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1. In Cathedral there is a blind man named Robert. I believe Robert was used to show just how blind or unaware the narrator is in regards to everyday insights such as general awareness of others thoughts and feelings and his own self-awareness. Simply put, there is more to discover than just what is on the surface, beneath that is where true understanding lies. The narrator remarks as soon as he meets Robert “A beard on a blind man! Too much, I say.” (Carver, 2013, p. 2682), and later “that the blind didn’t smoke…” (Carver, 2013, p. 2683). By doing this, the narrator shows just how ignorant he is about the various types of people. The interaction between the narrator and Robert allows the narrator to gain an insight into himself for the first time in his life.
Since the narrator is so unaware of the thoughts and feeling of others, he has an empty relationship with his wife. They coexist together, but they do not actually interact with each other. “My wife and I hardly ever went to bed at the same time.” (Carver, 2013, p. 2686), so the narrator was “glad for the company.” (Carver, 2013, p. 2686). After the epiphany the narrator had while drawing the cathedral with Robert, I believe he and his wife will have a better relationship. The narrator will not be quite as jealous of her relationship with Robert, and he may even take the time to listen to future tapes with her as well. I think the narrator will pay more attention to his wife and what she is really saying in their future conversations. By doing this, the narrator will become better acquainted with his wife; and they will no longer coexist, but they will participate in activities together. The epiphany the narrator had will also increase his self-awareness. Once he is more a...
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... times before the relationship is over. Miranda was lonely, and looking for a way to fill that loneliness, and she chose a poor way to do it. Although, she was happy while it lasted. Maybe this will help her to look for a relationship that is fulfilling and socially acceptable now that the unacceptable one is over. It is unfortunate that both women feel badly, and end up alone.
Word Count: 813
References
Carver, R. (2013). Cathedral. In N. Baym, W. Franklin, P.F. Gura, J. Klinkowitz, A. Krupat, R.S. Levine, . . . P.B. Wallace (Eds.), The Norton Anthology of American Literature (Shorter 8th ed.) (pp. 2679-2689). New York, NY: Norton.
Lahini, J. (2013). Sexy. In N. Baym, W. Franklin, P.F. Gura, J. Klinkowitz, A. Krupat, R.S. Levine, . . . P.B. Wallace (Eds.), The Norton Anthology of American Literature (Shorter 8th ed.) (pp. 2834-2849). New York, NY: Norton.
Carver provides an easy, visual outlook of the protagonist throughout the short story, which helps keep a better understanding during the simple yet intense experience. As the story continues, the protagonist enhances his mood as he aids Robert to visualizing a cathedral. This experience creates an impact on others because it is a great reason to why one should never judge someone of something beyond their controls. Also, helping someone, as Robert does for Bub can be a life changing experience. Despite the blind man being physically blind, the husband is the one with the disability to see from someone else’s perspective. This is proven through his epiphany during his portrayal of being blind. Although Bub is not physically blind, he interprets a shortage of observations. This shows that in many ways he is blinder than Robert. Robert is more open minded and willing to experience things, in contrast to Bub, who is narrow minded and has problems opening up his mind throughout the short story. Because the protagonist does not fully try to understand his wife, it makes him look like the blind person ironically though he can visually recognize her, proving that he does not truly know her inside and out. Knowing her personally is more of reality and the husband is blind to reality. Carver definitely analyzes the protagonist’s emotions through diction and visual aid throughout the story, providing great understanding of the meaning as a
Although many critics have written numerous accounts of Richard Carver’s "Cathedral" as being about revelation and overcoming prejudice, they have overlooked a very significant aspect: the unfolding of marital drama. The story tells of how a close outside friendship can threaten marriage by provoking insecurities, creating feelings of invasion of privacy, and aggravating communication barriers.
In the story "Cathedral" by Raymond Carver, the main character, goes through a major personal transformation. At the beginning of the story, his opinions of others are filled with stereotypes, discrimination and prejudice. Through interaction with his wife's blind friend Robert, his attitude and outlook on life changes. Although at first he seemed afraid to associate with a blind man, Robert's outgoing personality left him with virtually no choice. During Robert's visit, he proved to be a normal man, and showed the speaker that by closing his eyes, he could open his mind.
In the eyes of the narrator, Robert’s blindness is his defining characteristic. The opening line of "Cathedral" reads, "This blind man, an old friend of my wife’s, he was on his way to spend the night" (1052). Clearly, the narrator cannot see past Robert’s disability; he dismisses him in the same way a white racist might dismiss a black person. In reality, any prejudice—be it based on gender, race, or disability—involves a person’s inability to look past a superficial quality. People who judge a person based on such a characteristic are only seeing the particular aspect of the person that makes them uncomfortable. They are not seeing the whole person. The narrator has unconsciously placed Robert in a category that he labels abnormal, which stops him from seeing the blind man as an individual.
