Marriage – the union of two imperfect souls to form an affectionate and beautiful relationship – is exceptionally intricate and delicate. Two different people with different insights come together to form a harmonious bond. Power, or control, is a chief concept that can “make or break” the affiliation. Distribution of the ruling is frequently divided into males versus females. This partition leads to many conflicts and tribulations. In the catastrophic Greek play Medea, by Euripides, the liaison between Medea and Jason demonstrates how both males and females assert power in the relationship and how incorrect usage of this supremacy leads to dilemmas.
Initially, males direct the lives all members in the relationship by either negatively or positively utilizing their power. The males most often possess a majority of the power in the relationship. At the outset, Jason deceives Medea by having an affair with Creon’s daughter. He recognizes that he has complete authority and that Medea has no option but to accept his actions. Jason believes he has the “right” to negatively dominate the relationship simply because he helped Medea by bringing her amongst the civilized Greeks. This clearly demonstrates how the males avow their control in the relationship -- they can abscond or stay as they desire. They write the destinies of the future of their relationships through their deeds. This “guidance” is a component of their clout as the male figure. Although males may neglect their command, they can also wisely exercise it to help nurture the relationship. After realizing his faux pas, Jason explains to Medea that he is “prepared to give…” (34). He comprehends that although he made a mistake, he can still help provide for the family by giving...
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...arried, or engage in a relationship, they both are powerful and stubborn figures. Their obstinacy and authority conflict directly, which leads to a weak and unstable future. Both feel they can overpower the other, but in the end, they ruin their lives in doing so. Instead, they must work together and uniformly stabilize their authority; precisely Euripides’ advice in Medea.
All in all, Euripides clarifies that families and relationships should be a single figurine of power, as opposed to many opposing forces. The relationship ought to flow together and not struggle over dominance. Many relationships are torn apart. Families are separated; children are deprived of parents. All these heartbreaking stories may not have ever occurred had they heeded Euripides’ message. Although leadership in the relationship is a necessity, correct balance and utilization is a must.
In this essay I will examine the war-of the-sexes taking place in The Eumenides, the final play of The Oresteia. The plot of The Eumenides pits Orestes and Apollo (representing the male gods and, to a certain extent, male values in general) against the ghost of Clytemnestra and the Furies (equally representative of female values.) Of more vital importance, however, is whether Athene sides with the males or females throughout the play.
To begin comparing Euripides Medea and Ovid’s Metamorphoses Book 7, we need to look at three components: context, characters, and themes. Both Euripides and Ovid tell the story of Jason abandoning Medea for another woman; however, they do not always share a perspective on the female protagonist’s traits, behavior, and purpose. Euripides portrays a woman who reacts to discrimination by beginning a battle to gain revenge all who harmed her, which she is prepared to follow through with even if it means resorting to the most despicable methods. Ovid, on the other hand, tells of a much less severe figure whose modest goal is only to persuade Jason to return. Despite these written differences, both of their Medea’s create trouble by acting with emotions instead of with reason, and as a result, put themselves in undesirable situations. Euripides and Ovid present two different sets of motivations for Medea's behavior wh...
For as long as humans have roamed the Earth, misogyny has been an everyday part of life. Some countries have handled it better than others, but misogyny faces every community. In Euripides tragedy Medea, the main character Medea struggles with the misogynistic views constantly facing the society in which she resides. Euripides uses Medea to convey misogyny.
In Medea, the society is similar when it comes to men versus women. Barlow states that the “[h]usband have complete physical control of their wives,” which is similar to the society in Bacchae (Barlow 159). Medea is mistreated by almost all the men that she encounters within the play. Jason betrays her and leaves her to marry Creon’s daughter. Creon wants to banish Medea and her two sons from his land (Medea 272-273). When Creon is banishing Medea from his land he has no h...
Through the readings of the Odyssey and “Medea,” I have recognized parallel patterns in both the marriages between Penelope and Odysseus and Medea and Jason. Odysseus left Penelope with a newborn child while he went off to war. During this time, many eligible suitors, ready to prove their standing and take Odysseus’ place as husband, congregated in the palace constantly. Medea was abandoned and left for another women of higher standing. The way Medea and Penelope carry out deception and trickery differ. Medea and Penelope, both wives whose husbands left them, turned into women consumed with deception, trickery, and cleverness, while differing in their way of implementing their desires, one through murder and the other through mind games.
In Medea, the ancient Greek tragedy written by Euripides, the main character Medea is shown as a double personality character in this tragedy. Upon reading Medea, one finds that Medea has many untraditional characteristics for a woman. Medea started her marriage as the perfect loving wife who gave and sacrificed so much for her husband. After Medea’s husband betrays her by marrying another woman, Medea accumulate so much hatred against Jason and every one involved with him. Half-way into the reading Medea becomes a villainous murderer that demands respect and sympathy even after all she has done. By the end of the play, Medea has killed every one that has crossed her
Ironically, Medea’s actions are similar to a man when she takes charge of her marriage, living situation, and family life when she devices a plan to engulf her husband with grief. With this in mind, Medea had accepts her place in a man’s world unti...
