MacBeth versions comparison essay There are many differences between interpretations of William Shakespeare's MacBeth. This essay wall contrast Shakespeare's original version and a movie version by Roman Polanski produced in 1970. Three major differences will be discussed. One difference between Shakespeare's and Polanski's version is the absence of the scene in England in Polanski's version. In the Original MacBeth, MacDuff goes to England to convince Malcolm to return and fight MacBeth. The
following her husband Lot on his departure of their native town Sodom. Sodom was a town that God destroyed, yet he granted Lot and his wife permission to flee the town before this occurrence. Wislawa Szymborska and Anna Akhmatova offer different versions and perspectives on the same story. Each of the authors use different elements of poetry to create two very unique poems that have several similarities as well as many obvious differences. These two different poems are mainly different because of
Film Versions of Shakespeare Comedies Shakespearean plays are complex, intricate pieces of work in which a diverse range of interpretations and readings can be made. This is particularly true of his comedies, where the light-hearted humour is often offset by darker, more serious undertones. In adapting these comedies it is for the director – in the cinematic context – to decide how to interpret the play and which elements are privileged and which are suppressed. This variance in interpretation
Comparing the Two Versions of To Build a Fire "I am absolutely confident that beyond the motif itself, there is no similarity of treatment whatever" (544). Jack London, writing in December 1908, was responding to an inquiry from the Richard W. Gilder, editor of Century Magazine. Gilder, having just published "To Build a Fire" in his magazine, was worried when he came across another version published 6 years earlier. London's explanation was that the first story was for boys and the new one was
information. The print version organizes the newspaper with pictures from various sections located at the top, side, and bottom in order to draw the reader in to the articles and advertisements. The online version is very to the point in its content in the fact that the Southeast Missourian does not have to sell the online version to the public or subscribers, this is seen online with minimal advertisements that deal directly with the surrounding area . With the unappealing online version having only a basic
Perrault and Robinson Versions of Puss in Boots Puss in Boots, like many folk and fairy tales is found in varying versions of the same story. Two of the many versions of this tale which are still told today are the classic version by Charles Perrault and one retold by Harry Robinson, an Okanagan Native Storyteller. Robinson's version was recorded and then transcribed and may be found in 'Write It On Your Heart - The Epic World of an Okanagan Storyteller.' This paper will examine and compare
A Comparison of Two Versions of The Big Sleep The Production Code attempted to censor sex and violence in film of the 1930's and 40's. Instead of impairing, it encouraged directors to use artistic ideas and integrity to surpass the viewers' expectations -- actively involving them in the film despite Hollywood's censorship. Howard Hawks is one such director who used the restrictions of the Production Code to his advantage. His screen adaptation of the Raymond Chandler novel The Big Sleep
Significant Images in the Grimms’ Version of “Rapunzel” “…the witch took her to the middle of the forest and shut her up in a tower that had neither stairs nor door, but only a little window at the very top.” (p. 74) A feeling of suspense is instilled just by reading this single line in “Rapunzel” by Jacob and Wilhelm Grimm. Elements evoking emotion in a story, such as suspense, increase the degree of entertainment thereby enhancing quality and enjoyment factors. This story is both superficially
“The King James Version has become so sanctified by time and use that to many people it has come to be regarded as the Bible.” Our English Bible James I was born in 1566 and died in 1625. He belonged to the House of Stuart along with all the other Kings of Scotland and a few from England. James I became the King of England when Elizabeth I, his cousin, died. This happened in the year 1603. When he took over the English throne, he was also the King of Scotland and ruled under the name of King James
Compariing Three Versions of Chaucer's Pardoner's Tale One of the interesting things about the works of Chaucer is the amount of difference one can find between the different manuscripts of his work. I thought it would be interesting to look at the difference between two manuscripts, using the transcriptions available in the Chaucer Society Specimens of all the Accessible Unprinted Manuscripts of the Canterbury Tales. I found a copy that has comparative versions of the manuscripts assigned
