If it takes a revolutionary to topple the general way of thinking, Stephen Crane is that revolutionary for American literature. The dominant literary movement before Crane’s time, Romanticism, originated in Germany and England as a response to classicism and soon dispersed worldwide. (McKay 766). Romanticism stressed the power of the human conscience and the intensity of emotion. It was essentially a spiritual movement, fiercely conflicting with the rigid rules and standards of classicism and the restraint of the Enlightenment. The belief that all humans embodied a unique greatness was widespread. Further along in history, however, came a man who sought to destroy this confident idea from his despondent circumstances. Disenchanted by the strict upbringing of his religious family and eager to attack the traditional Romantic Movement, Stephen Crane’s The Red Badge of Courage utilizes universal literary philosophies to dismantle the traditional confidence in human morality.
Born into a pious, conservative family with a Methodist minister and the daughter of a clergyman as parents, it is no wonder that Crane would turn away from the religious orthodoxy of his household and the conventional norms of his time (Szumski 13). Understanding his childhood and upbringing is vital to grasp why Crane would create a work of literature so contradictory with others of its time. Crane’s mother was an active participant of the temperance movement and president of two chapters of the Women’s Christian Temperance Union (Szumski 13). She also contributed reports on religious events in the community (Szumski 13). Crane’s father held an important position in the Methodist Church; he later lost it as a result of rebelling and denouncing Methodism’s emb...
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...s attempt to justify himself using the so-called “enlightened” individualist principles turns into an instance of narcissistic self-pity (Crane 49). This attempt contrasts with how there is “natural goodness in man,” as Fleming’s ego is inflated (Campbell, American Romanticism).
The onset of the twentieth century was without a doubt a period of change. New ideas spread across the world, shaking long-established beliefs that comfortably rested in traditionalists’ minds. Stephen Crane was a radical pioneer in the field of intellectualism and literature; he sought to inform the world of his thoughts on the Romantic Movement from his own life experiences. This literary revolution does not end with Crane’s death, however. Crane’s revolt against accepted beliefs represents the strong-willed courage that he encourages his readers to use to define their own place in life.
Walcutt, C.C. American Literary Naturalism, A Divided Stream. Minneapolis: University of Minnesota Press, 1952, p.66-82 Rpt in Crane, Stephen. The Red Badge of Courage. Sculley Bradley, Richard Beatty, and E. Hudson Long Eds. New York: W.W. Norton, 1962.
Stephen Crane and Jack London are two contrasting authors who use their own unique writing styles to create two unique genres that capture the reader’s interest. In two of Crane’s more prolific short stories “The Bride Comes to Yellow Sky” and “The Open Boat,” the vocabulary and use of dialogue add a sense of sophistication to his short stories while also making the stories smooth to read and eye-catching; whereas in Jack London’s short story “To Build a Fire,” the protagonist in the story is used as a catalyst for character development, and as an example to the audience of the naïveté of youth. London and Crane varied immensely in their literary techniques of vocabulary, dialogue, and character development demonstrated by the use of the protagonist
Stephen Crane firmly cemented himself in the canon of American Romanticism with the success of works such as The Red Badge of Courage and "The Blue Hotel." His writing served to probe the fundamental depths of the genre while enumerating on the themes vital to the movement's aesthetic. Such topics as heartfelt reverence for the beauty and ferocity of nature, the general exaltation of emotion over reason and senses over intellect, self-examination of personality and its moods and mental possibilities, a preoccupation with genius and the heroic archetype in general, a focus on passions and inner struggles, and an emphasis on imagination as a gateway to transcendence, as well as a predilection for the exotic, the remote, the mysterious, and folk culture are all characteristic of his stories.
Stephen Crane, author of The Red Badge of Courage, in regards to the American Civil War once despondently wrote, “It was not well to drive men into final corners; at those moments they could all develop teeth and claws” (Crane). Such describes the desperate and harrowing atmosphere of the time during which Abraham Lincoln was president of the United States. As Abraham Lincoln once perspicaciously reflected upon the significance of the Civil War, "The struggle of today is not altogether for today — it is for a vast future also" meaning that the war was paramount to the survival of the union and thus, one of the most momentous occurrences of American history (Lincoln). Nathaniel Hawthorne, a transcendentalist and author of The Scarlet Letter, cogitated upon the significance of having Lincoln as president during the Civil War while simultaneously conveying the idea that he deeply venerated president Lincoln for his strength of character in times of dire crisis. Hawthorne employs the use of vivid imagery, scintillating diction, striking juxtaposition as well as a reverent tone to effectively accomplish his purpose of conveying the fact that while Lincoln is superficially unprepossessing, his approachable attitude and his insightful nature make him an excellent president.
“The Red Badge of Courage” was written by Stephen Crane in 1985 as a fictional tale of a soldier of the Civil War. With its accurate depictions, readers were led to believe that Crane had at one time been a soldier. This was however not the case. Crane has a unique way of using themes and symbols in “The Red badge of Courage” to relay a very realistic portrayal of war.
Moreover, Crane’s genius as "an observer of psychological and social reality" (Baym 1608) was refined after witnessing battle sights during the late 19th century. What he saw was a stark contrast of the peacefulness and morality preached in church and this thus led him to religious rebelliousness. As a prisoner to his surroundings, man (a soldier) is physically, emotionally, and psychologically challenged by nature’s indifference to humankind. For instance, in the story, "what traps the Swede is his fixed idea of his environment," but in the end, it is the environment itself -- comprised of the Blue Hotel, Sculley, Johnnie, Cowboy Bill, the Easterner, and the saloon gambler -- that traps him (Stallman 488).
