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renaissance influence art
renaissance influence on art
renaissance influence art
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“The St. Johns River Entering the Atlantic Ocean” painted by Hermann Herzog stands in American Art as the most ascetically illustrative picture inspired in the Florida coastline. Although, this German American artist settled in Pennsylvania, he painted primarily landscapes inspired in the areas he visited. He traveled and painted throughout Florida, Maine, California and the Northeast side of the country coast. Hermann Ottomar Herzog was a prominent artist born in Bremen, Germany in 1832.He was primarly known for his magnificents landscapes. While living in Germany he entered the Düsseldorf Academy at the age of seventeen. Herzog, painted in several countries of the European Continent, until he came to America in 1869. His early commercial success in Europe granted him clients among the nobility in Europe, among his most famous clientele were Queen Victoria and Grand Duke Alexander of Russia. In 1860, Herzog settled permannently near Philadelphia, he painted across the western states, arriving in California in 1873. From this trip he painted one his masterpieces a series of oil canvas inspired in Yosemite Valley. It was “Sentinel Rock” this collection that got him an award at the in 1876 Philadelphia Centennial Exhibition. He is considered by many as part of the Hudson River School, although his art is more realistic and less dramatic than the artwork from his peers Frederick Edwin Church or Albert Bierstadt. Herzog, created more than 1,000 paintings, within the most recognized ones are, "Women in a Tropical Setting", "Landscape with a Bear and her Cub", “Sentinel Rock”, “Brandywine River Museum”and “The St .Johns River Entering the Atlantic Ocean”. He is one of the few artists, which did not depend on t... ... middle of paper ... ...cene with the tropical ocean atmosphere. To inspire the visualization of the idyllic Florida’s fields, this canvas is sized to produce that impression of your presence in the coast. With a sense of solitude that is accompany by the magic of the discovery of a beautiful romantic peace, this canvas transmits you the desire to be there. The scene makes you feel that you have found that special site where you want to be for the rest of your life in concordance with nature. It is easy to spot in this paint how diverse and unreceptive subtropical locality in early Florida define the subjective state of being. In this art he totally complies with one of the most delightful characterizations of Romanticism, he puts together the heart and the mind to idealize the authenticity of the wilderness in the scene according to what the artist considered relevant to present.
Frederic Edwin Church was clearly an epic and defining figure among the Hudson River School painters, particularly in his collaborative efforts in developing a sense of national identity for America, but also in fostering tourism through landscape painting, political influence, and entrepreneurialism. By answering the national call for artists and writers to define American landscape, Church took the first steps towards becoming, not only one of America’s greatest painters, but also a successful entrepreneur when it came to selling his own work to make a living. Church was dedicated to preserving “scientific accuracy” in his interpretations of nature and beauty, which were stimulated by the scientific writings of geographer and explorer Alexander von Humboldt.1
The Atlantic Intracoastal Waterway is a large body of water that is used by commercial and private shallow draft vessels. The waterways is maintains by the US Army Corps of Engineers for 1,088 miles between places like Norfolk, Virginia and Miami Florida. The AIWW is authorized to 12 feet deep and 90 feet wide through land cuts and 150 feet in open water areas (capca).
Her use of primary colors and complementary colors are illustrated in the background, at the top of the fabric and in the outer view of the house and in the front yard. There is shading being shown in the two geometric windows. The entire work presents lines and implied lines as a focal point or as a means to describe a scenery. The texture of the garment is silky and very smooth like bed sheets. Post and lintel are crafted on the rectangular door frame and in the small window inside the door frame. Fine art is depicting in the background of the house; the painting is going in its own direction but still have a meaning behind it. The grass, tulips, and the weeds in the foreground appear naturalistic and lifelike which give the painting a multiple use of variety. The composition of the house is centered and upright. Marisela Esteves uses asymmetrical balance in the pathway and on the walkway to the flower garden. On the left side of the house there is a lot of variety elements and implied lines been demonstrating. Also, there is a lot of space in the background which grabs my attention because the line portrays a billboard in my mind that is covered by the vibrant, bright colors. The material that Marisela Esteves use was probably a knife or paint brush to mix, dye, and print on the fabric
Thomas Cole was “America's leading landscape painter during the first half of the nineteenth century...” (Thomas Cole). He lived from 1801 to 1848. He was born in England, and in eighteen moved to America with his family before this he “... served as an engraver's assistant and as an apprentice to a designer of calico prints.” He began drawing nature from nature in eighteen twenty-three and started with trees and branches to become the great landscape painter he is recorded as today. Worthington Whittredge was born in 1820, and lived until 1910. He was born and lived in America his entire life. He was part of the Hudson River School. He was “...a highly regarded artist of his time, and was friends with several leading Hudson River School artists including Albert Bierstadt and Sanford Robinson Gifford.” ( Thomas Worthington)He traveled much of his life and mastered landscape painting.
