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Shigeru Ban
Shigeru Ban is an architect born in Tokyo, Japan. Ban was formed in California. He is usually regarded as a traditional Japanese architect although he did not studied in his country. His work is characterized by the use of unconventional recycled materials. In 1986, Artek.Inc came to Ban and asked him to design a chair with a particular material named UPM. This material is created from the industrial waste of paper and plastic. Shigeru said, “They asked me to design some chair out of this material, then I use this, made out of this system a very unique system. Because this material is quite weak material, because of the fiber of the paper is very short. So in order to use a weak material we cannot make a complicated shape, out of this material, so I made a very simple “L” shape unit out of one mold, then we repeat this as a leg, front and back and a back twine to just one unit to make a chair.” Ban designed a single type of unit that accede to be flat packed for easy transportation. They are known because of the simplicity, functionality, and sustainability. Even thought Shigeru Ban said, “I don’t want to use the word ecology or sustainability or green because I don’t understand those meanings,” the use of recycled materials has labeled him as sustainable and humanitarian designer. Ban use this recycled materials thinking in the economy, its recyclability and low cost technology for the building. Shigeru Ban was concerned with society. He stated, “After I started practicing as architect, I was quite shocked to find out; architects are no respected by society and I founded the why easy because we don’t mind to work for the privilege people, not general public. Historically we have been working for the king, r...
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...city of Tokyo. This was built in 1995. The ground floor has been left open, public space ceded to the street and the house serves as parking. On the first floor service elements and areas of day is located and the top floor is reserved for rooms. The curtain covers the two floors enclosing the space. Behind the curtain there are several sliding glass walls inside to create a private space and isolates it from the sound.
In conclusion, Shigeru Ban is known for its creativity and his ability to design sustainable buildings. He took a step further by creating truly innovative architectural forms based basically made of paper, cardboard, and organic material. Over the past twenty years he has built many pavilions and houses exploring the possibilities of new materials. He became famous designing shelters and the way he use innovative solutions for his designs.
Founded by Walter Gropius in 1919, the Bauhaus was a German art school that initiated the combination of art and crafts innovatively to produce goods for everyday use, which influenced and shaped modern life. The Bauhaus value is still effective today since we can still see the impact of the Bauhaus. For example, contemporary furniture are mostly minimalist, which is one of the values from the Bauhaus. This essay will discuss the failure of the Bauhaus in achieving its mass-produce ideal through examining three Bauhaus production, the Wassily Chair, the chess set and Model No. MT49 tea infuser. Through the aspects of artistry and utility, the Bauhaus pursued to generate reasonably priced mass-production by taking the forms and materials into
Old Chinatown's heyday was between the years of 1890-1910. It could count 15 or so streets and alleys, and perhaps 200 building units. I...
Shiro Kuramata (1934-91) was a Japanese designer best known for his furniture and interior design, which gave the modern culture a creative voice. Many will identify with the chair he designed for the Vitra Design Museum in 1987 titled, How High the Moon (fig 1). The piece was inspired by an old jazz song and is part of the permanent collection at New York’s Museum of Modern Art. It is designed as a spacious armchair with woven threads of expanded metal; the piece weighs little more than a leaf, and can withstand robust use . His other works include entire storefronts designed for his friend Issey Miyake, for whom Kuramata created over 100 retail interiors . One of these works is Bergdorf Goodman in New York (fig 2.) designed in 1984 , which today sells products for Gucci, Prada, Jimmy Choo, Dolce & Gabbana, and others .
Since 1970, there has been a high alert for environmental problems. Some people may think that automobiles are the main cause of the non-recyclable resource. Even building and homes use half of the non-recyclable resource. Sustainability architecture is not the newest concept. The sustainable architecture is rarely ever used, reason behind is the both the architect and the client. It’s the job of architect to involve the client in the idea of the sustainable architecture. Due to the lack of solid resources most architects are unable to create or design a new sustainable architecture for a client. Even though options are given to the client about the sustainable architecture, however the client turns down the offer because they may not want to the pay the additional costs to construct. At some point the client has to be educated about design issues “sleek doesn’t mean better” and “a glass wall is not better than a concrete wall”. Time will come when people will have to be concerned about the internal architecture than the exterior architecture. Architects must stop withdrawing information from the catalogue and use their own design ability to reshape the way architecture runs. Sustainability architecture not only is preferable for the environment but it also gives the opportunity for the architect to really push the design beyond its limit. Ball-Eastaway House even if its built in the forest does it hold the meaning of sustainable architecture.
