Magic has been a subject of intrigue for centuries. Human beings are fascinated with the unknown and unexplainable. In Toni Morrison’s Beloved and Louise Erdich’s The Painted Drum, many different supernatural elements are at work. In Beloved, a toddler ghost is reincarnated as a young woman who wrecks havoc on her family’s financial, emotional, and physical well being; at the center of Erdich’s novel is a Objiwe drum and the strange power it has over a Native American community. There are similarities and differences in the utilization of this literary technique, but in both cases the authors employ unexplainable occurrences to develop characters and communities. The effect of these unearthly happenings are deep, and they allow characters to showcase their true feelings, to set the mood of the novels, and also to draw the reader into the story.
"124 was spiteful. Full of a baby's venom,” (Morrison, 1) is the opening line of Morrison’s Beloved. With this sentence, the reader is immediately put on edge. We are warned that the house that Sethe and Denver live in is not an ordinary home but one that houses an angry child’s spirit. Paul D’s first encounter with the house is equally unsettling; the house instantly casts an angry red glow and anchors Paul’s feet to the ground. It was like "a pool of red and undulating light that locked him where he stood" (Morrison, 8.) Much like the director of a horror movie would, Morrison uses a violent supernatural event to set the somber tone of the book. She uses the imagery of red, a color that is associated with blood, to vividly paint the hatred the dead child’s ghost holds. It is a frightening image that creates a dark mood. The reader is drawn to the story in an almost morbid fashion, we ...
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...resence of Beloved, and the exorcism by the local women were all traumatic events in the main characters lives. Their day to day existence was disturbed by the ghost that tortured them and made them remember Sethe’s past sins.
Mystery and intrigue permeate both Beloved and The Painted Drum in a fascinating way. Analyzing both author’s use of mystical elements we learn more and more about the characters and their development. In both, unexplainable events occur to develop characters and communities. Without these supernatural occurrences, many things would be lacking from the story. The effects are deep, and they allow characters to showcase their true feelings, to set the mood of the novels, and also to draw the reader into the story.
Works Cited
Morrison, Toni. Beloved. 1987. NY: Vintage, 2004.
Erdrich, Louise. The Painted Drum. 2005. NY: HarperCollins, 2006.
Renee Stout’s “Tales of the Conjure Woman,” currently on exhibition at Spelman College’s Cosby Hall, puts on display the culturally mysterious nature of African folklore. In the exhibition, Stout presents with utter brilliance the depth of the culture through her artistic manifestation of ceremonial traditions, magical hoodoo, and spell-related practices. In her works, Stout uses a unique personification, an alter ego of sorts, named Fatima Mayfield, to explore the African folkloric world of which her exhibition represents. Ranging from simple recipes to intricate descriptions of the aforementioned magical practices, Stout takes on her work with her alter ego in an attempt to demonstrate both the past and contemporaneous dimensions of her work. Additionally, it would seem as if Fatima exists as a sort of special source of understanding and clarity for Stout given her vast knowledge and countless abilities. The exhibition is home to various pieces that allow one to “jump inside the pages” and interact with Stout’s rendition of the African folkloric community.
Each of these flashbacks become background stories to why and how Sethe loses her mind. Each flashback represents a time in Sethe’s life where she went through a major change that affected her whole family. The flashback that sticks out the most is when Sethe and Paul D were back on the plantation in Sweet Home after their failed attempt to runaway up north. A this point in the film when the men are attacking Sethe and taking her milk, this can be considered her lowest point in the movie because all control she had on being able to nourish her children was taken away from her and she had no one to help her in her desperate time of
In Beloved the slaves working on Sweet Home experience great violence, brutality and are badly treated like animals. In the novel, the character who is mostly affected of slavery’s severe conditions is Sethe. Sethe gets tortured, raped and mistreated. As a result, Sethe tries to run away from the bondage of Sweet Home and then she is forced to kill her own baby. To understand the past, if one wishes to, the present-day readers must face with the past incorporated in Beloved.Only by engaging with this ominous, unwavering force in a conscious way, we will understand the past, and its impact on our
The fundamental characteristic of magical realism is its duality, which enables the reader to experience both the character’s past and the present. In the novel, Monkey Beach, Eden Robinson uses this literary device to address the the trauma and mistreatment of the Haisla community in Canada by unveiling the intimate memories of the protagonist, Lisamarie, and the resulting consequences of this oppression. Monkey Beach illustrates how abuse in the past leads to another form of self-medication in the future - a neverending, vicious cycle for the members of the Haisla community. Many characters in Monkey Beach are scarred from childhood sexual abuse and family neglect, and resort to drug and alcohol abuse as a coping mechanism. These appalling memories are an account of the impact of colonization on the Haisla territory which continues to haunt the Aboriginal community throughout generations.
From the beginning, Beloved focuses on the import of memory and history. Sethe struggles daily with the haunting legacy of slavery, in the form of her threatening memories and also in the form of her daughter’s aggressive ghost. For Sethe, the present is mostly a struggle to beat back the past, because the memories of her daughter’s death and the experiences at Sweet Home are too painful for her to recall consciously. But Sethe’s repression is problematic, because the absence of history and memory inhibits the construction of a stable identity. Even Sethe’s hard-won freedom is threatened by her inability to confront her prior life. Paul D’s arrival gives Sethe the opportunity and the impetus to finally come to terms with her painful life history.
