"My Children are black. They don't look like your children. They know that they are black, and we want it recognized. It's a positive difference, an interesting difference, and a comfortable natural difference. At least it could be so, if you teachers learned to value difference more. What you value, you talk about.'" p.12 The things that Mrs. Hawkins says to Mrs. Paley are things that really stuck out to me. I think that if Mrs. Paley had thought more about what Mrs. Hawkins said to her in the
The Big Sleep - Characterization of Vivian and Carmen in the Movie and the Book The characterization of Vivian and Carmen changes drastically depending on whether you are reading the book or watching the movie. The production code forces the women in the movie to become more socially acceptable-Carmen was not crazy and Vivian was not blatantly seductive. Changes that the production code forces on the characterization of the women causes the movie to be somewhat lack luster. The
Mike Nichols' Film, Wit In the film Wit, directed by Mike Nichols, Emma Thompson (Vivian Bearing) is portrayed as a woman professor who had dedicated her life to teaching and studying John Donne and his sonnets. She was about 48 years old and was diagnosed with stage IV ovarian cancer. This film showed us some of the hard decisions that Vivian had to make such as when she agrees to the radical and painful chemotherapy. The film showed us the changes she went through like in her body and mind
seductive in detail, controlled in tone, and cohesive in structure. In contrast, the passage immediately following can be seen as a conversation between Eliot and his wife, Vivian, who slowly went insane throughout the course of their marriage. Unlike the passion of Antony and Cleopatra, Eliot's love for Vivian was hopeless and without power. This middle passage of section two is Spartan in detail, distressed in tone, and disjointed in structure. The last part of section two, which
Angelou's works- self- acceptance, race, men, work, separation, sexuality, and motherhood. However, Angelou uses the latter to provide "literary unity" (Lupton 7-8). Maya Angelou was born Marguerite Annie Johnson on April 4, 1928, to Vivian Baxter and Bailey Johnson. After three years her parents divorced, and both Maya and her older brother Bailey, were sent to Stamps, Arkansas. Once in Stamps, the children were cared for by their paternal grandmother, Mrs. Annie Henderson
is about an English professor, Vivian Bearing, that is diagnosed with terminal ovarian cancer. Her oncologist, Dr. Kelekian, tells her that she needs to undergo an aggressive trial treatment. Vivian Bearing agrees to go through the treatment, although she does not completely understand the toll it will take on her mentally and physically. As she goes through the treatment she ends up having one of her previous students, Dr. Poser, as one of her doctors. During Vivian Bearing’s treatment the patient
Dunaway playing the femme fatale Evelyn Mulwray. This film breaks all types of norms when compared to the hard-nosed detective films it is modeled after. The film is filled with allusions to the Big Sleep, especially taken from scenes of Marlowe and Vivian. Chinatown has formal elements indicative that it is going to be in the style of traditional Film Noir hardboiled detective, until you examine the characters' personalities next to the story content. The end of the ChinaTown has a major change
Julia Robert’s and Doris Day’s characters, Vivian and Jan, respectively, are strong women in their films. They both contain quite a few characteristics such as boldness, confidence, and intelligence that make them very attractive and desirable to their male counterparts. While their professions are quite opposite, the women are similar in their personalities. Jan is an interior designer and her history with men is not troublesome or lacking, but like Vivian, the prostitute, she finds that men are sometimes
The Simplicity of Raymond Chandler's The Big Sleep Raymond Chandler would like us to believe that The Big Sleep is just another example of hard-boiled detective fiction. He would like readers to see Philip Marlowe, Vivian Regan, Carmen Sternwood, Eddie Mars, and the rest of the characters as either "good guys" or "bad guys" with no deeper meaning or symbolism to them. I found the book simple and easy to understand; the problem was that it was too easy, too simple. Then came one part that
The lady that appears after the first 100 pages of the book turns out to be Vivian, Grant’s secret lover. Grant and Vivian take a walk and after their walk they visit Grant’s aunt, aunt Emma. Aunt Emma and her friends are very fond of Vivian and they give her many compliments. Aunt Emma, and the reverend go to visit Jefferson and they find that Grant’s previous account of Jefferson’s recovery was lie; Jefferson still eats and behaves like a “hog';. Aunt Emma and the
