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Thinking about how I would structure my classroom for a composition course creates a dilemma for me. I had a great experience in my high school composition courses. I really responded to how it was taught and made a personal connection to the work I was doing. Originally, I wanted to model my classroom after the one I had loved so much. The readings I have done concerning postmodern techniques being used in a composition course have also seemed very appealing to me, but present a different classroom experience. James Berlin claims “in teaching writing we are tacitly teaching a version of reality and the student’s place and mode of operation in it” (235). Without dealing with the forces students are contending with I would be indoctrinating them with my own ideology and not teaching them the tools to understand and work with these systems for themselves. The problem is how can I reconcile these two teaching styles to fit into my version of a productive and successful classroom? The initial thing I would be concerned with when teaching a course such as this is how to get the students to want to do the work. I know that most kids do not want any part of schoolwork period, but how can I make the work interesting enough to get kids to at least have some kind of connection to their work? My first instinct would be to assign a short writing task with a few options for topics concerning the kids personal lives, family situations, or friends. James Sosnoski in his essay “Postmodern Teachers in Their Postmodern Classrooms: Socrates Begone!” attempts to create a series of writing assignments for his postmodern classroom. His first assignment would not be as concerned with the individuals issues, but he would have the students write about ... ... middle of paper ... ...for my teaching is to teach my students to understand themselves and how they fit into the systems that affect their lives in so many ways. How I am going to go about doing that I have not figured out quite yet. Works Cited Althusser, Louis. “Ideology and Ideological State Apparatuses.” Althusser, Lenin 127-86. Berlin, James A. “Contemporary Composition: The Major Pedagogical Theories.” Illinois: National Council of Teachers of English, 1997. 233-48. Clifford, John. “The Subject in Discourse.” New York: The Modern Language Association of America, 1991. 38-51. Jarratt, Susan, A. “Feminism and Composition: The Case for Conflict.” New York: The Modern Language Association of America, 1991. 105-123. Sosnoski, James, J. “Postmodern Teachers in Their Postmodern Classrooms: SocratesBegone!” New York: The Modern Language Association of America, 1991. 198-219.
Gender Matters is a collection of various essays on feminist linguistic texts analysis, by Sara Mills. Mills develops methods of analyzing literary and non-literary texts, in addition to conversational analysis based on a feminist approach. The author draws on data from her collection of essays gathered over the last two decades on feminism during the 1990s. The essays focus on gender issues, the representation of gender in reading, writing, and in public speaking. Furthermore, it highlights the importance of feminists’ analysis of sexism in literature and the relation between gender and politeness. The article is informative for my research paper, as my topic is going to cover language analysis of the text and who women reading and writing differs according to the discourse analysis within linguistic, psychology, case studies audiences and surveys. The book would be helpful, particularly the last three essays that discusses gender, public speaking, the question of politeness and impoliteness in public speaking. Mills’ analysis is not complete without including the idea of global notions of both women and men, to see whether women and men write and read in the same way globally. Therefore, an update would enrich the book’s discussion section. Although, Mills addresses the class and race theme in language and public speaking, I will only look into the role of language that plays a part in doing or reducing gender in literary, non-literary texts and in conversation.
Wagner-Martin, Linda. The Oxford Companion to Women's Writing in the United States. Ed. Cathy N. Davidson and Linda Wagner-Martin. New York: Oxford University Press, 1995.
Paley, Grace. "Samuel." Literature for Composition: Essay, Fiction, Poetry, and Drama. 5th ed. Ed. Sylvan Barnet. New York: Longman, 2001. 190-192
The first essay given in this course was about our whole composing process. This essay was hard to write about and I remember having several grammar mistakes. Sitting down and writing my process on paper,
The question of the day is how was Barbara Bileks English composition class and how it helped me better myself as a writer. The class overall was a very informative experience and I feel as I learned a lot. Whenever the class started I considered myself a mediocre at best writer and thought that I would never improve. However, Ms. Bilek taught me to become a better writer by using many techniques that I did not know existed. In high school, we were not taught how to write academically because to them it did not matter. Anything that we had to say was just a paper for them to read and it could not change their minds or influence them in any way. College is different because the university is a research institute meaning that our work if deemed worthy, could be used throughout the university as an example of good quality work or as a new discovery for the modern world. This class helped me in three ways: improving my writing ability, helped in expressing my opinion, and making me a better person in todays society.
