Taken from Hamlet, Rosencrantz and Guildenstern Are Dead by Tom Stoddard

788 Words2 Pages
bulb-icon

Recommended: Influence of Hamlet

William Shakespeare’s play Hamlet is one of the most influential texts in western thought. Tom Stoppard took advantage of how widely known the play was and wrote his own play entitled, Rosencrantz and Guildenstern Are Dead, as a ploy off of the final lines of the play Hamlet. Stoppard’s play is “a play within a play” to some extent; he took two of Shakespeare’s flat characters and gave them life. The play Rosencrantz and Guildenstern Are Dead follows the story of Hamlet’s friends Rosencrantz and Guildenstern in their journey through the play Hamlet. Tom Stoppard’s play Rosencrantz and Guildenstern Are Dead, displays many themes or messages, three of which being identity, motivation, and death.
Identity becomes a major theme in this play and can be drawn from the very first lines of Hamlet itself, “Who’s there?” During the play Hamlet and R&G Are Dead, Rosencrantz and Guildenstern are continually mixed up, leaving the audience guessing who is who. Stoppard uses this to make us question our own identity, making us ask “What makes one themselves?” Is it their face? Or maybe their name? These two factors are what distinguish us from others around us and have since birth. But does one consider their identity to be what they look like or the name that they respond to? Some tend to think that the clothes they wear or the money in their bank account defines them as who they are. A different approach to thinking about one’s identity is to think about their DNA and history. However, can one be defined by someone who lived before them? Is who they are automatically who you are? The answer to the question “who are you” becomes more difficult the farther you look into it. If one only had a single thing to explain to another who they were, what...

... middle of paper ...

...ealizing their fate once they reach England, Guildenstern says, “No…no…not for us, not like that. Dying is not romantic, and death is not a game which will soon be over…Death is not anything…Death is not…It's the absence of presence, nothing more…the endless time of never coming back…a gap you can't see, and when the wind blows through it, it makes no sound.”
Death, motivation, and identity are not only themes from R&G Are Dead, but can be considered themes in one’s own life. In one’s life, they tend to “go through the motions.” Very few people actually live their lives, but it’s hard to live a life that one doesn’t understand. Martin Luther King JR. said, “Well, you may go on and live until you are 90, but you’re just as dead at 38 as you would be at 90. And the cessation of breathing in your life is but the belated announcement of an earlier death of the spirit.”

Show More
Related

  • Tom Stoddard Takes Characters from Shakespeare's Hamlett and Develops Them in Rosencrantz and Guildenstern Are Dead

    887 Words  | 2 Pages

    A person is created by the experiences they go through and by the things they learn throughout their life. It is the question of who each individual is and what makes up their identity. Writers, no matter the type, have been addressing the issue of identity for thousands of years. One playwright who stands out in this regard is Shakespeare and his play Hamlet. The play continually questions who the individuals are and what makes up the person they are. Yet another play can be associated with Shakespeare’s masterpiece, as Tom Stoppard takes the minor characters in Hamlet and develop them into something more in his play Rosencrantz and Guildenstern Are Dead. The twentieth century reinvention of the supporting characters from Hamlet, contains three major messages or themes throughout the play including identity, language, and human motivation. The play has deep meaning hidden behind the comic exterior and upsetting conclusion and each of these three themes add to the ultimate message the play invokes into its audience.

    Read More

  • Death and Reality in Where Are You Going, Where Have You Been? by Joyce Carol Oates

    1268 Words  | 3 Pages

    Death and Reality in "Where Are You Going, Where Have You Been?" by Joyce Carol Oates

    Read More

  • Hamlet and Horatio

    3393 Words  | 7 Pages

    Hamlet and Horatio Horatio holds the seat of honor in Shakespeare’s tragedy Hamlet, for being the only character among the dramatis personae who is extremely close to the protagonist. Horatio’s emotional bond with the hero is paradoxically closer than that of Hamlet’s mother to the hero. This essay examines the character of Horatio, Hamlet’s truest friend. D. G. James’ essay, “The New Doubt,” explains the hero’s passionate admiration of Horatio. But we must remember how Hamlet speaks of Horatio; he does so in words of passionate admiration.

    Read More

  • Tom Stoppard Comparison Essay

    1057 Words  | 3 Pages

    In Rosencrantz and Guildenstern’s world, however, things couldn’t get much worse with the main figures, knowing that the end of them is programmed in the title of the play. As adaptation, ‘Rosencrantz and Guildenstern are dead’ happens to be locked in the end set in the initial play. This causes a deep pessimism sense in the play that cries over the absence of change and action, based on the knowledge of the audience that the only change possible will happen to cause the protagonists death.

    Read More

  • Hamlet: In Search of His Own Identity

    1373 Words  | 3 Pages

    In life, one goes through different experiences which makes and shapes us into the person who we become. Whether something as little as a "hello" by a crush or a death in a family, they contribute to the difference, as they are all equal in importance. In the play Hamlet by William Shakespeare, the protagonist Hamlet struggles throughout his life as he is in search of his true identity. The Webster's dictionary, under the second definition, defines identity as "The set of behavioral or personal characteristics by which an individual is recognizable as a member of a group." As life only moves forward for Hamlet, he struggles to find his place in life, nonetheless to revenge the murder of his father.