fiction that was read by a large populace. So, with this knowledge, I expected my experience with the 1946 film version of The Big Sleep to be less than stellar. As I watched the film version, one glaring difference stood out; the romance between Vivian Reagan and Phillip Marlowe which did not exist in Chandler's book. Overall, there is a clear difference in the treatment of Marlowe's reaction to womyyn. "Shot during wartime, the film turns the draft induced "man shortage" into a satyr's fantasy;
Carmen and Vivian, respectively, highlight his use or misuse of the typical female stereotypes in, The Big Sleep. From the initial physical description that Chandler gives, the reader can quickly see that the women are complete opposites. Carmen lacks color and does not appear to be healthy while Vivian is "worth a stare" (17). Carmen has sharp predatory teeth while Vivian has, "hot black eyes" (17). Chandler characterizes Carmen as the petite, helpless female who needs protection. Vivian, on the
girl of a lower social status moves up to join the man at his level. Vivian Ward (Julia Roberts) in Pretty Woman comes from a small town in Georgia, and works as a prostitute on the streets of Hollywood to support herself. Although Vivian's social position is very low, she has a strong sense of personal dignity and independence. Even though sometimes she have to stand by the street with empty stomach to wait for clients, Vivian and her friend Kit still keep themselves from the control of pimps, and
characters that do not appear in Raymond Chandler's novel. No rare bookstore trist, no rough and ready female cabdriver, no winking cigarette girl grace the pages of his book; Marlowe and Vivian never talk of horses; and Carmen's always naked. But not in the film. In the film, she wears clothes, Marlowe is a jockey, Vivian is a horse, and all these characters appear. Faulkner, Brackett, and Furthman write these elements into the screenplay. But they do not develop ideas the text does not already suggest
Similes in The Big Sleep In response to Raymond Chandler's The Big Sleep, I have just one question. Why all the similes? There isn't a single page in the novel that doesn't display this annoying literary device. Everything is "like this" or "like that." It never ends! Similar to decoding a secret message that isn't difficult to understand, but nevertheless tiring due to the overwhelming amount of messages, the novel is frustrating to read. The following analysis acknowledges Chandler's
Grant going up to the jail and talking to Jefferson, showing him that he is a man. Tante Lou is Grant’s aunt. She is the person who raised Grant to be the good, kind person that he is. She is also the one who talked Grant into talking to Jefferson. Vivian is Grant’s girlfriend; she is Grant’s encouragement. Whatever problems he has, he always talks to her about them and she makes him feel better, and helps him through them. Summary: This story is about racism in the south and how it affects the people
Vivian Bearing is a literary professor specializing in the sonnets of John Donne who is dealing with cancer. She is the personification of wit, a major theme in the play as the title suggests. Her formal behavior exhibits this characteristic in her refined
In Margaret Edson’s W;t, Vivian Bearing, a renowned professor of seventeenth-century poetry, struggles with her diagnosis of stage-four metastatic ovarian cancer. During Vivian’s time in the hospital, two of her main caretakers—Susie, her primary nurse, and Jason, the clinical fellow assigned to her—have vastly different goals for the procedure. The juxtaposition of Jason and Susie, whose values and approaches to life drastically differ, shows the progression of Vivian’s character from one who values
dictionary a play is a dramatic composition or piece performed on stage, and describes a movie as a recording of moving images that tells a story and people watch on a screen or television. The play and the movie are based on a female Literature Professor Vivian Bearing, who finds out she has terminal ovarian cancer. As she receives experimental chemotherapy as a treatment for her cancer, her final days turn into a journey of reflexion, where she discovers the person she really is, and the impact her personality
The Movie "Wit" In the movie Wit, English literary scholar Vivian Bearing has spent years translating and interpreting the poetry of John Donne. Unfortunately, she is a person who has cultivated her intellect at the expense of her heart. Both colleagues and students view Bearing as a chilly and unfriendly person lost in her private world of words and mysterious thoughts. At the age of 48, she is diagnosed with stage-four metastatic ovarian cancer. Dr. Kelekian wants her to take eight high-dose