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william f sound and fury analysis
william f sound and fury analysis
themes of the sound and the fury
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The Sound and the Fury ends with Luster and Benjy's unfortunate journey to the cemetery to visit Mr. Compson and Quentin's tombs, a trip that Benjy makes every Sunday. The chaos that ensues in this scene proves to be an interesting analysis for the conclusion of the novel. It demonstrates to the reader that the Compson family is truly unable to escape its patterns of thought and behavior. This important theme of the novel is shown throughout the novel, through Quentin’s obsession with time and the guilt he feels over Caddy’s situation, Mr. Compson’s nihilistic attitude that leads to his alcoholism and eventual death, and Mrs. Compson’s constant referral to herself as a victim, but this final scene of the book fully brings it to an interesting …show more content…
As the carriage approaches the Confederate soldier monument on the courthouse square, Luster attempts to show off in front of a “group of negroes,” and decides to change the route that Benjy is accustomed to, which proves to be utterly disastrous (Faulkner 319). Luster only alters the route slightly, and instead of turning right at the Confederate soldier monument, he turns left. However this small variation from routine causes Benjy’s world to plunge into complete chaos. He begins to bellow in a voice that has “more than astonishment in it, it was horror; shock; agony eyeless, tongueless; just sound” (320). Benjy is rendered utterly incapable of any type of existence when something in his world is altered; even something as insignificant as the way he is driven to the cemetery. However, this incident demonstrates that while obsessions with pattern have negatively impacted the family, Benjy needs a sense of pattern and order to function, albeit on a lower level, in his everyday life. At least for this one member of the Compson family, everything remaining the same is the way to ensure that he is functioning to the highest ability possible for his particular mental capacity and societal
It is 1865, and the war between the states has just ended. Booth’s rage is peaking as he recalls Union General Ulysses Grant’s participation in the fall of the Confederacy….
The American Civil war is considered to be one of the most defining moments in American history. It is the war that shaped the social, political and economic structure with a broader prospect of unifying the states and hence leading to this ideal nation of unified states as it is today. In the book “Confederates in the Attic”, the author Tony Horwitz gives an account of his year long exploration through the places where the U.S. Civil War was fought. He took his childhood interest in the Civil War to a new level by traveling around the South in search of Civil War relics, battle fields, and most importantly stories. The title “Confederates in the Attic”: Dispatches from the Unfinished Civil War carries two meanings in Tony Horwitz’s thoughtful and entertaining exploration of the role of the American Civil War in the modern world of the South. The first meaning alludes to Horwitz’s personal interest in the war. As the grandson of a Russian Jew, Horwitz was raised in the North but early in his childhood developed a fascination with the South’s myth and history. He tells readers that as a child he wrote about the war and even constructed a mural of significant battles in the attic of his own home. The second meaning refers to regional memory, the importance or lack thereof yet attached to this momentous national event. As Horwitz visits the sites throughout the South, he encounters unreconstructed rebels who still hold to outdated beliefs. He also meets groups of “re-enactors,” devotees who attempt to relive the experience of the soldier’s life and death. One of his most disheartening and yet unsurprising realizations is that attitudes towards the war divide along racial lines. Too many whites wrap the memory in nostalgia, refusing...
Nikky Finney (1957- ) has always been involved in the struggle of southern black people interweaving the personal and the public in her depiction of social issues such as family, birth, death, sex, violence and relationships. Her poems cover a wide range of examples: a terrified woman on a roof, Rosa Parks, a Civil Rights symbol, and Condoleezza Rice, former Secretary of State, to name just a few. The dialogue is basic to this volume where historical allusions to prominent figures touch upon important sociopolitical issues. I argue that “Red Velvet” and “Left”, from
...Stuart." The Journal of Southern History 69, no. 1 (2003): 188-189. http://www.jstor.org/stable/30039884 (accessed November 14, 2013).
Ash, Stephen V. A Year in the South 1865. Palgrave Macmillan: Division of St. Martin’s press, LLC. 2002
At the conclusion of his short story “Barn Burning,” William Faulkner strongly implies that Abner Snopes burns yet another barn, although whether he does or not is never made absolutely clear. In any case, his young son, Sarty, has run to warn the owner of the barn, Major De Spain, about his father’s intentions:
Life with an abusive out of control parent often leads the offspring to grow up quicker than their years. In William Faulkner’s Barn Burning, one is taken on the journey of Colonel Sartoris Snopes (Sarty) growing up and maturing quicker than need be. Young Sarty is faced with the difficult decision of being loyal to his bloodline or to be loyal to himself. Ultimately Sarty had the strength and courage to break free from the verbal chains of fear that his father placed upon him and do the right thing, by telling on his father. This paper will highlight the two main events that were responsible for providing Sarty with the confidence and courage to do the right thing.
Eric Foner is able to dissect racial issues from an historical perspective, and show how these issues remained at the heart of the controversy surrounding the period of Reconstruction. By blending historical fact with such emotionally charged issues as race and polit...