Beaver, Harold. "Stephen Crane: The Hero as Victim." Modern Critical Interpretations: Stephen Crane's The Red Badge of Courage. Ed. Harold Bloom. NY: Chelsea House Publishers, 1987. 65-74.
Crane also discloses his view of the American society in a realistic light because he exhibits realism by unveiling America’s true monstrous face, and its white privilege- he same white privilege that causes blacks to conform to the standards of a white American society. In doing so, Crane compliments Emerson’s main idea of “Self-Reliance” that people should “believe [their] own thought, to believe that what is true for [themselves] in [their] private heart is true for all men.’’ Emerson’s belief that people should take heed to their own thoughts because society persuades people to conform, summarizes the idea of individuality Crane express in his story “The
According to The Poetry Foundation, critics have had numerous debates on what literary movement The Red Badge of Courage should be classified as. Crane’s novel has been considered a work of realism, naturalism, impressionism, and symbolism. Those who view the novel as realistic see it as the “first unromanticized account of the Civil War” and a truthful depiction of war and soldiers (Poetry Foundation). The naturalistic viewers believe that the characters and experiences of the novel “are shaped by social, biological, and psychological forces” (Poetry Foundation). The Red Badge of Courage also displays many unique symbols and images and also a “consistent use of color imagery” which leads critics to classify the novel as Symbolistic and Impressionistic as well (Poetry Foundation). To sum up the literary movement of the novel, Edwin H. Cady stated, “’The very secret of the novel’s power inheres in the inviolably organic uniqueness with which Crane adapted all four methods to his need. The Red Badge’s method is all and none’” (Poetry
Stephen Crane was a realistic author who often times wrote about the difference in ideal life versus reality. He is seen as one of the most groundbreaking writers of his time. Crane’s poetry was unique during his time period because most of his poems told a story; they were narratives. In Crane’s poem “In the Desert” he shows that a person who can overcome their mistakes and not let the negative aspects of life overwhelm the positive is a person who is human.
The world of Stephen Crane's fiction is a cruel, lonely place. Man's environment shows no sympathy or concern for man; in the midst of a battle in The Red Badge of Courage "Nature had gone tranquilly on with her golden process in the midst of so much devilment" (89). Crane frequently anthropomorphizes the natural world and turns it into an agent actively working against the survival of man. From the beginning of "The Open Boat" the waves are seen as "wrongfully and barbarously abrupt and tall" (225) as if the waves themselves had murderous intent. During battle in The Red Badge of Courage the trees of the forest stretched out before Henry and "forbade him to pass. After its previous hostility this new resistance of the forest filled him with a fine bitterness" (104). More omnipresent than the mortal sense of opposition to nature, however, is the mortal sense of opposition to other men. Crane portrays the Darwinian struggle of men as forcing one man against another, not only for the preservation of one's life, but also the preservation of one's sense of self-worth. Henry finds hope for escape from this condition in the traditional notion that "man becomes another thing in a battle"‹more selfless and connected to his comrades (73). But the few moments in Crane's stories where individuals rise above self-preservation are not the typically heroicized moments of battle. Crane revises the sense of the heroic by allowing selfishness to persist through battle. Only when his characters are faced with the absolute helplessness of another human do they rise above themselves. In these grim situations the characters are reminded of their more fundamental opp...
113-117. Modern Critical Interpretations: Stephan Crane's The Red Badge of Courage. New York: Chelsea House Publishers, 1987. Cody, Edwin H. Stephen Crane. Revised Edition.
The Red Badge of Courage by Stephen Crane, one of the most significant and renowned books in American literature, defies outright classification, showing traits of both the realist and naturalist movements. It is a classic, however, precisely because it does so without sacrificing unity or poignancy. The Red Badge of Courage belongs unequivocally to the naturalist genre, but realism is also present and used to great effect. The conflict between these styles mirrors the bloody clash of the war described in the book – and the eternal struggle between good and evil in human nature.
The Red Badge of Courage, by it’s very title, is infested with color imagery and color symbols. While Crane uses color to describe, he also allows it to stand for whole concepts. Gray, for example, describes both the literal image of a dead soldier and Henry Fleming’s vision of the sleeping soldiers as corpses and comes to stand for the idea of death. In the same way, red describes both the soldiers’ physical wounds and Henry’s mental vision of battle. In the process, it gains a symbolic meaning which Crane will put an icon like the ‘red badge of courage’. Stephen Crane uses color in his descriptions of the physical and the non-physical and allows color to take on meanings ranging from the literal to the figurative.
If it was not for Stephen Crane and his visionary work than American Realism would not have taken hold of the United States during the eighteen hundreds. During the years following the Civil War America was a melting pot of many different writing styles. Many scholars argue that at this time there was still no definite American author or technique. Up to this point authors in the Americas simply copied techniques that were popular in regions of Europe. Stephen Crane came onto the scene with a very different approach to many of his contemporaries. He was a realist, and being such he described actions in a true, unadorned way that portrayed situations in the manner that they actually occurred (Kaplan). He had numerous admired pieces but his most famous work was the Red Badge of Courage (Bentley 103). In this novel he illustrates the accounts of a Union soldier named Henry Fleming. At first the writing was considered too graphic and many people did not buy the book. Eventually the American people changed their opinions and began to gravitate towards Crane’s work. The readers were fascinated by the realistic environment he creates even though he himself had never fought in a war (Bentley 103). By spreading the influence of realistic writing Crane has come to be known as the first American Realist.