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The history of the film industry
The history of the film industry
Analyze the film singin in the rain
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Singin' in the Rain
Produced by Metro-Goldwyn-Mayer for budget of $2.54 million, released April 10, 1952 by MGM and grossed $3.6 million, Technicolor 35mm negative, 1.37:1 screen aspect ratio, mono sound, 103 mins.; Laserdisc released 1991; restored theatrical print from original 3-strip Technicolor negatives released 1992; DVD released 1997 with remastered Dolby digital sound
Production:
Directed by Stanley Donen and Gene Kelly
Written by Betty Comden, Adolph Green
Produced by Arthur Freed
Original music by Nacio Herb Brown, Lennie Hayton
Cinematography by Harold Rosson
Film Editing by Adrienne Fazan
Sound recording by Douglas Shearer
Special Effects by Warren Newcombe, Irving G. Ries
Choreography by Gene Kelly, Stanley Donen
Orchestration by Wally Heglin, Conrad Salinger, Skip Martin
Vocal arrangements by Jeff Alexander, Roger Edens
Cast:
Gene Kelly as Don Lockwood
Donald O'Connor as Cosmo Brown
Debbie Reynolds as Kathy Selden
Jean Hagen as Lina Lamont (and as the singing voice of Debbie Reynolds)
Millard Mitchell as R. F. Simpson
Cyd Charisse as Dancer
Douglas Fowley as Roscoe Dexter
Rita Moreno as Zelda Zanders
Madge Blake as Dora Bailey
Kathleen Freeman as Phoebe Dinsmore, Lina's diction coach
Bobby Watson as Don's diction coach
Betty Royce as the singing voice for "Would You?"
Notes:
Singin' in the Rain was first conceived as a "catalogue" picture by Arthur Freed for MGM in 1949. He had written the song 20 years earlier with the composer Nacio Herb Brown for the Hollywood Music Box Revue in 1927, a stage show of showgirls and songs and spectacular sets of the type made famous by the Ziegfeld Follies. After the sound revolution swept through Hollywood in the wake of the 1927 Jazz Singer, Irving Thalberg hired Freed and Brown to write music for MGM's first revue musical, Broadway Melody, in 1929. Freed had worked as a mood pianist in silent films when he first moved from New York to Hollywood in 1925 (like Cosmo) and helped Thalberg (like R. F.) and the MGM studio (like Monumental Pictures) make the transition to sound. The characters of Lina Lamont (like Judy Holliday), director Roscoe Dexter (like Busby Berkeley), Dora Bailey (like Louella Parsons) were based on real people. The song "Singin' in the Rain" and other Freed-Brown songs would be used in repeatedly in many MGM pictures, starting with Hollywood Revue of 1929. Arthur Freed became a leading producer of musicals at MGM, putting together a talented group known as the Freed Unit after it made The Wizard of Oz in 1938.
Blue Bird was about fourteen. They were taken in and made to feel at home.
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Initially, Elisabeth is the matriarch of the four generations of women talked about in the story. Elisabeth works in the house, but she’s married to a field slave and has three daughters. Not much insight is given on Elisabeth and her feelings, yet through the narration it is as if she lived vicariously through her youngest daughter, Suzette: “It was as if her mother were the one who had just had her first communion not Suzette” (20) Even though Elisabeth too worked in the house, Suzette had more privileges than her mother and the other slaves. Elisabeth represented the strength and the pride of her people: “You have a mother and a father both, and they don’t live up to the [plantation] house” (25). She would constantly remind Suzette of her real family, which signifies the remembrance of a history of people and their roots. It is up to Suzette to keep the heritage even through the latter miscegenation of the generations to come.
Although Rudy Baylor, in The Rainmaker, is a new and unaccustomed lawyer, he certainly has his strengths and weaknesses, and with taking a case for the first time, his complexion as well as his professionalism is shown.
Life can bring unexpected events that individuals might not be prepared to confront. This was the case of O’Brien in the story, “On the Rainy River” from the book The Things They Carried. As an author and character O’Brien describes his experiences about the Vietnam War. In the story, he faces the conflict of whether he should or should not go to war after being drafted. He could not imagine how tough fighting must be, without knowing how to fight, and the reason for such a war. In addition, O’Brien is terrified of the idea of leaving his family, friends and everything he loves behind. He decides to run away from his responsibility with the society. However, a feeling of shame and embarrassment makes him go to war. O’Brien considers himself a coward for doing something he does not agree with; on the other hand, thinking about the outcome of his decision makes him a brave man. Therefore, an individual that considers the consequences of his acts is nobler than a war hero.
“Were off to see the wizard, the wonderful wizard of oz” One of the infamous phrases from one of the most well know classics of all time. The original movie titled The Wonderful Wizard of Oz was made in 1939 by Frank Baum. This film featured stars such as Judy Garland, Jack Hayley and many others. This was not only a movie, it was a fantasy, and a musical storytelling adventure with unusual characters that shook the audience. This was one of the first films to make it to the big screen with color. Because of its success, this film has been remade many times with multiple different spins making it rhetorical. Over the years this film has become one of the best films of all time and is still watched today among all ages
There is a cut and we see a point-of-view shot in terms of Don and Cosmo to see that the audience is booing. This is the last scene before they actually get to Hollywood. Singin' in the Rain is the musical that all other musicals should be judged by. It tells a story that only others had dreamed of telling. Donald O'Connor, Debbie Reynolds and the great Gene Kelly help give one of the greatest performances of all times in a musical.
All Over but the Shoutin' by Rick Bragg is an autobiography that starts from Mr. Bragg's impoverished childhood in a family that included an abusive, alcoholic father, an incredibly powerful angel of a mother and his two brothers, and follows him through his Pulitzer Prize-winning journalistic career at the New York Times. The author states at the beginning of the book that readers will laugh and cry reading it. He was right on the money with both of these points.
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1980. Warner Bros. Directed by Stanley Kubrick. Music by Wendy Carlos and Rcachel Elkind. Cinematography by John Alcott. Editing by Ray Lovejoy. With Jack Nicholson, Shelley Duvall, Danny Lloyd.
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In the novel When Rain Clouds Gather, by Bessie Head, the protagonist, Makhaya, deals with suffering, trauma and eventual healing, particularly when he arrives in Golema Mmidi. At the same time, the novel deals with problems of tribalism, greed and hate in a postcolonial state. Throughout the novel, Makhaya attempts to resolve these struggles and create a new future for himself.
When It Rains, It Pours Have you ever had a time in your life where you felt like everything was just being dumped on you? I did, and undoubtedly it happened just as I came to school at State University. That saying, “When it rains, it pours,” just seemed to fit me perfectly. Within a two week period, one of my friends from high school committed suicide, my grandma went to the hospital, and my boyfriend broke up with me. Yet, from these experiences in my life, I grew, more than I have ever grown before.
The introduction of sound to film started in the 1920’s. By the 1930’s a vast majority of films were now talkies. ‘If you put a sound consistent to visual image and specifically human voice you make a “talkie”’ (Braun 1985 pg. 97). In 1926 Warner Brothers introduced sound to film but, other competing studios such as FOX, didn’t find it necessary to incorporate sound to their motion pictures production, as they were making enough money through their silent movies. Warner Brothers decided to take what was considered a risky move by adding sound to their motion picture, a risk taken, as they weren’t as successful in the silent movie department. But this risk paid off with the hit release of ‘The Jazz Singer’ in 1927. Though sound in films was then acceptable and successful it wasn’t until the 1950’s that it became feasible to the public as sound was introduced to cinema by the invention of Cinerama by Fred Waller. The Cinerama used 35mm film strip and seven channels of audio.