Sexism in Film

1069 Words3 Pages
bulb-icon

Recommended: Essays on portrayals of women in media

In society, women are often perceived as the weaker sex, both physically and mentally. In modern times women have leveled the playing field between men and women, and feminism is a highly discussed topic, but for years, women faced discrimination and prejudice both in life and in the workplace, due to their sex. This way of thinking flooded into the world of film. In their works, the authors of each of the various sources address the limitations and liberations of women both on and off the screen in nineteenth century Film and Cinema. Not every source is completely filled with information related to the research topic, but they do cover and analyze many of the same points from different perspectives. Prominent points addressed in each source include the domination of the male voice in cinema, the presentation of women on screen, and society’s influence on the status of women roles in film. A common concept in a lot of the sources is that men dominate the film industry both onscreen and off. According to the article, Why There are no Women in the Movies, “men make the movies and the relationships and roles are molded according to the male viewpoint” (Yates 226). This, in relation to the other sources, is a very valid fact. Coinciding with his point, Hollywood Film Critic, Richard Corliss states in his TIME Magazine article, Calling Their Own Shots: Women Directors Make it in Hollywood, that “the guys ran things—as producers, directors, bosses…” Men were behind the scenes, they decided what scripts got chosen to be made into films. They were the heads of production companies and producers of the films. Whatever they said…went. Men were not only in charge of what was going on onscreen, but they monopolized off-screen positions as we... ... middle of paper ... ...e. “The Allure of the Predatory Woman in Fatal Attraction and Other Current American Movies.” Journal of Popular Culture 26.3 (Winter 1992): 47-57. Academic Search Complete. Web. 13 March 2015. Mahar, Karen Ward. Women Filmmakers in Early Hollywood. Baltimore: Johns Hopkins UP, 2006. Print Pomerance, Murray, ed. Ladies and Gentlemen, Boys and Girls: Gender in Film at the End of the Twentieth Century. Albany: State University of New York Press, 2001. Print. Quart, Barbara Koenig. Women Directors: The Emergence of a New Cinema. New York: Praeger, 1988. Print.. Segar, Linda. When Women Call The Shots: The Developing Power and Influence of Women in Television and Film. New York: Henry Holt and Company, 1996. Print. Yates, John. “Why There are no Women in the Movies.” Journal of Popular Film 4.3 (1975): 223-234. America: History & Life. Web. 13 March 2015.

Show More
Related

  • Evolution of Women's Roles in Filmmaking

    2017 Words  | 5 Pages

    Film making has gone through quite the substantial change since it’s initial coining just before the turn of the 19th century, and one would tend argue that the largest amount of this change has come quite recently or more so in the latter part of film’s history as a whole. One of the more prominent changes having taken place being the role of women in film. Once upon a time having a very set role in the industry, such as editing for example. To mention briefly the likes of Dede Allen, Verna Fields, Thelma Schoonmaker and so forth. Our female counterparts now occupy virtually every aspect of the film making industry that males do; and in many instances excel past us. Quite clearly this change has taken place behind the lens, but has it taken

    Read More

  • Implications of the Masculiune Gaze in The Treasure of the Sierra Madre

    724 Words  | 2 Pages

    In Laura Mulvey’s “Visual Pleasure and Narrative Cinema”, she presents a number of very interesting facts regarding the ways that the sexual imagery of men and women respectively are used in the world of film. One such fact is that of the man as the looker and the female as the looked upon, she argues that the woman is always the object of reifying gaze, not the bearer if it. And “[t]he determining male gaze projects its fantasy onto the female figure, which is styled accordingly. In their traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to be connote to-be-looked-at-ness” (487). Mulvey makes the claim that women are presented and primped into this role of “to-be-looked-at-ness”. They are put into films for this purpose and for very little other purposes. However, this argument cannot be incorporated with The Treasure of the Sierra Madre; the existence of women in the film is extremely insignificant to an extent that could be considered absent. “In a world ordered by sexual imbalance,” male serves as the dominant figures with which the viewer can identify, women only appear in the film for a very short moment of time. For instance, the appearance of women is only shown when Howard rescues the ill child in the village and his return to the village for hospitality reception...

    Read More

  • Women in Film as Portrayed in the Movie, Double Indemnity

    1123 Words  | 3 Pages

    Todd, Janet. Women and Film. Vol. 4. New York, NY: Holmes and Meier Publishers, 1988.

    Read More

  • Erotic Objectification: Equally Degrading

    969 Words  | 2 Pages

    In conclusion, todays cinematic evolvement through being more accepting of sexual themes as well as representation of different sexual orientations, in both characters and audience alike, contributes to further objectifying people in an erotic sense to please different kind of spectators. Furthermore, it enables male characters to be subjected to erotic objectification and is therefore not a portrayal exclusive in portraying females. However, this remodels the way male and female characters are depicted as it in a sense equalizes them through the same kind of degrading portrayal as sexual objects.

    Read More

  • Media Portrayal of Gender and Cultural Stereotypes During World War II and Current Times

    1131 Words  | 3 Pages

    Miss Representation is a documentary based on women in the media and how the media has affected women today. “The most common way people give up their power is by thinking they don’t have any.” This quote is from Alice Walker, a female, who realized that they e...

    Read More

  • Movie Analysis

    1424 Words  | 3 Pages

    While the film focuses mainly on the theme of media responsibility and covers US’s politics in the early 1950s, it also encircles around other crucial themes such as sexism. This essay discusses about how this film is used as a tool for objectivity, agenda setting, stereotyping within gender, and how these has impacted the characters in the movie and viewers.

