Some people never change, their stubbornness gets the best of them, and they find it hard to adapt to what happens around them. Being stubborn can also lead you to get into some big trouble if you do not compromise sometimes. In all honesty, I am a stubborn person and hate to compromise, but I will if I have to. In Arthur Miller’s play, Death of a Salesman, Willy Loman is unbelievably stubborn and definitely delusional. Constantly, Willy is hallucinating about things that have already happened, or things that never even could have happened. Although, Biff, Willy’s son, changes by the end of the play, while everyone else stays in a delusional land with Willy.
Throughout the play, Willy has hallucinations of his brother Ben, who left Willy when he was young, “Well, I was just a baby, of course, only three or four years old,” (Miller 47), and the man later offered to take Willy with him, but Willy had a dream “There’s a man eighty-four years old-” (Miller 86) and he felt that he was going to accomplish that dream. “Willy retreats into a dream world consisting of his roseate recollections of the past and of fantasies,” (Hadomi), he hallucinates often, and this is a better way of saying he’s delusional. He did not, he failed miserably, he had to borrow money from Charley “If you can manage it-- I need a hundred and ten dollars,” (Miller 96), then he pretended it was a loan from him “I’m keeping an account of everything, remember,” (Miller 96), that he would pay back “I’ll pay every penny back,” (Miller 96), but Linda and Charley knew he was not going to pay any of it back. Willy had a hard time accepting defeat, and he wanted his boys to succeed where he failed, but Biff was always better with physical labor “when all you really desi...
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...appy’s trying to live in a happy world all hold them back from making any real progress in life, it holds them back from actually being happy. Linda just ignores everything that is happening around her, or she goes along with it, until the end, she gets a little angry, but then goes back to living as she did before. Really, only Biff changed in this story, and it probably saved his life.
Works Cited
Foster, Richard J.Confusion and Tragedy: The Failure of Miller's `Salesman', in Two Modern American Tragedies: Reviews and Criticism of Death of a Salesman and A Streetcar NamedDesire, Edited by John D. Hurrell, Charles Scribner's Sons, 1961, Pp. 828.
Hadomi, Leah. Fantasy and Reality: Dramatic Rhythm in Death of a Salesman. Thesis. 1988. N.p.: N.p., N.d. Gale. Web. 6 May 2014.
Miller, Arthur. Death of a Salesman. N.p.: Penguin Plays, n.d. Print.
Miller, Arthur. Death of a Salesman. Literature: An Introduction to Fiction, Poetry, and Drama. Seventh Edition. X.J. Kennedy, and Dana Gioia. New York: Addison Wesley Longman, Inc., 1999. 1636-1707.
Gioia, Dana, and X.J. Kennedy. "Death of a Salesman" Literature: An Introduction to Fiction, Poetry, Drama, and Writing, Compact Edition, Interactive Edition. 5th ed. New York: Pearson; Longman Publishing, 2007. 1212-1280. Print.
Hadhomi, Leah. “Dramatic Rhythm in Death of a Salesman”. Willy Loman. New York: Chelsea House, 1991.
Willys having control of himself is very emotional. He’s the type of person, who holds a strong willed appearance, but inside is a weak man ready to burst. At the beginning of the play when Willy is talking to Linda about Biff “Remarkable. Ts. Remember those days? The way Biff used to simonize that car”(19). You hear nostalgia coming out of his mouth “Remarkable’, “Remember”, and “The way Biff” comes out as smooth like butter. In this circumstance, he sounds like a normal father reminiscing old memories, which is an improvement because he and Biff don’t have the greatest father son relationship. Another part where Willy is himself, is when he’s about to
Miller, Arthur. Death of a Salesman: Certain Private Conversations in Two Acts and a Requiem. Harmondsworth, Eng.: Penguin, 1976. Print.
Eisinger, Chester E. "Critical Readings: Focus on Arthur Miller's Death of a Salesman: The Wrong Dreams." Critical Insights: Death of a Salesman (2010): 93-105.
Throughout the play, Willy can be seen as a failure. When he looks back on all his past decisions, he can only blame himself for his failures as a father, provider, and as a salesman (Abbotson 43). Slowly, Willy unintentionally reveals to us his moral limitations that frustrates him which hold him back from achieving the good father figure and a successful business man, showing us a sense of failure (Moss 46). For instance, even though Willy wants so badly to be successful, he wants to bring back the love and respect that he has lost from his family, showing us that in the process of wanting to be successful he failed to keep his family in mind (Centola On-line). This can be shown when Willy is talking to Ben and he says, “He’ll call you a coward…and a damned fool” (Miller 100-101). Willy responds in a frightful manner because he doesn’t want his family, es...
Miller, Arthur. Death of a Salesman. Literature: An Introduction to Fiction, Poetry, and Drama. Seventh Edition. X.J. Kennedy, and Dana Gioia. New York: Addison Wesley Longman, Inc., 1999
Miller, Arthur “Death of a Salesman” Literature: Craft and Voice. Ed. Nicholas Delbanco and Alan Cheuse. 2nd ed. New York: McGraw Hill, 2012. 205-13. Print.
At the beginning of the play it is evident that he cannot determine the realities of life, and so he repeatedly contradicts himself to establish that his conclusion is correct and opinion accepted. These numerous contradictions demonstrate that Willy is perturbed of the possibility that negative judgements may come from others. Willy strongly believes that “personality always wins” and tells his sons that they should “be liked and (they) will never want”. In one of Willy’s flashbacks he recalls the time when his sons and him were outside cleaning their Chevy. Willy informs Biff and Happy the success of his business trips and how everyone residing in Boston adores him. He mentions that due to the admiration of people he does not even have to wait in lines. He ultimately teaches his sons that being liked by others is the way to fulfilling one’s life and removing your worries. These ideals, that one does not need to work for success, demonstrate Willy’s deluded belief of achieving a prosperous life from the admiration and acceptance of others. This ultimately proves to be a false ideology during his funeral, when an insufficient amount of people arrive. Willy constantly attempts to obtain other’s acceptance through his false tales that depict him as a strong, successful man. In the past, he attempts to lie to his wife, Linda, about the amount of wealth he has attained during his
Biff discovers who he is and is determined to become true to himself. Happy, unfortunately is destined for living in the same delusion that Willy lived in.
Miller, Arthur. "Death of a Salesman." Compact Literature. Ed. Laurie Kirszner and Stephen Mandell. 8th ed. Boston: Wadsworth, 2013. 1262-331. Print.
Miller, Arthur. "Death of a Salesman." The Norton Anthology of American Literature. Ed. Nina Baym. 8th ed. Vol. 2. New York: W.W.Norton, 2013. 1235-295. Print.
Miller, Arthur. “Death of a Salesman.” The Norton Introduction to Literature 10. New York: W. W.
Willy believes that he is much more successful than he is in reality. The first sign of Willy’s illusion about his life occurs rather early in the play. He has the illusion that “[he’s] the New England man. [He’s] vital in New England” (14). In reality any person could have taken Willy’s position at work. This illusion leads to his downfall because as his life begins to fall apart, he lives in the illusion that he has enough money to support his family, so he does not recognize that he has to put the pieces of his reality back together. More towards the end of the play, in an outburst of anger Willy refuses to be called “a dime a dozen” and states “I am Willy Loman, and you are Biff Loman” (132), as if the Loman family is a special figure in society. His unclear view of his place in society leads to his destruction; with only one view of his life, Willy believes that he is living his life to the fullest.