and early 21st century. Film versions of Othello made since the 1960s reflect our time's preoccupation with race. This paper will look at several film versions of Othello in this light. Filmed versions of the drama--directed by Orson Welles (1952), Stuart Burge (1965), Oliver Parker (1995), Tim Blake Nelson (2000), and Geoff Saxes (2001)--visually boost or minimize the race factor in the story, subject to the political ideas of their time. In the first Hollywood version of Othello (1952), directed
Newspaper designers have a huge canvas to play with. Their designs can be striking and yet intricate and pack much more impact than a web page; especially because the entire double-page spread is in-your-face in a fraction of a second. Wham, here's the news. The page in the figure is a great example of the possibilities in print: a large, high-resolution map sets the stage for a story about Chile and does double duty as an information graphic for several data nuggets. More data is visualized in
Kenneth Branagh's Versions of Hamlet Modern day directors use a variety of methods to hold ones interest. Ethan Hawke and Kenneth Branagh’s created versions of Hamlet that shared some similarities, but ultimately had many differences in respects to an audience’s appeal. An appealing movie is one that has an alluring ambiance and an intellectual stimulus. With these two movie versions, a setting and a mood forced an audience to acquire specific emotions, but Ethan Hawke’s version generated emotions
My Cinematic Version of Macbeth In filming my own version of Macbeth, I would choose a traditional route to capturing the essence of Shakespeare’s classic. In keeping with Shakespeare’s idea, I would film the piece in the great lands of Scotland. Using one of the famous castles of the land, I would make the time period somewhere around the 11th century. This means that things will be a little primitive, but historically correct. A re-occurring theme in Macbeth is death so the time of year
Baz Luhrman´s Version of Shakespeare's Romeo and Juliet One of the characteristics of Elizabethan and also Jacobean drama is the low number of stage directions and the lack of details they contain. As a logical consequence theatrical representations or film versions of these ages may allow an important quantity of freedom in the performance. In other instances stage directions and other important theatrical elements are consciously left aside in order to create totally different visions of the
The Film (Movie) Version of All Quiet on the Western Front In the movie "All Quiet on the Western Front" we see the boys almost innocent as they sit in class. The teacher in this scene is pressuring the boys to go to war. He preaches that it is their "duty" to fight. The teacher seems very pushy and strict. He is especially strict with Paul, the main character in the movie. In this particular scene, Paul is drawing a picture of a bird. In Paul's family they are glad that
Comparing the Text and the Two Filmed Versions of Jane Austen's Emma After reading Jane Austen's Emma, then viewing the BBC production and Miramax films based on the novel one can understand why most authors are horrified over the translation of their novels into film. The two film versions are quite different from one another, but both take such liberties with the original text as to wonder why the film makers of each even bothered with Austen's work. The BBC production encompasses more of
An Analysis of Feminist Themes in Jane Eyre and its Film Versions Concern for women's rights dates from the Enlightenment, when the liberal, egalitarian, and reformist ideals of that period began to be extended from the bourgeoisie, peasants, and urban laborers to women as well. As did most interest groups of the time, feminists gained force and stability through its writing. The period's blossoming ideas concerning women's rights were fully set forth in Judith Murray’s On the Equality of the
in the Play and Movie Version of Hamlet In the 1990 version of Hamlet starring Mel Gibson, Laertes is portrayed in a very poor light. He seems to have no redeeming qualities whatsoever. At certain points during the written play, Laertes's actions may be taken entirely differently than they are conveyed in the movie. In the film version of Hamlet, all of Laertes's negative aspects are much more pronounced. As presented in the movie, Laertes is a sore loser. The text version of the play has Laertes
Foreign and English Translations and Versions of Beowulf From 1805 until the present there have been introduced an abundance of paraphrases, translations, adaptations, summaries, versions and illustrations of Beowulf in modern English and in foreign languages due mostly to two reasons: the desire to make the poem accessible, and the desire to read the exotic (Osborn 341). It is the purpose of this essay to present a brief history of this development of the popularity of the poem and then compare