    Read More

  • Human Condition In Hamlet

    1983 Words  | 4 Pages

    An understanding of William Shakespeare’s philosophies reinforces the meaning of the human condition found in the play Hamlet. The revenge tragedy is an example in the exploration of good versus evil, deceit, madness, inter-turmoil, and utter existence. Shakespeare, fascinated by the human mind and human nature, clearly and completely illustrates the meaning of “self.” Hamlet is a drama that examines one’s personal identity. From the beginning of the story atop the castle when the guards enter the platform to the conclusion of the performance as Hamlet lies, dying in Horatio’s arms every characters’ psychological type is

    Read More

  • Comparing the Human Condition in Rosencrantz and Guildenstern are Dead and Waiting for Godot

    1328 Words  | 3 Pages

    Stoppard gives Rosencrantz and Guildenstern an existence outside ‘Hamlet’, although it is one of little significance and they idle away their time only having a purpose to their lives when the play rejoins the ‘Hamlet’ plot, after they have been called by the King’s messenger: “There was a messenger...that’s right.  We were sent for.”  Their lives end tragically due to this connection with ‘Hamlet’, predetermined by the title, but the role provided them with a purpose to their otherwise futile lives, making them bearable.  Their deaths evoke sadness and sympathy leaving the reader grieving for them.

    Read More

  • Death and Emily Dickinson

    1312 Words  | 3 Pages

    “Death, the end of life: the time when someone or something dies” (Merriam-Webster, 2014). The definition of death is quite simple, the end of life is inescapable. I chose to write about death and impermanence because it is something we all must inevitably face. People often deal with death in a number of different ways. Although it is something that we must eventually face, it can be hard to come to terms with because the idea can be hard to grasp. Some of us fear it, others are able to accept it, either way we all must eventually face it. In this essay I will look at two different literary works about death and impermanence and compare and contrast the different elements of the point of view, theme, setting, and symbolism. The comparison of these particular works will offer a deeper look into words written by the authors and the feelings that they experiencing at that particular time.

    Read More

  • Hamlet-identity Crisis

    1845 Words  | 4 Pages

    Shakespeare’s Hamlet is arguably one of the best plays known to English literature. It presents the protagonist, Hamlet, and his increasingly complex path through self discovery. His character is of an abnormally complex nature, the likes of which not often found in plays, and many different theses have been put forward about Hamlet's dynamic disposition. One such thesis is that Hamlet is a young man with an identity crisis living in a world of conflicting values.

    Read More

  • The Comedy of Rosencrantz and Guildenstern are Dead

    444 Words  | 1 Pages

    Rosencrantz and Guildenstern are Dead, a play in three acts by Tom Stoppard, is a behind the scenes look at what happens in Shakespeare's Hamlet and how the events in the play may have seemed to other fringe characters. These characters are of very little relevance and even if they are removed from the scene of action, with the grotesque act of hanging by death, the impact on the actual play is minimal

    Read More

  • Hamlet: The Bewildering Human Condition

    1242 Words  | 3 Pages

    Shakespeare’s play Hamlet is a complex and ambiguous public exploration of key human experiences surrounding the aspects of revenge, betrayal and corruption. The Elizabethan play is focused centrally on the ghost’s reoccurring appearance as a symbol of death and disruption to the chain of being in the state of Denmark. The imagery of death and uncertainty has a direct impact on Hamlet’s state of mind as he struggles to search for the truth on his quest for revenge as he switches between his two incompatible values of his Christian codes of honour and humanist beliefs which come into direct conflict. The deterioration of the diseased state is aligned with his detached relationship with all women as a result of Gertrude’s betrayal to King Hamlet which makes Hamlet question his very existence and the need to restore the natural order of kings. Hamlet has endured the test of time as it still identifies with a modern audience through the dramatized issues concerning every human’s critical self and is a representation of their own experience of the bewildering human condition, as Hamlet struggles to pursuit justice as a result of an unwise desire for revenge.

    Read More

  • Comparision Of Hamlet With Rosencrantz And Guildenstern Are Dead

    1314 Words  | 3 Pages

    Rosencrantz and Guildenstern are Dead (R and G…) by Tom Stoppard is a transformation of Shakespeare’s Hamlet that has been greatly influenced due to an external contextual shift. The sixteenth century Elizabethan historical and social context, accentuating a time of questioning had specific values which are transformed and altered in Stoppard’s Existential, post two-world wars twentieth century historical and social context. The processes of transformation that are evident allow the shifts in ideas, values and external contexts to be clearly depicted. This demonstrates the significance of the transformation allowing new interpretations and ideas about reality as opposed to appearance, death and the afterlife and life’s purpose to be displayed, enabling further insight and understanding of both texts. Shakespeare’s Hamlet was written in the sixteenth century Elizabethan historical context, where certainty was questioned and there was a growing importance of individuals and their choice as opposed to fate.

    Read More

  • Existentialism In Rosencrantz And Guildenstern Are Dead

    649 Words  | 2 Pages

    ... on around them and what their role is in the world. Their life has no meaning and without any further direction Rosencrantz and Guildenstern simply cease to exist. “Guildenstern: “But why? Was it all for this? Who are we that so much should converge on our little deaths? Who are we?” Player: “You are Rosencrantz and Guildenstern. That’s enough” (3.122).

    Read More

  • Rosencrantz and Guildenstern are Dead versus Hamlet

    1098 Words  | 3 Pages

    ...relies on this basis, to establish a greater awareness and comprehension of 1960s society. Without this assumed knowledge of Hamlet, one cannot truly appreciate Stoppard’s play, which informs society about their nature and shortcomings.

    Read More

  • Condemned: Hamlet’s Moral Dilemma

    1663 Words  | 4 Pages

    Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.

    Read More

More about Taken from Hamlet, Rosencrantz and Guildenstern Are Dead by Tom Stoddard

Open Document