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similarities and dissimilarities between Wordsworth and Coleridge
similarities and dissimilarities between Wordsworth and Coleridge
similarities and dissimilarities between Wordsworth and Coleridge
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Wordsworth's 'hsü': towards a Taoist reading of Tintern Abbey
Five years have passed; five summers, with the length
Of five long winters! And again I hear
These waters, rolling from their mountain springs
With a sweet inland murmur. (1-4)
"Tintern Abbey"'s opening lines prepare the reader for a reunion, notable in tone not only for the sense of anticipation with which the poet apprehends this moment, but equally so for the poignancy which immediately inflects the poem's proceedings. My reading of "Tintern Abbey" takes as its most prominent concern the sense in which Wordsworth's "Revisiting the Banks of the Wye" represents a haven-seeking of sorts. Since his visit to the Wye in 1793, much has happened to Wordsworth: he has found, and relinquished, his first romantic love in Annette Vallon. As a young would-be radical, sympathetic to the ideals of the French Revolution, he finds himself at odds with London's entrenched conservatism. In 1795, after well over a decade of only intermittent contact with his sister, Wordsworth and his beloved Dorothy are reunited at Racedown, at about the same time that they make the acquaintance of Samuel Taylor Coleridge. Within two years of this happy occasion, the two Wordsworths will move to Alfoxden to be near Coleridge. The ensuing years of intense friendship and creative discourse will yield, by 1798, the collaborative Lyrical Ballads, to which "Tintern Abbey" belongs. As we consider the tumult and activity that have characterized this period of his life, we might well speculate upon the nature of the thoughts going through Wordsworth's mind as he surveys the Abbey from his vantage on the riverbank; my own temptation is to equate the quietly reflective tone of the poem with the Taoist notion of hsü.
In Taoism hsü is defined -- in describing a state of mind -- as meaning:
absolute peacefulness and purity of mind and freedom from worry and selfish desires and not to be disturbed by incoming impressions or to allow what is already in the mind to disturb what is coming into the mind. Hsü-shih means unreality and reality, but hsü also means profound and deep continuum in which there is no obstruction. (Wing-tsit Chan, A Source Book in Chinese Philosophy. Princeton University Press, 1963.
Hsün Tzu is one of the main founders of eastern philosophy and is considered one of the three great sages in China along with Mencius and Confucious. Tzu’s style of writing is poetic and easy to understand. In his writings, he repeats his main ideas constantly as if he were preaching. This is a style that we can identify as being used also by some of our politicians, teachers, and clergymen to name a few.
Keep sharpening your knife, and it will blunt." A Taoist is not someone who is
This is important, for humans are urged by Taoist thought to place themselves below all else, especially the world, but also other people. The wise person will put another person's needs before their own.
Taoism has been a major influence in China throughout much of its history and The Joy Luck Club, by Amy Tan, reflects this influence through its infusion of Taoist principals. One of the fundamental concepts within Taoism is that of Wu-hsing. Wu-hsing is a way of understanding a matter by dividing it into five and is often represented by five phases, elements of directions. This is an unfamiliar concept to a western perspective, which tends to divide things into four. Understanding this fifth additional element, however, is essential to understanding The Joy Luck Club.
Confucianism and Daoism are two influential schools of thoughts that have existed in ancient China around the 6th century BCE. The former, led by the politician and philosopher Confucius, proposed that humans live in society according to a set of predefined rules and that they transform society through political action. Whereas the latter, led by the philosopher Lao-Tzu, promoted the idea of inaction; people should go with the flow instead of taking action to control their lives and dominate their surroundings. Although, at first glance Daoism and Confucianism seem to be two opposing philosophies, a more in depth analysis of two of their key ideas –filial piety and education—reveals that they do share some similarities.
In its second sense, Tao means "the way of the universe." Tao is something that goes through all beings, all of the earth. It is everywhere, all the time. It is something that flows through everything. This flowing idea links with the idea in Buddhism that Nirvana can be reached by anyone, as long as one is devoted enough and has lost all attachments.Thirdly, one life must be a certain way to work with the Tao: Tao also refers to "the way of human life" as it "meshes" with the universal Tao in its second sense.