    Read More

  • Gender and Movie Selection

    1445 Words  | 3 Pages

    A very diverse, broad, and extensive industry is the filmmaking industry. However, the unique aspect of the industry is that it is so expansive in all of the different categories and types of movies, but yet each film is individualized. A certain characteristic of a movie may appeal to one person and not another. Such characteristics may not only appeal to an individual but to a certain group of people. Could it be that characteristics of a film appeal to either the male gender or the female gender? Is there a difference in the category of movie that a male chooses as opposed to one that a female chooses? Such questions prove to be very interesting and ponderous. Upon thinking of such questions, I decided to revolve my research paper around the two concepts of movies and gender. My hypothesis for this research paper is “In determining a movie to watch, college-age males choose action and adventure movies while females of the same age choose romance or romantic comedy movies”. I feel that this topic is very interesting because many items today are marketed towards a specific gender. This can be viewed and noticed in such items as clothing, motor vehicles, and certain hobbies. This pattern may just as well carry over into the film industry. If it does, it may be reflected by the category of movie a certain gender selects to watch. Therefore, my thesis is: By used of an observation, a survey, an interview, and a personal history, I will prove that men choose action movies and women choose romance/romantic comedy movies because each gender relates to a different characteristic found in each type of movie.

    Read More

  • Gender and Violence

    1601 Words  | 4 Pages

    We can see that throughout the making of Disney movies the gender images have not evolved to match the changes in our society now, they have stayed stereotypical and similar to when Disney movies were first made in 1937 (Towbin et al 2003). In studies of 16 different Disney movies Mia Towbin (2003) and others

    Read More

  • A Few Good Men Film Analysis

    1361 Words  | 3 Pages

    Gender and the portrayal of gender roles in a film is an intriguing topic. It is interesting to uncover the way women have been idealized in our films, which mirrors the sentiments of the society of that period in time. Consequently, the thesis of this essay is a feminist approach that seeks to compare and contrast the gender roles of two films. The selected films are A few Good Men and Some Like it Hot.

    Read More

  • Miss Representation Summary

    1350 Words  | 3 Pages

    Mainstream movies are about men’s lives, and the few movies about women’s lives, at their core, still also revolve around men (Newsom, 2011). These female leads often have male love interests, looking to get married or get pregnant. Strong independent female leads are still exist for the male view, as they are hypersexualized, or the “fighting fuck toy,” (Newsom, 2011). This depiction has created a culture where women are insecure and waiting for a knight on a horse to come rescue and provide for her as well as the acceptance of women

    Read More

  • The Role of Women in Screwball Comedy Films

    4993 Words  | 10 Pages

    Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.

    Read More

  • Lad Flicks: A Hybrid of Buddie Movies, Romantic Comedies and Chick Flicks

    2008 Words  | 5 Pages

    ‘Lad flicks’ or ‘lad movies’ is a type of film genre that emerged in the late 1990s. They are defined as a “‘hybrid of “buddy movies”, romantic comedies and “chick flicks”, which centre on the trials and tribulations of a young man as he grows up to become a ‘real man’. ‘Lad flicks’ respond in part to the much-debated ‘crisis in masculinity’” (Benjamin A. Brabon 116). This genre of film explored what it meant to be a ‘real man’ in the twentieth century and in order to do so, they would have to grow up and leave their juvenile ways behind to enter the heterosexual world. Gender relations in ‘lad flicks’ portray masculinity as a troubled, anxious cultural category hiding behind a humorous façade and also rely greatly on a knowing gaze and irony. The two ‘lad flicks’ that will be analyzed are The 40-Year-Old Virgin (Judd Apatow 2005) and Role Models (David Wain 2008).

    Read More

  • Women’s Roles in Classical Hollywood Cinema

    2563 Words  | 6 Pages

    Women’s roles in movies have changed dramatically throughout the years. As a result of the changing societal norms, women have experienced more transition in their roles than any other class. During the period of classical Hollywood cinema, both society and the film industry preached that women should be dependent on men and remain in home in order to guarantee stability in the community and the family. Women did not have predominated roles in movies such as being the heroin. The 1940’s film Gilda wasn’t an exception. In Gilda, the female character mainly had two different stereotypes. The female character was first stereotyped as a sex object and the second stereotyped as a scorned woman who has to be punished.

    Read More

  • Gender Stereotypes: Movie Analysis

    625 Words  | 2 Pages

    During a review by Vox, of the gender biases in Hollywood that were reported by the data visualization website Polygraph, over 2,000 movies underwent scrutiny in determining why men have more dialogue in movies, even in those that are supposed to be focused on the lead female characters. In what was stated to be one of the largest analyses of script reviews of all time, it was determined that the male characters within the study overrule women in over 78% of the analyzed films. This was concluded through a cross-analysis of character information such as name, gender, and age, with the information reported by the popular movie database, IMDB. The results of their study are astonishing. In the 2,005 screenplays across all movie genres that were reviewed by Polygraph, only two movies were delivered 100% by the lead female character. Conversely, the male dominated list has not only the largest number of results;

    Read More

  • Snow White And Cinderella Gender Analysis

    1427 Words  | 3 Pages

    The media today is overflowing with idealistic representations of modern life; society’s hunger for excellence is reproduced in every detail of the media we consume. Reality, in contrast, is a poor substitute for the fairytale world of film, where good beats evil and stories end with a happily ever after. Arguably, women are often the “victims” of motion picture’s perfect perceptions, and feminism’s persistent test is to challenge these impractical representations. The female princess characters show an example of inaccurate feminine fulfillment.

    Read More

More about Sexism in Film

Open Document