Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
History and influence of jazz
History and influence of jazz
History of jazz music timeline essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: History and influence of jazz
Stan Kenton: Progressive Concepts in Jazz
Stanley Newcomb Kenton is one of the most influential figures to be found in all of jazz history, even being called "the most significant figure of the Modern Jazz age" by Frank Sinatra (Agostinelli, 6). Kenton's progressive concepts of how music is written and performed greatly affected the genre of jazz, and created something new and unique. Always under controversy, Kenton and his band always strove to do something different, never settling into a niche for long periods of time. Even today, when hearing modern jazz performers (particularly big bands) one can often hear the influence from Kenton's music.
Kenton was born in Wichita, Kansas on December 11, 1911, although he spent most of his youth in the Los Angeles area. He began studying piano and composition early with his mother and eventually with bandleader and pianist Earl "Fatha" Hines. Kenton was influenced by many different kinds of music other than jazz, including twentieth century composers Claude Debussy, Igor Stravinsky, and Bela Bartok. Once he was a little older, Kenton began playing around in the Los Angeles and San Diego areas, and formed his first band in 1941, beginning his career as a bandleader. Kenton's music is best organized into the different "eras" of the Kenton bands: Artistry in Rhythm (mid-1940s), Progressive Jazz (mid- to late 1940s), Innovations in Modern Music (early 1950s), New Concepts in Artistry in Rhythm (Contemporary Jazz) (early to mid-1950s), Orchestra in Residence (late 1950s), New Era in Modern Music (Mellophoniums) (early 1960s), Neophonic (mid-1960s), and Fusion (early 1970s). Each era had different elements which made it unique while still maintaining the inimitable Kenton sound. Kenton a...
... middle of paper ...
.... 24-28 September 1962. CD. Capitol Jazz, 1997.
Kenton, Stan. City of Glass. Rec. 6 December 1947-28 May 1953. CD. Capitol Jazz, 1995.
Kenton, Stan. Cuban Fire. Rec. May 1956. CD. Capitol Jazz, 1991.
Kenton, Stan. Kenton in Hi-Fi. Rec. February 1956. LP. Capitol, 1956.
Kenton, Stan. Live From the Las Vegas Tropicana. Rec. 2 February 1959. CD. Capitol Jazz, 1996.
Kenton, Stan. The Peanut Vendor. Rec. 1961. CD. Eclipse Music Group, Inc., 1994.
Kenton, Stan(ley Newcomb)." New Grove Dictionary of Jazz. Ed. Barry Kernfeld. New York: St. Martin's Press, 1994.
Rosolino, Frank. Free For All. Rec. 22 December 1958. CD. Specialty Records, Inc., 1991.
Sparke, Michael. Liner notes. Live From the Las Vegas Tropicana. Music by Stan Kenton. Capitol Jazz, 1996.
Wooley, Stan. "Pete Rugolo: Artistry in Arranging." Jazz Journal International, June 1989: 12-14.
"Dizzy Gillespie – Jazz and Blues Masters ." american jazz musician . b 1917 . d 1993.
The popularity of jazz grew in the twenties, and its center changed from New Orleans to Chicago. From there it spread to Kansas City and New York. The end of WWI ushered in the Jazz Age in New York, and it came to be associated with the parties and wild behavior of the 1920’s (Verve). Music from this era is also sometimes called “The Chicago Style,” and includes artists such as Bix Beiderbecke on trumpet and Pee Wee Russel, Mezz Mezzrow, and Benny Goodman on clarinet.
Ferdinand Joseph LaMothe, more commonly known as Jelly Roll Morton, was born to a creole family in a poor neighborhood of New Orleans, Louisiana. Morton lived with several family members in different areas of New Orleans, exposing him to different musical worlds including European and classical music, dance music, and the blues (Gushee, 394). Morton tried to play several different instruments including the guitar; however, unsatisfied with the teachers’ lack of training, he decided to teach himself how to play instruments without formal training (Lomax, 8). ...
Lewis Armstrong was to jazz music, Bach is to classical music, Presley is to rock music (Berrett 230). This essay will have an introduction to the king of jazz music—— Lewis Armstrong and his great influence on jazz history. It could not be examined when and by whom Jazz music was found. People began hearing jazz music in the early 1900s. It originated from the American in New Orleans city and Jazz founders were mostly black people.
Edward Kennedy Ellington, American jazz composer, orchestrator, bandleader, and pianist, is considered to be the greatest composer in the history of jazz music and one of the greatest musicians of the 20th century. He composed over 2000 works and performed numerous concerts during his musical career. A compilation of some of his most popular music is collected on a CD called "The Popular Duke Ellington." Ellington personally created most of the music played by his orchestra. He often wrote pieces for specific players with distinctive musical styles in his band, such as "Concerto for Cootie" (1940) for fellow musician and trumpeter, Cootie Williams. With the help of American trumpeter James "Bubber" Miley, Ellington often incorporated in his music the jungle effect.
Carringer, Robert L.. The Jazz singer. Madison: Published for the Wisconsin Center for Film and Theater Research by the University of Wisconsin Press, 1979. Print.
Teachout, Terry. "John Hammond's jazz." Commentary 122.3 (2006): 55+. Academic OneFile. Web. 16 Nov. 2011.
Being a jazz standard and commonly played by a military and other marching bands, this piece was first composed by Benny Golson and was first recorded for Blue Mitchell’s Riverside album Big 6 on July 2nd and 3rd, 1958. This piece was influenced by New Orleans marching bands, and “starts in long meter form and transforms back into regular time. From Leonard Feather's point of view, “the theme with its slight bugle-call orientation, has a period quality that ties the work
All types of music require musicians. In the H.R (Harlem Renaissance), there were many who contributed to this new style of music known as jazz. These musicians all have their own style and form. Each of these styles has in some way influenced the evolution of jazz. Louis “Sachmo” Armstrong is recognized as the most famous trumpet player of this time. His “hot bop” style was heard in places like the Cotton Club and the Apollo Theatre. Everyone from all over the country would come to see him. Armstrong recorded such works as I’m in the Mood for Love, and You Rascal you (http://library.thinkquest.org/26656/english/music.html). Another famous person during this era was Coleman Hawkins, a saxophone player. Hawkins is recognized as the first great saxophonists of Jazz. His most famous work was a piece named Body and Soul (http://library.thinkquest.org…). Hawkins has also recorded with artists such as Thelonious Monk and Duke Ellington. Other people such as Bessie Smith, Josephine Baker, Duke Ellington, and “Dizzie” Gillespie have also made many contributions to the development of Jazz.
Jazz music prospered in the 1940’s and 1950’s. Jazz was created by African Americans to represent pain and suffering and also represented the adversity that racial tension brought. (Scholastic) African American performers like Dizzy Gillespie and Charlie “Bird” Parker came to be recognized for their ability to overcome “race relati...
Baldwin, James. “Sonny’s Blues.” The Jazz Fiction Anthology. Ed. Sascha Feinstein and David Rife. Bloomington: Indiana UP, 2009. 17-48.
Not only is it nearly impossible to pinpoint jazz’s conception in time, many locations are accredited with its origin, the United States allowed for jazz to start gaining popularity and leading into the change it had to the music scene. When jazz is brought up, many first think of its birth place being New Orleans, Louisiana. New Orleans has always been a big musi...
NJ: The Prentice House. Morrison, Toni. (1993) The 'Secondary' Jazz.
Sundquist, Eric J. “Ralph Ellison, Jazz, and Louis Armstrong.” Bloom’s Literature. Facts on File, Inc., 1995. Web. 9 Jan. 2014.