...ccording to it. It is the level of understanding and respect a Taoist has with nature, everyone around them, and everything. This mystery is the last feature that is important to defining a religion.
...e and space and is therefore attainable to each individual who is ready to be released from the bonds of the physical. The Tao is perfection, a place where yin and yang come together and all that lives in diversity finds unity.
Peters, John G. “Wordsworth’s TINTERN ABBEY” The Explicator(Washington) , Winter 2003, Vol. 61, Iss. 2, pg. 77 : eLibrary. Web 05 Mar 2002
In "Lines Composed a Few Miles Above Tintern Abbey," William Wordsworth explains the impact of Nature from Tintern Abbey in his every day life. "Tintern Abbey" shows the great importance of nature to Wordsworth in his writings, love for life, and religion. The memories he has of Tintern Abbey make even the darkest days full of light.
Rebecca Wordsworth was, as many writers have pointed out, distressed at Wordsworth’s refusal to hold a full-time job—like many a youth after him, Wordsworth was living the carefree life of the artist. Rebecca wanted him put to rights. He should become an adult now. “Tintern Abbey” is Wordsworth’s attempt to explain himself to Rebecca, but also, in crucial ways, to himself.
The speaker of “Lines Composed of a Few Miles above Tintern Abbey” is Wordsworth himself. He represents Romanticism’s spiritual view of nature. His poetry is written
Wordsworth's 'Tintern Abbey'; is the poetry of consciousness and becoming aware of this state, and the understanding of where one fits into the scheme of everything within the world. Wordsworth looked into life as an active participant ready to grasp all knowledge and understanding that was available to him. So although he missed the abbey and lost some of his youth, he had gained ten-fold by being able to interpret his feelings through his own perception and knowledge. He had found a way to console himself, he had found a basis for hope in 'Tintern Abbey';. Wordsworth had become more thoughtful and saw the abbey in a different way than in his youth. He had learned how to appreciate things and wanted to instill those values in his sister/';Dear Friend';. Wordsworth had found the true comfort in nature and had incorporated that respect for nature in his life.
Wordsworths “Preface to Lyrical Ballads” is his ideas on how he is going to be writing his poetry. In the “Preface to Lyrical Ballads” The Principal Object of the Poems. Humble and Rustic Life (Wordsworth 434) he discusses how in his poems he wants to create a situation in common life and have all different kinds of people relate them to a personal experience they once had in a common language,“ To throw over them a certain colouring of imagination, whereby ordinary things should be presented to the mid in an unsual way; and ,further, and above all, to make these incidents and situations interesting by tracing them truly through not ostentatiously, the primary laws of our nature: chiefly, as far as regards the manner in which we associate ideas in a state of excitement.” by saying this in this stanza one can directly relate it to how he then writes “Tintern Abbey”. In “Tintern Abbey” Wordsworth uses this imagination to make things like walking through a abbey with your sister can become a magical incident that sends...
Tintern Abbey is just an old ruin (William). However, throughout Wordsworth’s poetry Tintern Abbey becomes something slightly more than a ruin. His poem recognizes the ordinary and turns it into a spectacular recollection, whose ordinary characteristics are his principal models for Nature. As Geoffryy H. Hartman notes in his “Wordsworth’s poetry 1787-1814”, “Anything in nature stirs [Wordsworth] and renews in turn his sense for nature” (Hartman 29). “The Poetry of William Wordsworth” recalls a quote from the Prelude to Wordsworth’s 1802 edition of Lyrical ballads where they said “[he] believed his fellow poets should "choose incidents and situations from common life and to relate or describe them...in a selection of language really used by men” (Poetry). In the shallowest sense, Wordsworth is using his view of the Tintern Abbey as a platform or recollection, however, this ordinary act of recollection stirs within him a deeper understanding. In his elaboration in “Tintern Abbey”, he says “For I have learned to look on nature, not as in the hour of thoughtless youth, but hearing oftentimes the still, s...