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Narratives written about depression
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The protagonist, Quoyle, in the book entitled “The Shipping News” was taught his entire life that he was a failure. He was an overweight, loveless man with crippling self-image and mental issues. The author of the novel, Annie Proulx, intricately illustrated Quoyle’s depressing early life in the opening chapters of the book. Living in Mockingburg, New York, the only relationship Quoyle ever had been in failed horribly, both of his parents simultaneously committed suicide, and he was unable to find himself a stable job. Quoyle saw a substantial amount of abuse from his parents, and later from his wife. This miserable, harsh lifestyle was not uncommon in Quoyle’s family, for his ancestors wereknown to be cold-hearted criminals, murderers and failures. While it seemed so easy for Quoyle to succumb to the pressure and settle for what he had in life, he decided to start from scratch, moving back to his ancestor’s home in Newfoundland. Quoyle was able to put his depressing past behind him and transform his life, breaking away from his submissive, weak-willed personality.
The massive chang...
Summary and Response to Barbara Kingsolver’s “Called Home” In “Called Home”, the first chapter of the book Animal, Vegetable, Miracle: A Year in Food Life, Barbara Kingsolver presents her concerns about America's lack of food knowledge, sustainable practices, and food culture. Kingsolver introduces her argument for the benefits of adopting a local food culture by using statistics, witty anecdotal evidence, and logic to appeal to a wide casual reading audience. Her friendly tone and trenchant criticism of America's current food practices combine to deliver a convincing argument that a food culture would improve conditions concerning health and sustainability.
The novel “The Orphan Train” written by Christina Baker Kline is a fictional portrayal of a young girl who migrated to America from Ireland, and found herself orphaned at the age of ten in New York City in the year 1929. The book tells the story of the pain and anguish she suffered, and the happiness she would later find. From the mid 1850’s through the early 1900’s there was an surge of European immigrants just like Niamh and her family who came to America in search of a better life. Unfortunately, most were not as prosperous as they had hoped to be. As a result, many poverty-stricken children were left orphaned, abandoned, and homeless. They roamed the streets looking for food, money, and refuge by any means necessary. Since there
After her diagnosis of chronic kidney failure in 2004, psychiatrist Sally Satel lingered in the uncertainty of transplant lists for an entire year, until she finally fell into luck, and received her long-awaited kidney. “Death’s Waiting List”, published on the 5th of May 2006, was the aftermath of Satel’s dreadful experience. The article presents a crucial argument against the current transplant list systems and offers alternative solutions that may or may not be of practicality and reason. Satel’s text handles such a topic at a time where organ availability has never been more demanded, due to the continuous deterioration of the public health. With novel epidemics surfacing everyday, endless carcinogens closing in on our everyday lives, leaving no organ uninflected, and to that, many are suffering, and many more are in desperate request for a new organ, for a renewed chance. Overall, “Death’s Waiting List” follows a slightly bias line of reasoning, with several underlying presumptions that are not necessarily well substantiated.
Throughout the course of our lives we will experience the deterioration of a loved one due to illness or aging. This may cause us to make a choice of how and where we choose our loved one to die. Authors, Carolyn Jaffe and Carol H. Ehrlich, in their book All Kinds of Love, illustrate how the relationships between doctors, patients', family, friends, hospice volunteers, and hospice nurses all play an important role during he patients last days as they try to reach a "good death". In the book's foreword, Rabbi Earl A. Grollman comments on Jaffe's history of nursing experience and states "Her stories bring alive the concerns, the surprises, the victories, the disappointments, the mistakes, the uncertainties, the joys, and the pain that are part of one's dying" (1, p. v).
Joe grew up in Sequim, Washington during the Great Depression. From the start, Joe’s happy childhood is snatched from his grasp with his mother’s death. His life continues to run off the rails when his brother and father marry a set of twins and his new half-siblings are born. His stepmother’s cruelty to him and his father’s supposed ignorance of it begin the development of Joe’s trust issues. His only remaining family abandons him in a half-built house in the rainy swamps of Sequim, as they look for a better life in Seattle. Here, the exposition is set; lonely years on his own, with only his solitary, and largely self-reliant mind to keep him company. Adversity is an influential tool that has the power to sculpt a life into one of poverty and struggle, or carve a pathway to success. Joe begins his journey mourning the loss of his old life, and fiercely determined to make a better one for himself. In his effort to improve his circumstances, Joe learns that much like how the water that supports a boat is
Now, as the family of four travels across the continent, the narrator is able to slough off all the obligations which society has dumped on her. Almost relieved, “we shed our house, the neighborhood, the city, and…our country” (378). On the road, she is no longer forced to hide from the friendly phone calls or household chores. The narrator has been freed on the highway to Ontario, Canada. The Prisoner of War, held under siege in her own home, is liberated to be “hopeful and lighthearted” (378). This trip becomes a break from the life that she’s is currently leading, a life which society thinks should make her content. With this new bit of freedom the narrator is able to form an identity for herself.