William Faulkner uses multiple narrators throughout The Sound and the Fury to depict the life of Caddy Compson without telling the story from her point-of-view. Benjy, a mentally disabled 33 year old, Quentin, a troubled and suicidal Harvard student, and Jason, a racist and greedy man, each give their drastically different sides of Caddy’s story to create an incomplete chronicle of her life. Faulkner’s first chapter explores Caddy’s life through the silent narrator Benjy. As a result of Benjy’s inability to talk, much of how he describes the world is through his heightened sensory awareness. Benjy constantly repeats the fact that, which, to Benjy, symbolizes Caddy’s innocence (Faulkner 6). Later in the novel when, Benjy realizes that Caddy has lost the innocence Benjy once idolized and loved (Faulkner 40).
How does Sarty seem to feel at the end of the story? In particular, look at the images and wording of the last paragraph to figure out his feelings, and mention them in your answer.
We begin his journey in Talbot County, Maryland where he was born. Being neglected the privilege of knowing his age, we are left with an estimate of the year in which he may have been born; 1818. His mother, Harriet Bailey, is immediately separated from him to break the natural bond between a mother and son. A common practice carried along by slave owners in order to ensure control over those who maintain their land. As a reader, I immediately noticed how his use of being denied something so important and natural instantly introduces a sense of anger towards those who deprived a child of something as graceful as the love of his mother. Although they were separated, his mother never gave up the opportunity to see her child as she would walk 12 miles after dark just to be able to lay down with her son. Dougl...
At a meeting of the American Colored League, where turn-of-the-century Boston’s black citizenry, along with delegates from all over the country, have gathered to confront a wave of Southern lynchings, Luke Sawyer rises to deliver an impromptu speech detailing the brutalities of southern racism. Scheduled speakers at the meeting are the transparent representatives of these leaders: Du Bois in the figure of the radical philosopher Will Smith and Washington in the person of Dr. Arthur Lewis, the “head of a large educational institution in the South devoted to the welfare of the Negros” and a man who advocates peaceful accommodation with southern whites (242). Luke Sawyer takes the podium and begins to preach by criticizing the previous speakers (the corrupt Mr. Clapp and his lackey, John Langley) for their “conservatism, lack of brotherly affiliation, lack of energy for the right and the power of the almighty dollar which deadens men’s hearts to the sufferings for his brothers” (256). Rather than engaging in the rational debate form (as represented by Clapp and Langley), Sawyer passionately narrates a personal story of his own family’s suffering, a history in which his father is punished by a lynching mob for operating a successful black business in
In each of these stories, Faulkner communicates to the reader through very strange characters. In “Was”, we hear of a story that basically stems around a runaway slave. The two Uncles are very stereotypical. The other owner was also very stereotypical. Basically, in this story, the white men are trying to apprehend a slave that has run off to see his girl. However, the story then progresses into a standoff between the white owners. They bet each other on very arbitrary matters until finally, though the previous bets did hold some weight, the men turn to a deck of cards to settle their disputes. The ironic aspect of all of this is that they end up betting on the lives of the slaves. So, in order to prove their superiority over each other, they use their slaves as leverage. This was one of the times I felt that Faulkner was trying to illustrate the fact that these people seemed hopelessly lost in the old Southern way. What was also very interesting though is that they seemed to treat the slaves fairly humanely. First of all, if a slave had run off in early times, they probably would have beaten him or killed him. Here though, it is a kind of game. It’s a race to see who can get him first. Faulkner also throws into the story the woman who seems to be in love with one of the uncles. This too, was very clever because the new “southern Belle” was also being communicated to the reader. The Uncles though, are bachelors, perhaps signifying the dying southern gentleman, who is unable to deal with his past, and who will lead his genre of people to extinction. All in all, I liked this story. I didn’t see Faulkner as a racist and I didn’t see any of his charact...
Quentin Compson, the oldest son of the Compson family in William Faulkner's novel, The Sound and the Fury, personifies all the key elements of insanity. Taking place in the imaginary town of Jefferson, Mississippi, the once high class and wealthy Compson family is beginning their downfall. Employing a stream of consciousness technique narrated from four points of view, Benjy, the "idiot child," Jason the cruel liar, cheat, and misogynist, Quentin the introvert, and the author narrating as a detached observer, Faulkner creates the situation of a completely dysfunctional family. Faulkner shows that failure to cope with the natural changes in the passage of time will drive one out of his mind. Despite what many critics believe, Quentin is indeed insane, as well as every other member of the Compson family, with the exception of Benjy.
Michelle Ann Abate’s article, “Reading Red: The Man with the (Gay) Red Tie in Faulkner’s The Sound and The Fury,” published in the Mississippi Quarterly, in 2001, offers a new interpretation on William Faulkner’s novel, The Sound and the Fury: the man with the red is actually homosexual. According to Abate, many readers are reading the ending of the novel wrong because they do not know that the red tie symbolizes homosexuality. The red tie symbol offers a new interpretation on the ending of the novel because it shows that Miss Quentin is free from her family and free to live a new life.