Sorkin, Michael., Mildred S. Friedman, Frank O. Gehry, Frank O.Gehry Associates. Gehry Talks: architecture + Process. New York: Universe Publishing: Distributed to the U.S trade by St. Martin’s Press, 2002.
The industrial age brought with it creative freedom. Production in this time was on an unseen scale and saw the proliferation of new construction materials; reinforced concrete, steel, and glass. These materials were experimented with, manipulated, and used to create all sorts of structures that would have been impossible using older methods of construction. The use of these new materials lead to the iconic structures recognizable the world over.
In order to create innovative public architecture, considered to be the most civic, costly, time intensive and physical of the arts, the project holds a degree of risk, strife, and negotiation . Overcoming these tasks and creating worthy public architecture is a challenge designers try to accomplish, but are rarely successful. The people involved in a potential public building, can be larger than the building itself. Public architecture tries to please all, even the doubters and critics, but because of the all these factors, a building is closer to failing than succeeding.
Issues of Developmental Aid and Design for Development are what most designers and environmental and social activist ensure to solve daily. According to The human, natural, social and economic capital determines a country’s wealth. To ensure this human development as well as the achievement of the human potential relies on economical abilities that are both socially and environmentally sustainable for current stability and the futu...
Sustainable design steadily becomes the architecture catch phrase of the day, being thrown around to make us aware that everything we “design” has an environmental burden. Many designers, architects and builders have installed the “idea of green” into their buildings to demonstrate a potential to improve performance and reduce costs through sustainable strategies. Despite all this one fact remains, that is the enviable depletion of fossil fuels, and without a major overhaul of our society, our economy and our politics, the ideas of “sustainable design” are just band-aids on the bigger problem. In the 1970's Bill Mollison and David Holmgren decided to create a design system for sustainability, looking to create a harmony between humans and the land they live on. From this the original incarnation Permaculture was born and over the years it has evolved into a vision of sustainable culture.
Glancey, Jonathan and Chuang, Dan. “ Zaha Hadid's Guangzhou Opera House” Guardian Media Group, http://www.guardian.co.uk/artanddesign/gallery/2011/mar/01/zaha-hadid-guangzhou-opera-house-in-pictures
The Bauhaus was a school for art, design and architecture founded in Weimar, Germany with a core objective “to reimagine the material world to reflect the unity of all the arts.” Before the Bauhaus was established, fine arts were seen to hold a higher esteem than craftsmanship The Bauhaus intended to change this feeling about the arts. The Bauhaus wanted to create products that were simple in design which as a result could be easily mass produced. Of all the principles taught at the Bauhaus, form follows function summed up the schools main philosophy. Architecture and design should reflect the new period in history, and adapt to the era of the machine was one founding principal of the Bauhaus school. Students began with a preliminary course that taught the basic Bauhaus theory and then were allowed to enter into specialized workshops. Throughout the years, it moved to Dessau and then Berlin and ending with the closure by Nazi soldiers. As a result of its existence, the Bauhaus had a major impact on art, design, and architecture trends throughout the rest of the century.
Wide stone stairways and a diagonal slicing wall disappear beneath the surrounding rocks, creating a dramatic path to the rooftop terrace in the Naoshima Contemporary Art Museum. Ando defines architecture as “the box that provokes.” He says, “I do not believe architecture should speak too much. It should remain silent and let nature in the guise of sunlight and wind speak.” His gift is to create spaces that respond to human needs and spirit, juxtaposing powerful concrete walls with light and nature to create a deep sense of peace. Using simple materials and geometry, Ando has produced a volume of exquisite
With the interaction between the development of computational approaches in architecture and the contemporary forms of spatial design intelligence, some new architectural design theories emerged to make differences between architects and control designing processes. These theories are almost employed in all designing realms, from architecture to urban design to provide fields of ideas and solutions that privilege by complexity. Most of these theories are oriented to relay on understanding and using computational methods to generate exotic and complex geometries. In this respect, three of these theories will discussed and tested against three buildings. The theories are: parametric design, genetic architecture and emergence, which characterize some of the contemporary architectural design approaches.
With its mishmash of old pre-war conservation flats, artisan cafes and fashion boutiques, today’s Tiong Bahru is Singapore’s capital of quirk. In contrast to the bustling streets of downtown Singapore, Tiong Bahru stands out
Design has major impact with concerns to environmental qualities. This field is a direct study of the relationship between behaviouristic actions of its inhabitants. Designers constantly interact with people and communicate to solve the needs of their clients regardless of large or small scale projects. Analysis is key in combining creativity with managerial design solutions. These outside-of-the-box designers have the ability to create beautiful, safe and functional and aesthetically pleasing spaces using common factors, designing for communities as well as,