Toni Morrison’s Beloved is a tale of a mother’s deep lost and sadness for her dead child. In the novel the protagonist Sethe appears to be stuck between the land of the living and the dead living in the house that is haunted by her dead child. Despite the troubles that the house causes and her deep sadness she does not leave and her daughter Denver remains with her in the house and does not leave the front yard. Beloved tale is has many underlying mythology connections; the protagonist Sethe can be compared to the Greek mythology character Medea and the relationship between Sethe and her daughter Beloved can be c...
How does the writer create tension and suspense in The Red Room? The writer is able to create tension and suspense through various ways in the short story ‘The Red Room’. The opening sentence in the story immediately mentions the supernatural, which immediately tells us that this is a gothic story. The first sentence is dialogue, but we do not know who is speaking.
In her novel Beloved, Toni Morrison writes about the life of former slaves of Sweet Home. Sethe, one of the main characters, was once a slave to a man and his wife, Mr. and Mrs. Garner. After Garner’s sudden death, schoolteacher comes to Sweet Home and takes control of the slaves. His treatment of all the slaves forced them to run away. Fearing that her children would be sold, Sethe sent her two boys and her baby girl ahead to her mother-in-law. On the way to freedom, a white girl named Amy Denver helped Sethe deliver her daughter, who she later names Denver. About a month after Sethe escapes slavery, schoolteacher found her and tried to bring her back. In fear that her children would be brought back into slavery, Sethe killed her older daughter and attempted to kill Denver and her boys. Sethe, along with Denver, was sent to prison and spent three months there. Buglar and Howard, her two sons, eventually ran away. After about eighteen years, another ex-slave from Sweet Home, Paul D., came to live with Sethe and Denver. A few days later, while coming home from a carnival, Sethe, Paul D., and Denver found a young woman of about twenty on their porch. She claimed her name is Beloved. They took her in and she lived with them. Throughout the novel, Morrison uses many symbols and imagery to express her thoughts and to help us better understand the characters. Morrison uses the motif of water throughout the novel to represent birth, re-birth, and escape to freedom.
ghost come back to life, a random woman who came to fulfill the needs. of the protagonists, and the view of, does it really matter? These possibilities will be discussed throughout the duration of this essay. and it will be left to you to decide what you think. In the support of Beloved actually being the baby ghost re-born, you could use the fact.
A haunt, Beloved, encompasses another supernatural realm, that of a vampire. She sucks the soul, heart and mind of her mother while draining the relationships that exist between Denver and Sethe and Sethe and Paul D. Sethe is the most dramatic haunted in the book. She is the one who was beaten so badly, her back is permanently scarred. She is the one who lived and escaped slavery. She is the one who murdered her child rather than return it to slavery.
Faris, Wendy B. Ordinary Enchantments: Magical Realism and the Remystification of Narrative. Nashville: Vanderbilt UP, 2004. 24 Sept. 2012. Web. 15 Mar. 2014. 21
“I am full…of two boys with mossy teeth, one sucking on my breast the other holding me down, their book-reading teacher watching and writing it up” (Morrison 70). This chilling quote refers to the scene in which Sethe is essentially robbed of everything she owns. Ironically, the boys with the mossy teeth had the civility to dig a hole for Sethe’s stomach “as not to hurt the baby” (202). However, such a violent act could not occur without a reaction. This scene sets the rest of the story in motion.
...from slavery as well as the misery slavery itself causes her. Ultimately, Sethe makes a choice to let go of the past as she releases Beloved's hand and thus moves on to the future. In the very last segment of the novel, the narrator notes that finally "they forgot [Beloved]. Like an unpleasant dream during a troubling sleep" (290). Sethe no longer represses history but actually lets it go. As a result, Beloved becomes nothing more than "an unpleasant dream," suggesting that she does not exist as a real person, but rather has no substance as a mere fantasy or hallucination which has no value to the community or to Sethe, Denver, or Paul D. Sethe moves on with her life as she has already faced the past, tried to make amends for her mistakes, and finally realizes her own value in life.
The film Beloved was released in 1998 to mixed reviews. The movie, based on Toni Morrison's novel, tells a ghost story from an African American perspective. It takes place only a few years after the abolishment of slavery, with the traumatic scars still fresh and unable to be healed. In the film the protagonist, Sethe, is revisited by the ghost of the daughter she murdered eighteen years earlier. I shall argue that her daughter, Beloved, is the embodiment of the trauma of the African American experience of slavery. In order to support this claim, I will explain what constitutes historical trauma in film, how historical trauma is specifically represented by the character Beloved, as well as how this film becomes a teaching device for the American nation about this trauma as a whole.
In Beloved and Chronicle of a Death Foretold, Toni Morrison and Gabriel Garcia Marquez discuss how the events that go on in each book fall under the category of magical realism, which is when and the supernatural coexists with ordinary events throughout the day, leading to people accepting the strangest things are just something normal, and how it shapes the conflicts of each story and how the people react to these unique occurrences.