federal budget that led to confusion that led to people doubting the government (Meyers 1). Liberals wanted the war to continue there were more supportive of the government, while Radicals was protesting against the law. The Temptations emphasize every line of the song and made it very known to the audience. For example, the line "politicians say more taxes will solve everything..." (The Temptations 14), shows the government asking the people to pay money to fund for the war. Practically this line shows that the government is trying to persuade citizens to pay higher taxes, which means people are encouraging the war to go on. Another line says "segregation, determination, integration, aggravation, humiliation, obligation to our nation..." (The Temptations 7-8 ), these words describe every political tribulations and the impact it has on people's life. The line "the sale of pills at an all time high, young folks walk around with their head in the sky, cities aflame in the summertime, and the beat goes on..." (The Temptations 12-13) ,this phrase of the song makes the world aware of teenagers doing drugs to escape their deep depression that they are going through. This is a way young people found to get rid of their problems. This is a form of them committing suicide, killing
The 1960’s was a time of war and fear for the United States and many people were turning their accusations towards the government. “Masters of War” was written by Bob Dylan in late 1962 and early 1963. The focus of this song is a protest against the Cold War and the Cuban Missile Crisis that was happening during the early 1960’s. The song is protesting on the American government having its citizens live in fear of a constant attack and hiding behind their shroud, unaffected by anything that would happen to the people. It shook the nation with its fierce and angry tone against the “military industrial complex.” Dylan’s lyrics stated that it was not contained by declaring a pointless war and not taking responsibility for the problems it was causing. “Masters of War” is a powerful song against the government and the military. The protest song “Masters of War” by Bob Dylan highlights how the looming aspect of the Cold War affected the people of the United States and demonstrates Dylan’s view on the governments involved.