From TV commercials and product placement to billboards and posters, thousands of advertisements bombard the average American every day. To be effective, an ad must attract the consumer’s attention, maintain the public’s interest, create or stimulate desire, and create a call for action. These advertisements can be small enough to fit on a three-inch screen or large enough to cover the side of a building. But no matter what the size, in this world of ever-shrinking attention spans and patience levels, ads have to be efficient in portraying their ideas. In order to successfully depict certain ideas, advertisements rely on shortcuts. These shortcuts usually involve stereotypes. In the media, stereotypes are inevitable because the audience needs to quickly understand information. Stereotypes reduce a wide range of different groups of people into simplistic categories. Stereotypes create realities out of assumptions. Because of this quick method that the media uses to simplify its messages, however, it is assumed that the media relies too heavily on sexist images. What kind of an impact does the constant bombardment of degrading imagery have on an audience? Does it really make a difference on the consumption patterns of the audience?
The concepts of gender and sex, however used interchangeably, have unlike definitions. Sex is a biologically determined factor: one’s body can be male or female. Gender is a culturally determined factor: one can be masculine or feminine. Gender roles are the general beliefs our culture has that constitute gender. Stereotypes in advertising conform to these gender soles.
To be feminine in the United States is to be attractive, deferential, nonaggressive, emotional, nurturing, and concerned with people a...
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...ut images sexist enough to be recognized and garner attention if it may lead to a drop in sales? Research suggests that only advertisements perceived as sexist affect the viewer. And, although a viewer may be offended, they will remember the company’s name. In the world of consumerism, name recognition equals higher general sales, whether unintentional or not it rings true that there is “no such thing as bad publicity”.
Works Cited
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Jhally, S., In Kilbourne, J., Rabinovitz, D., & Media Education Foundation. (2010). Killing Us Softly 4: Advertising's Image of Women.
Common sense seems to dictate that commercials just advertise products. But in reality, advertising is a multi-headed beast that targets specific genders, races, ages, etc. In “Men’s Men & Women’s Women”, author Steve Craig focuses on one head of the beast: gender. Craig suggests that, “Advertisers . . . portray different images to men and women in order to exploit the different deep seated motivations and anxieties connected to gender identity.” In other words, advertisers manipulate consumers’ fantasies to sell their product. In this essay, I will be analyzing four different commercials that focuses on appealing to specific genders.
The word gender refers to a general classification of human beings into male and female with socially and culturally constructed characteristics, behaviors, attributes and roles preconceived and labelled as appropriate for each class. The society and culture today have placed human beings in a box which to a large extent dictates how we act in the world.
Often in advertising, there are images of women that offend some people, who see them as degrading, while others think they are harmless. However, upon a closer examination of the facts we will find that it is truly demeaning and not just a situation propelled out of proportion by ultra-feminists or what some people term “femi-nazis.” Although it is a feminist issue, it is also a family issue. Everyone has a sister, a mother, a grandmother or female friend who could potentially be harmed by being objectified in these ads. This can incite violence against a woman, damaging the woman as well as her family or friends. In Jean Kilbourne’s “Killing us Softly 3,” Kilbourne advances the idea that the advertising industry makes “. . . deliberate choices,” and “. . . tactical decisions designed to sell their particular brands by selling particular brands of femininity . . . undermining the way girls and women see themselves, while normalizing the violence done to them by men” (mef pp 3). Nevertheless, why do people, including women, still till tend to buy from the stores/retailers who advertise in this fashion? As we attempt to answer this question we will look at the biases created by these ads, and their affect on the people who are looking at them. With this evaluation, we shall discover that it is not just feminists over-reacting, but an issue for all humanity with ramifications for women’s rights, health and safety for years to come.
Frith, Katherine T., and Barbara Mueller. "Advertisements Stereotype Women and Girls." Opposing Viewpoints. N.p., 2006. Web. 25 Nov. 2013. .
It can be said, and backed up with facts that in our society, there are certain social roles that tend
The basic strategy of this kind of gender stereotypes is men will ignore the advertisements by paying more attention on woman if the advertiser includes woman’s image, and if they use male photograph in advertisement it will attract more female consumers. Therefore, people will pay more attention on advertisement and then have more possibility to shape positive attitude of that product, or at least, bear that product in mind when they need to consume it (Courtney and Whipple, 1983, p.74). Moreover, it is not only a strategy to attract more consumers, more importantly; it is a method to stand out in a “male-dominated work environment in advertising”, and it challenges the value of patriarchy and “double sex standards” (Fedorenko, 2015, p.476). However, sexy female image are often controversially critique as gender stereotypes of women in advertising. According to Laura Mulvey’s idea of “male gaze”, it points out that female are sexual objects to men to please them in an “erotic spectacle” (1992, cited in Marcellus, 2009). In Sonata’s ad, this woman dresses sexy in order to be a sexual reward, a tool to attract men and accessory of a successful man. This expression of women object to the idea of feminism that has mentioned before, women is independent, and the reason for being sexy and glamour is not to please men and fulfil male’s desire of sex. So, this advertisement provides a negative feeling for women that reinforce the gender stereotypes of women looks sexy in order to satisfy male’s desire of
In conclusion, we can see how everything presented in an advertisement can actually have an impact in the people. Although the company’s target was to sell their product, their way of transmitting the message to the people also fortifies the stereotype. Thus, the media today does abuse the power of stereotyping in order to gain a favorable reputation. Everything they present in the ad, from symbolism to the lifestyle of the characters, race, age and gender, has an effect on strengthening the stereotype. In this case, women are perceived as emotionally drained, weak and incapable, although now a days that characterization is trying to be broken because women are much more than that and can actually get to achieve greater things.
While sex refers the biological characteristics that make up a person, their gender is determined by the behaviors and attitudes considered “proper” by society according to their sex.
In the essay “Beauty (Re)discovers the Male Body,” author and philosopher Susan Bordo discusses the history and current state of male representation in advertisements. While using her feminist background, Bordo compares and contrasts the aspects of how men and women are portrayed in the public eye. She claims that there has been a paradigm shift the media with the theory that not just women are being objectified in the public eye, but also men too. Since the mid-1970s, with the introduction of Calvin Klein commercials, men have started to become more dehumanized and regarded as sex symbols. In a similar fashion to how Bordo describes gender, race plays a similar role in the media. People of all different ethnicities and cultures are being categorized into an oversimplified and usually unfair image by the media over basic characteristics.
The documentary Killing Us Softly 4 discusses and examines the role of women in advertisements and the effects of the ads throughout history. The film begins by inspecting a variety of old ads. The speaker, Jean Kilbourne, then discusses and dissects each ad describing the messages of the advertisements and the subliminal meanings they evoke. The commercials from the past and now differ in some respects but they still suggest the same messages. These messages include but are not limited to the following: women are sexual objects, physical appearance is everything, and women are naturally inferior then men. Kilbourne discusses that because individuals are surrounded by media and advertisements everywhere they go, that these messages become real attitudes and mindsets in men and women. Women believe they must achieve a level of beauty similar to models they see in magazines and television commercials. On the other hand, men expect real women to have the same characteristics and look as beautiful as the women pictured in ads. However, even though women may diet and exercise, the reality...
Advertising surrounds the world every second of the day. This form of influence has had the power to influence how society views gender roles ever since men and women began to appear in advertisements. Through the exposure to many different gender portrayals in advertising, gender roles become developed by society. This stems from how men and women are depicted, which forms stereotypes regarding the individual roles of men and women. People often shift their definition of an ideal image towards what they see in advertisements. From this, they tend to make comparisons between themselves and the advertisement models. Advertisements tend to be brief, but impactful. The different portrayals of men and women in advertising show that advertisements
Women – beautiful, strong matriarchal forces that drive and define a portion of the society in which we live – are poised and confident individuals who embody the essence of determination, ambition, beauty, and character. Incomprehensible and extraordinary, women are persons who possess an immense amount of depth, culture, and sophistication. Society’s incapability of understanding the frame of mind and diversity that exists within the female population has created a need to condemn the method in which women think and feel, therefore causing the rise of “male-over-female” domination – sexism. Sexism is society’s most common form of discrimination; the need to have gender based separation reveals our culture’s reluctance to embrace new ideas, people, and concepts. This is common in various aspects of human life – jobs, households, sports, and the most widespread – the media. In the media, sexism is revealed through the various submissive, sometimes foolish, and powerless roles played by female models; because of these roles women have become overlooked, ignored, disregarded – easy to look at, but so hard to see.
Curry and Clarke’s article believe in a strategy called “visual literacy” which develops women and men’s roles in advertisements (1983: 365). Advertisements are considered a part of mass media and communications, which influence an audience and impact society as a whole. Audiences quickly begin to rely on messages sent through advertisements and can create ideologies of women and men. These messages not only are extremely persuasive, but they additionally are effective in product consumption in the media (Curry and Clarke 1983:
Gender roles are known as specific behaviors and attitudes expected of males and females by society and are imposed through a variety of social influences. Different