Landscape painting was extremely important during the middle of the nineteenth century. One of the leading practitioners of landscape painters in America was Thomas Cole. He visited many places seeking the “natural” world to which he might utilize his direct observations to convey the untainted nature by man to his audience. His works resolved to find goodness in American land and to help Americans take pride in their unique geological features created by God. Thomas Cole inspired many with his brilliant works by offering satisfaction to those seeking the “truth” (realism) through the works of others.
This places the reader in recognisable landscape which is brought to life and to some extent made clearer to us by the use of powerful, though by no means overly literary adjectives. Machado is concerned with presenting a picture of the Spanish landscape which is both recognisable and powerful in evoking the simple joys which it represents. Furthermore, Machado relies on what Arthur Terry describes as an `interplay between reality and meditation' in his description of landscape. The existence of reality in the text is created by the use of geographical terms and the use of real names and places such as SOrai and the Duero, while the meditation is found in...
Velázquez was considered to be one of the most unique painters in the Spanish Baroque era. The phrase “Truth, not reality” is often used to describe his paintings, because Velázquez paintings usually display lifeline sense of the essential qualities of people and things that they seem to exist (Carr 26). Most of his painting’s subjects were the Spanish Royal family, however Velázquez occasionally painted historical scenes and paintings with...
"Heilbrunn Timeline of Art History." John Frederick Kensett: Hudson River Scene (07.162). N.p., n.d. Web. 31 Mar. 2014.
Thomas would be in the category of romantic art for the theme of his artwork. He has based it on the beauty of nature and the fact that most of his major works were done in the period that romanticism took place, most of the 19th century and the beginning of the 20th century. Thomas Moran had attended the Hudson Valley River School, where many landscape artists had attended, too. He painted the Hudson Valley with the attraction, beauty, and scenery of the valley.(www.ency). He also was attracted to the awesomely romantic images of American wilderness and the open west, where he did most of his paintings. (www.art) Thomas was fascinated with Yellowstone and wanting to be associated with it painted the wilderness and scenery of it. (Vol.15) With the paintings he had done of Yellowstone Congress was fascinated with them, that they bought The Chasm and The Grand Canon of the Yellowstone Thomas had painted.
Diego Rivera was deemed the finest Mexican painter of the twentieth century; he had a huge influence in art worldwide. Rivera wanted to form his own painting fashion. Although he encountered the works of great masters like Gauguin, Renoir, and Matisse, he was still in search of a new form of painting to call his own (Tibol, 1983). His desire was to be capable of reaching a wide audience and express the difficulties of his generation at the same time, and that is exactly what h...
The artist puts a lot of emphasis on color in the painting, and on space and texture of the canvas itself. He does this to bring the viewer into his world and express the emotion he is putting into words with paint. The painting is non-representational and is a part of the Abstract Expressionism movement. The artist particularly involved in the American Abstract Artists group. The concept of Abstract Expressionism was very popular at the time, and this artist was influenced by other Abstract Expressionist artists, such as Jackson Pollock and Helen Frankenthaler (University of Kentucky). This painting in particular says a lot about the innovative techniques Gilliam used and why is he world renowned.
Diego Velàzquez was called the “noblest and most commanding man among the artists of his country.” He was a master realist, and no painter has surpassed him in the ability to seize essential features and fix them on canvas with a few broad, sure strokes. “His men and women seem to breathe,” it has been said; “his horses are full of action and his dogs of life.” Because of Velàzquez’ great skill in merging color, light, space, rhythm of line, and mass in such a way that all have equal value, he was known as “the painter’s painter,” as demonstrated in the paintings Las Meninas, Sebastiàn de Morra, and Baltasar Carlos and a Dwarf.
On one side of the conflict, Americans have a passionate relationship with nature. Nature acts as a muse for artists of every medium. While studying nature, Jo...
The naissance of the Hudson River School style launched a new era of artwork. Thomas Cole started this school and it was because of him American landscape painting came of age with the success. This was the first school of painting in the United States. Located in Northern New York by the Hudson River, the paintings focused on the nature and wilderness of the surrounding area. The Hudson River Painters believed that nature was a direct manifestation of God. As such, nature was to be depicted as accurately and as detailed as possible. If a man was included in a painting at all, he was painted small in stature to emphasize his relationship to nature (God). Because nature was considered perfect, the Hudson River Painters attempted to draw and paint landscapes directly, not from memory or imagination, and without embellishments or contrivances. The American landscape, wild and unspoiled, became a great source of national pride. The museums and galleries now focused on American art rather than European art for the first time. Importantly, the school helped make Manifest Destiny a popular idea, and thus contributed to western expansion.
Senior Thesis Show is a series of nine untitled works that are very dramatic in the kind of lighting he uses along with the classical style from which he paints. All the works in the show emit the feeling of isolation and solitude. With a combination of still life and figurative work the paintings start to tell a story of why his subjects are so isolated.