Allegra Goodman was born in Brooklyn New York in 1967, but she grew up in Honolulu, where her parents moved and taught at the University of Hawaii in 1969. She received a Ph.D. in English Literature from Stanford University. Ms. Goodman began writing short stories in high school, and the summer after she graduated in 1985. Now, she has published two short story collections and six novels. The Other Side of the Island, which was published in 2008, describes how the world was controlled by Earth Mother after eight years of the Flood, and what the Greenspoons, especially Honor, did while they were living in the Colonies on Island 365 in the Tranquil Sea. On one hand, Earth Mother and the Corporation were protecting and providing citizens with the new weather, the Enclosure; on the other hand, they were trying to control everybody from Unpredictable and defeat the Forecaster and his partisans. Ms. Goodman wrote the book while she suffered from the heat wave in Boston. She realized that everywhere around her things are attached air conditioners: her house, her car, and shops. People didn’t live in the real world anymore; she even wished there were air conditioned streets as well. Therefore, she started with that concept: “All this happened many years ago, before the streets were air conditioned. Children played outside, and in many places, the sky was still naturally blue.”
BIOGRAPHY: According to the entry « Eudora Welty » found on Wikipedia, Eudora Alice Welty was an American author and photographer, well-known for working on the South American theme. She began higher education at the University of Wisconsin, then went to New York, where she studied at Columbia University until 1931. Unable to find a job on the East Coast because of unemployment due to the Great Depression, she went back to her her native city Jackson, Mississippi. She started to publish short stories in magazines from 1936 and rapidly acquired notoriety as a short story writer, managing to carefully describe the culture and the racial issues of the South. Each publication of her short stories collections was considered as a literary event. In 1956, her novel The Pounder Heart, adapted by Joseph A. Fields and Jerome Chodorov, achieved great success on Broadway. In 1975, her enchanting novel The Robber Bridegroom became a musical. In 1973, Eudora Welty received the Pulitzer Prize for her novel The Optimist’s Daughter. Three years earlier, she published a collection of photographs that she had taken herself in the years 1930 and 1940, One Time, one Place: Mississippi in the Depression: a work intending to depict the harsh living conditions in Mississippi during the Great Depression. In 1984, at the request of Harvard University Press, she put on paper a lecture that she gave the year before to the students: the work became a bestseller. She died of pneumonia in 2001.
One of the central themes in writing of the second generation Asian Americans is the search of identity and individual acceptance in American society. In the last few decades, many Asian Americans have entered a time of increased awareness of their racial and cultural identity built on their need to establish their unique American identity. In the book The Joy Luck Club, which revolves around four mother-daughter Asian American families whose mothers migrated from China to America and raised their daughters as Americans, we see the cultural struggle and differences by looking at their marriages, suffering and sacrifice, and their use of language in the novel.
When one faces a traumatic experience, his or true nature often reveals itself. Trauma forces its sufferers to cope. How one copes is directly linked to his or her personality. Some will push any painful feelings away, while others will hold onto pleasant memories. Both of these coping mechanisms can be observed in Katherine Anne Porter’s “The Jilting of Granny Weatherall” and William Faulkner’s “A Rose for Emily.” In “The Jilting of Granny Weatherall” and “A Rose for Emily,” the two protagonists’ prominent characteristics distinctly affect the way they cope with trauma and influence the short stories’ outcomes.To begin, Granny Weatherall is a prideful control freak. In contrast, Miss Emily is delusional and stubborn.
Maggie and Jimmie, siblings whom Cranes uses as protagonists, live in deplorable and violent conditions. The setting is America West, during the industrialization era. The change from agricultural to industrial economy led to many casualties, including Maggie and Jimmie’s parents. They found themselves in periphery of economic edifice where poverty was rampant. Now alcoholics, they are incapable of offering parental care and support to their children. This leaves the children at the mercies of a violent, vain, and despondent society that shapes them to what they became in the end. Cranes’ ability to create and sustain characters that readers can empathize with is epic though critics like Eichhorst have lambasted his episodic style (23). This paper will demonstrate that in spite of its inadequacy, Cranes Novella caricatures American naturalism in a way hitherto unseen by illustrating the profound effect of social circumstances on his characters.
Common sense seems to dictate that commercials just advertise products. But in reality, advertising is a multi-headed beast that targets specific genders, races, ages, etc. In “Men’s Men & Women’s Women”, author Steve Craig focuses on one head of the beast: gender. Craig suggests that, “Advertisers . . . portray different images to men and women in order to exploit the different deep seated motivations and anxieties connected to gender identity.” In other words, advertisers manipulate consumers’ fantasies to sell their product. In this essay, I will be analyzing four different commercials that focuses on appealing to specific genders.
In the essay “Everything Now” Signs of Life in the USA: Readings on Popular Culture for Writers, author Steve McKevitt blames our unhappiness on having everything we need and want, given to us now. While his writing is compelling, he changes his main point as his conclusion doesn’t match his introduction. He uses “want versus need” (145) as a main point, but doesn’t agree what needs or wants are, and uses a psychological theory that is criticized for being simplistic and incomplete. McKevitt’s use of humor later in the essay doesn’t fit with the subject of the article and comes across almost satirical. Ultimately, this essay is ineffective because the author’s main point is inconsistent and poorly conveyed.
The reading of “The Boat” by Alistair Macleod is an interesting and sad story that displays many elements figuratively and literally. The first figurative element is the boat. At a literal perspective, the boat is used for fishing and boat rides, although these are not the only things that the boat represents. We learn that the father in some way, as been sacrificing his working life for his family, for something that he doesn’t absolutely love. This shows that he is in some way trapped, or imprisoned. The boat displays
Antwone Fisher was an individual that endured so many things. He faced a lot of challenges that may have seemed impossible to recover from. This story was an example of the many things that some children may experience. Antwone was not raised in an upper crust home. He did not grow up in a home in which his mother and father was present. Instead of having positive role models, he had to live with individuals that were abusive to him. When observing Antwone’s personality, one may refer to two different theorists such as Bandura and Rogers.