Gitlin, Todd. “TheLiberal Arts in an Age of Info-Glut.” The Language of Composition: Reading, Writing, and Rhetoric. Ed. Shea, Renee H., Lawrence Scanlonn, and Robin Dissin Aufses. Boston: Bedford, 2008. 155-157. Print.
I listen to my students. I allow time for their individual impute in what they are learning, and adjust accordingly. I really believe that is why students can be so into the idea of being taught, because they are all encouraged to lead the discussion and projects before them as it relates to the curriculum. I try to learn from my students by listening to their interpretation. I am learning what interest them, and feed off of it in the work that needs to be performed. Work towards a positive social society, with this education does takes place for our students, teachers, and community, all for a better future, one that is full of knowledge and acceptance. What could be any
They must form lessons that should aid students in understanding composition, definitions, transition words, and symbolism. There is no denying the significance these lectures bring; however, for some students, it is not enough to repetitively apply the mentioned rules to discussions they find disinterest in, deciding for themselves unwilling to participate in the conversation teachers beg for students to join. As mentioned, Fish proclaims that to diverge from teaching subject matter any other way that is not specifically academic, deviates too much and distracts from the correct process of intellectual thought. In his The New York Times piece, "What Should Colleges Teach?", Fish states his stance expressing one must "teach the subject matter" alone and not to "adulterate it with substitutes". He continues praising "the virtue of imitation," asking students to "reproduce [great author's] forms with a different content". Already, Fish demands from students derivative mimicry in which they must glean an understanding of another's process. I echo Fish's own question: "How can [one] maintain... that there is only one way to teach writing?" As students, we desire to express ourselves, and to follow the principles Fish speaks of, to "[repeat] over and over again in the same stylized motions", confines us from discovering the beauty and potential writing can bring. Rather, students are taught we must so closely follow fastidious rules and decorative wording, teaching English may as well, as Fish writes, "make students fear that they are walking through a minefield of error," and to use such a method makes students believe to write any other way will cause them to "step on something that will wound them", the odds of students learning anything are diminished (Stanley Fish, "What Should
Summary of “The Classroom and the Wider Culture: Identity as a Key to Learning English Composition”
Stoehr, Louise E. “Perspectives on Discourse Analysis: Theory and Practice.” ebscohost.com. 20100825. Literary Reference Center. 20 December 2011.
Wodak, R. (2006). Critical linguistics and critical discourse analysis in Verschueren, J. and Östman, J. (eds) Handbook of Pragmatics John Benjamins Publishing Company, Amsterdam.
Jaime Escalante, a great educator, once said, “The teacher gives us the desire to learn, the desire to be Somebody.” As a teacher, my goal will be to show students that each of them can be whatever they want to be, and not only are they capable of being good at what they do, they can be the best. To reach this goal, I must be an effective teacher, which I believe can best be accomplished by teaching in a way that is comfortable for me. Therefore, I will not base my classroom around one single philosophy; I am going to seek comfort by utilizing certain aspects of different educational philosophies, namely essentialism, existentialism, progressivism, and social reconstructionism.
Gitlin, Todd. "The Liberal Arts in an Age of Info-Glut." The Language of Composition. Boston; New York: Bedford/St. Martin's, 2008. 251-253. Web. 10 Dec. 2013.
Students need to be inspired to think critically. By this they comprehend what has been learned and be able to use it. I hope my students will be able to achieve their greatest potential that they can accomplish anything they set their minds to. We can give our children these building blocks thru education to use in decision making situations, moral value of their thoughts and actions. This will guide them to realize how their actions and decisions will affect themselves and others.
As a future educator, I have many goals. My first goal would be to never overpower my students. Being a teacher should not be a job, it should be a passion. I will focus my classroom around the student’s needs, rather than my own. The classroom will revolve around the students. I will be their guiding hand through education. Another goal of mine is to have the students interact in a positive way. Social interaction is very important. As students combine with peers they share knowledge and learn how to solve problems. In the real-world, this what will happen. Whenever I can, I li...