Baym, Nina, and Robert S. Levine. The Norton Anthology of American Literature. New York London: W. W. Norton & Company, 2012. Print.
The usage of first person point of view traps the reader within the mind of a character who is closed off and narrow-minded for the duration of the story in such a way that it “tell 's nothing, but shows everything (Messer)” at the same time. In this way, the reader goes through the series of realizations with the narrator which convey the message of blindness in correlation with true sight and a spiritual awakening. For instance, the narrator can only feel pity for Robert’s wife, Beulah, because he was never able to see her. He imagined that Robert 's wife “could, if she wanted, wear green eye-shadow around one eye, a straight pin in her nostril, yellow slacks, and purple shoes” (Mays). However, none of this really matted to Robert, and the narrator finds it utterly pathetic. Yet, the narrator never really understands the fact that he does not really know his own wife, regardless of the fact that he can physically see her. Additionally, within the first paragraph, Carver uses demonstratives and possessives to draw the reader close to the Narrator of the story while also constructing a psychological distance between the narrator and other characters in the story (Peterson). In this paragraph, Carver uses the demonstrative “this” as a word to indicate distance, metaphorically, between the narrator and Robert (Peterson). In particular the sentence, “This blind man, an old friend of my wife 's, he was on his way to spend the night (Mays 33)” demonstrates the use of this as a specific person while showing the distance and dislike the narrator has of Robert. As a result, the narrators prejudice is presented to the reader in a way that shows his blindness as
...h it emotionally detached without the pleasure of living. In the end, when the narrator has his eyes closed drawing the cathedral, he is the most open he has even been to the world. The narrator’s limited point of view in the story was crucial in showing the reader that what will hold you back the most in life are your biases and judgments. If the story was told in Robert’s point of view, it would have been a joyful story about visiting a long time friend, even with the tragedy of his wife’s death. We would have never known of the prejudices that were held inside the husband, and no true theme would have come from the story. The limited point of view was used in a way that expanded upon the theme even more, and made for a stronger story structure.
Raymond Carver’s short story, “Cathedral,” portrays a story in which many in today’s society can relate. We are introduced from the first sentence of the story to a man that seems to be perturbed and agitated. As readers, we are initially unsure to the reasoning’s behind the man’s discomfort. The man, who seems to be a direct portrayal of Raymond Carver himself, shows his ignorance by stereotyping a blind man by the name of Robert, who has come to stay with he and his wife. From the very beginning, Carver shows his detest for Robert but over the course of the story eases into comfort with him and in the end is taught a lesson from the very one he despised.
Belasco, Susan, and Linck Johnson, eds. The Bedford Anthology of American Literature. Vol. 1, 2nd Ed., Boston: Bedford/St. Martin's, 2014. 1190-1203. Print.
What would one expect from a loving husband who has to share his home with a complete stranger? Would one expect to be welcomed with open arms or be met with a blinding cloud of jealousy? In Raymond Carver’s short story “Cathedral” a distraught and confounded husband has an ignorant and envious view of his wife’s timeless friend. According to the narrator, he “wasn’t enthusiastic about his visit” (32) and “being blind bothered him” (32). The narrator is so hostile to the idea of a visit from Robert because he is blinded by jealousy, anger, and confusion.
Adding to the obvious structural references to cathedrals and religion, the language and character actions present further evidence of an epiphany of divine proportions. The television program which the characters watch together deals entirely with cathedrals. This spurs the first real conversation between the narrator and the blind man. This presents religion as some form of common ground, on which one could stand, even without sight. When first asked by Robert, the blind man, if he was "in any way religious," the narrator asserts that he is not, and goes on to explain how cathedrals and religion "don’t mean any...
With this in mind, “Cathedral” is a story about a blind man who visits a married couple for the first time in ten years. Carver introduces the blind man’s name as Robert. He has formed a great relationship with the husband’s wife by passionately communicating with her through mailing letters and tapes. Unfortunately, these actions force the husband to become extremely paranoid of Robert coming to visit his wife. These events can infer that their marriage is unstable and the wife is potentially attempting to seek attention or a stronger e...
In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.
Baym, Franklin, Gottesman, Holland, et al., eds. The Norton Anthology of American Literature. 4th ed. New York: Norton, 1994.
Baym, Nina et al. Ed. The Norton Anthology of American Literature. Shorter 8th ed. New York: