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Theory of dramaturgy
Sociological perspectives
Sociological perspectives
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Erving Goffman’s Presentation of Self Claim Erving Goffman was a sociologist who studied and analyzed social interaction. He took special interest in explaining how people live their lives as if they were actors performing on stage. He looked at the world as if he were a “director” seeing what goes on in everyday life. He called this observation of the world dramaturgical analysis. He applied terms to this explanation, which include the concepts of status and role. He referred the “part in a play” as the status, and then the “script” is the role. His claim of presentation of self was used to describe “a person’s efforts to create specific impressions in the minds of others.” Goffman thought that when any individual is around others, they would try to “put on an act” or personify someone as to impress those around him or her. He implied several elements to his theory on self. We all have different performances in which we portray, or as Goffman would say “put on”. Our performances can include several aspects though, not just the way we act around others. The way we dress, the obje...
Dramaturgy is a view of social life as a series of dramatic performances akin to those taken place in a theatre (Ritzer, 144). Much of Goffman’s dramaturgy is concerned with the processes by which such disturbances are prevented and dealt with (Ritzer, page 144). In the Presentation of Self in Everyday Life, Goffman developed a new approach to the sociological study of human interaction, due to a mental health court scenario, of what he referred to as “dramaturgical” because of the analogy it had of the theatre to describe how an individual engages in social interaction with others in a performance (Staton et al, page 5). This performance was a way for actors to influence their audience in a given situation. In the addition of the mental health scenario, age, gender, and race relevant. The human relationships observed in the mental health court was analyzed was theorized so Goffman could explain characteristics of human interactions.
A self-concept is the way in which one think about one’s self and the way in which one sees themselves as a person. In The Great Gatsby, the main character falsifies his identity so elaborately that he completely lacks a sense of self, creating a self-concept that is skewed to many different influences and variable in his life. Adler argues that a self-concept is developed by comparing our “real self” with an idealized view of who one thinks they should be and how they should act. (Paci, Lecture Slides) For the character of Gatsby, this “real self” is not enough to win over his love, and therefore not enough to satisfy him. There are steps required to create one’s ideal self, including a social role, character growth and finally, lifestyle changes. First of all, Gatsby’s ideal self must fit into what is classified as a social role. A social role is a set of connected behaviours, rights, obligations, beliefs, and norms as conceptualised by people in a social situation, and Gatsby accepts his social role when he interpersonally decides that it is the only way to achieve his desires. In Gatsby’s early life, this is an unattainable version of himself so he moulds his identity into an ideal that Daisy approves
The narrator's life is filled with constant eruptions of mental traumas. The biggest psychological burden he has is his identity, or rather his misidentity. He feels "wearing on the nerves" (Ellison 3) for people to see him as what they like to believe he is and not see him as what he really is. Throughout his life, he takes on several different identities and none, he thinks, adequately represents his true self, until his final one, as an invisible man.
As people socialize, they create interactions whose products are influential to act back upon the people to determine or constrain actions. Moreover, social interactions may be likened to a theatre whereby people are the actors as the rest of the people are the audience. These other people actively observe the role-playing and respond by reacting to the performances. However, people’s behaviors tend to change when they are alone as they get rid of the roles they play in front of others.
Goffman, Erving, The Presentation of Self in Everyday Life, Doubleday and Anchor Books, New York, 1959, pp. 34- 44
In his work, Goffman explains that ‘the self’ is the result of the dramatic interaction between the actor and the audience he or she performs to. There are many aspects of how an individual performs his or her ‘self’. One of the aspects of performing the self that Goffman labels as the ‘front.’ The front involves managing the individual’s impression.
He thinks that a man should learn to express himself. Being yourself will help you solve the problems of your life. We need to trust ourselves in order to improve our lives, like all great men have done. Self-reliance stems from deep within our soul, which is the pillar of our personal power and self-respect. This source of all greatness, sets us free from the ego and helps us to transcend through the ideals of love, truth and justice; some people call this “the moral sense”.
“a person does not ‘inhabit’ a static object body but is subjectively embodied in a fluid, emergent, and negotiated process of being. In this process, body, self, and social interaction are interrelated to such an extent that distinctions between them are not only permeable and shifting but also actively manipulated and configured”
On the topic of gender, he believes that we are constantly trying to give the best impression of our gender, and we form our gender on a daily basis. Goffman calls this “impression management.” He also believes that our identity is formed through our day-to-day interactions, so if someone was to question my gender (which has happened in the past), then I would, in turn, question my gender. Though I believe that at least some part of what Goffman is saying is true, authors Don Zimmerman and Candace West argue against his theory. In their collaborative work “Doing Gender,” the authors present the idea that others’ opinions of an individual’s gender, and which gender they see that individual as has nothing to do with one’s display of
How we perceive ourselves and how others perceive us. Throughout the interview I knew that the way I interacted within the group would determine whether or not I would be able to study as a student nurse. Subsequently, I wanted to appear socially desirable. Therefore, I believe there was a distortion of self-image because the interview was very important to me. Using Goffman 's theory of self (1959), the 'social mask ' I put on during the interview, could be seen as 'performance ', '...the term ‘performance’ refers to all activity of an individual in front of a particular set of observers, or audience... ' , I wasn 't my: bubbly, hyper self, I felt I had to keep this hidden as I was in a professional environment. Therefore, Johari 's window demonstrates mundane realism, because my self-image did change. My bubbly, hyper personality which is usually 'open/public ' was now 'Hidden/private '. However, Johari 's window see 's self-awareness constructed by the individual alone, which makes the theory over –simplified and not interactionist as it only considers 'nurture ' factors impacting on an individual’s self-awareness, when in reality it’s a combination of biological/genetic and social factors (nature nurture). Therefore the theory is reductionist as it over simplifies human behaviour. Although Johari 's window doesn 't give a holistic reflection for my own self-awareness and communication, the fact I can identify this as a result of using Gibb’s model means that I have a rounded analysis of my interviewing
In this essay we will critically evaluate Erving Goffman’s work on stigma and social interaction. Before we start evaluating Goffman’s theories let us first understand what both the terms actually mean.
Goffman, E. 1959. The presentation of self in everyday life. Garden City, NY: Double Day
Humanity is defined by one major factor: one’s understating of the self. By understanding one’s self, one can understand society and the world that surrounds themselves. There is one thing that can often distort one’s personality, one’s identity. By identifying as one thing a person can often change how they act or do certain things. This is often found to hide one’s true motives or intention, but it can also be used to hide hidden factors that aren’t as prevalent. One’s personality and identity are very closely linked, and tend to play off one another. This fact can be show in within multiple works. To name a few authors who demonstrate this fact: Clifford Geertz, Horace Miner, and Andrei Toom. Their works seek to dive deeper
Erving Goffman uses a dramaturgical perspective in his discussion of impression management. Goffman’s analysis of the social world primarily centres around studies of the self and relationship to one’s identity created within a society. Through dramaturgy, Goffman uses the metaphor of performance theatre to convey the nature of human social interaction, drawing from the renowned quote “All the world’s a stage and all the men and women merely players” from Shakespeare’s ‘As You Like It.’ Much of our exploration of Goffman’s theories lies within the premise that individuals engage in impression management, and achieve a successful or unsuccessful performance. Impression management refers to the ways in which individuals attempt to control the impression that others have of them stemming from a basic human desire to be viewed by others in a favourable light. Goffman argues that our impressions are managed through a dramaturgical process whereby social life is played out like actors performing on a stage and our actions are dictated by the roles that we are playing in particular situations. In a social situation, the stage is where the encounter takes place, the actors are the people involved in the interaction, and the script is the set of social norms in which the actors must abide by. Just as plays have a front stage and back stage, this also applies in day-to-day interactions. Goffman’s theory of the front and back stage builds on Mead’s argument of the phases of the self. The front stage consists of all the public and social encounters with other people. It is similar to the ‘me’ which Mead talks about, as it involves public encounters as well as how others perceive you. Meanwhile the back stage, like the ‘I’, is the time spent with oneself reflecting on the interactions. Therefore, according to Goffman’s dramaturgical
(“The Interactionist Perspective.”) In regards to gender, characteristics of masculinity and femininity are a part of daily interactions. Symbolic interactionists believe gender identities are performed rather than assigned. According to the sociologist Erving Goffman, people will “attempt to control the perception of one’s own image. In society, men and women are expected to act in a way that represents their gender. In the event that a man is not perceived as masculine or a woman is not perceived as feminine, their social standings will reflect this perception. (“The Interactionist