Euripides created a two-headed character in this classical tragedy. Medea begins her marriage as the ideal loving wife who sacrificed much for her husband's safety. At the peak of the reading, she becomes a murderous villain that demands respect and even some sympathy. By the end, the husband and wife are left devoid of love and purpose as the tragedy closes.
In Medea, a play by Euripides, Jason possesses many traits that lead to his downfall. After Medea assists Jason in his quest to get the Golden Fleece, killing her brother and disgracing her father and her native land in the process, Jason finds a new bride despite swearing an oath of fidelity to Medea. Medea is devastated when she finds out that Jason left her for another woman after two children and now wants to banish her. Medea plots revenge on Jason after he gives her one day to leave. Medea later acts peculiarly as a subservient woman to Jason who is oblivious to the evil that will be unleashed and lets the children remain in Corinth. The children later deliver a poisoned gown to Jason’s new bride that also kills the King of Corinth. Medea then kills the children. Later, she refuses to let Jason bury the bodies or say goodbye to the dead children he now loves so dearly. Jason is cursed with many catastrophic flaws that lead to his downfall and that of others around him.
The problem set at the beginning of the play is that Jason has decided to marry another wife, Glauce. Medea is angered and will not let Jason off without punishment. The loss of Jason is not only a matter of passion; Medea has been completely humiliated by Jason's decision to take a new bride. Her pride shows again when she refuses Jason's aid. Though her situation is difficult, she would rather destroy all than accept help from one who has wronged her so horribly. Living as a barbarian among Greeks has made her more defensive, more full of hurt pride. To punish Jason, Medea had her children deliver poisoned gifts to the new bride, to kill her children, Glauce, and Creon. . Medea is not without feeling, nor is she a sociopath. She comprehends the difference between right and wrong, but chooses to follow the dictates of rage.
When Jason left Medea to marry Glauce, Medea was plagued with sadness and then with anger. The man she loved, the man that she gave up her life for, had betrayed her. In the patriarchal society that Medea lived in, it was not acceptable for a woman to protest any decision made by her husband. Medea went against all social standards and took revenge on Jason for the wrongs that he had committed. She was willing to take any chance and sacrifice even her most valued possessions. Medea knew that the best way to avenge the wrongs of Jason was to kill Glauce and the children. It was a huge sacrifice for Medea to kill the children that she loved, but she allowed herself to look past that love and only see her hate and contempt for Jason. Medea was willing to go against every rule that society set, so that her husband wouldn't get away with leaving her for political reasons.
Medea’s illegitimate marriage and the betrayal of Jason drive Medea to extreme revenge. Medea chooses to act with her immortal self and commit inhumane acts of murder rather than rationalize the outcomes of her actions. Medea see’s this option as her only resort as she has been banished and has nowhere to go, “stripped of her place”. To create sympathy for Medea, Euripides plays down Medea’s supernatural powers until the end of the play. Throughout the play Medea represents all characteristics found in individual women put together, including; love, passion, betrayal and revenge. Medea’s portrayal of human flaws creates empathetic emotions from the audience. The audience commiserates with Medea’s human flaws as they recognize them in themselves. Medea plays the major role in this play as she demonstrates many behavioral and psychological patterns unlike any of the other Greek women in the play; this draws the audience’s attention to Medea for sympathy and respect.
This mutual suffering between Medea and the Chorus raises issues such as the treatment of women at the time when this play was written. When Medea married Jason, she married herself to him for life. She was expected to be totally obedient and to accept whatever her husband willed. For her to look upon another man other than her husband would have been totally unacceptable. Whereas Jason marries another woman while he...
In Medea, by Euripides, conflicts play a major role in the creation of the play. Some examples of these conflicts are with Medea and Jason, Medea and herself, and Medea and Creon. Medea is shown to be a strong, independent woman who does what she wants as well as doesn’t let anything stand in her way. She shares qualities of a traditional male at the time, and the qualities of a traditional female. Euripides makes this clear in the play by creating conflicts to prove women can be a powerful character and that the play in general challenges the idea of misogyny.
Because Medea was such a different woman people in her society were afraid of her, including men. As a result of this, before Jason, she never experienced being in love. When she finally experienced this type of love she went to no end for Jason. To protect Jason and her love for him she killed the beast guarding the Golden Fleece, she killed her brother, and she left her home, family and everything she knew for him. Most women would not have gone that far for love, especially women during her time; but Medea was not your average woman. All of the things she did for Jason will come into play, and partly account for her actions at the end of the play.