Unspoken Comparison in Tacitus's Germania Tacitus's Germania is a thoroughly itemized ethnographic text detailing the geography, climate and social structure of Germany and its people. Unlike his Histories and Annales Tacitus doesn't offer a story line to be followed, but instead, he nudges forth an unspoken comparison to be made between two cultures. Each of the Germania's 46 passages deals with a particular area of German civilization among which Tacitus develops a two-tiered theme. The two
disappointment and grief at each other until the arrival of stranded travelers (the angels Monica and Andrew) give Betsy and Bud the chance to tell their stories separately to a compassionate listener. It's not long before the underlying problem surfaces-the unspoken issue that stood between them since accepting the Omaha job: that the only child they'd ever conceived was "lost" shortly before moving there. When Betsy learned of this pregnancy, she spontaneously bought a little baby jumper. Bud reacted negatively
speaker/viewer - just the kind of voice which the newsreader is rejecting. * A newsreader would never really reveal his or her prejudices directly to the viewer in this way. So what the newsreader 'says' in this poem perhaps needs to be seen as the unspoken message (or sub-text) of the way the news is presented. Try re-writing the same poem in Standard English. Would it carry the same trooth? Structure and Language Structure The poem is carefully written in a phonetic version of the Glasgow
age group with whom I have conversed, seem to share a liking for the works of Dali. He seems to appeal to this particular group in a way most other artists don’t. In this study, I intend to investigate the reasons behind this collective, yet mainly unspoken admiration for his work, through the analysis of some of his most famous and most popular works. I will try to find out what it is exactly which appeals to this age group, and why it appeals to them. Why does Dali have such an appeal for adolescents
always open when my brothers and I were in the front playing. We had to use the small door that only one car could fit through. It was the perfect size for the goal. Of course the oldest one would always come up with the rules, it itself was an unspoken rule. Jason had come up with some weird and out of this world rules. I do not remember all of them. One that sticks out the most was whoever was the goalie; they had to get the ball if it went onto the street or out of bounds. The ball we had played
I was beginning my freshman year at Oakmont Regional High School in Ashburnham, Massachusetts. Ashburnham Massachusetts is the stereotypical image of the small New England town. Its boundaries are drawn not by geographic limitations but by the unspoken societal messages that all students are exposed to at some point during their educational experience. "Dress a certain way, don't ask too many questions, don't ask the wrong questions, always follow the directions, etc…" Most of the incoming freshman
illustrates the power of the unsaid within New York society during the 1870’s, the time in which The Age of Innocence was set. At that time, there existed a powerful set of rules, regulations, and codes pertaining to one’s conduct that were most often unspoken and, therefore, were never “formally” outlined. However, this did not in any way lessen the degree to which these standards were adhered to, and, thereby, upheld as if they were carved in the same stone as the Ten Commandments. Because New York Society
rebelled against the respect older Southerners held for the land and tradition, although each rebelled for different reasons. As a sharecropper on Zack Edmonds' farm, Lucas displays his pride in his connection to Carothers McCaslin in a subtle, often unspoken manner. Yet this pride always exists parallel to his defensive pride in the black blood mixed with that white blood. Lucas credits the blood of Carothers in him as the source of the courage he needed to confront, and attempt to shoot, Zack Edmonds
in productivity, time, and money. Throughout this research my finding is that it's to the company's best interest to provide a clear policy on sexual harassment. The issue of sexual harassment has been encountered by women and it has been the unspoken tabu for many years. Sexual harassment wasn?t uncommon in the workplace women were known to be sexually harassed. Sexual harassment was common by male coworkers and supervisors. As women joined the workforce that was dominated by men sexual harassment
secret society was called Mafia after the Arabic word for refuge. The society's intentions were to create a sense of family based on ancestry and Sicilian heritage. In the 1700's, pictures of a black hand were distributed to the wealthy. This was an unspoken request for an amount of money in return for protection. If the money was not paid, the recipients could expect violence such as kidnappings, bombings, and murder. By the nineteenth century, this society grew larger and more criminally oriented.
The world of comics enables comic-artists to create a whole other dimension of consciousness. The scale of emotions is enormous, allowing complete freedom for the comic-book drawer to paint a world of new understanding. As coming-of-age memoirs, Persepolis I and Persepolis II tell the story of Marjane Satrapi’s struggle to realize her true self in a world torn apart by civil unrest. Marjane Satrapi’s minimalistic drawing style enables the books Persepolis I and Persepolis II to convey the gruesome
The Pentangle in Sir Gawain and The Green Knight When writing, never explain your symbols. The author of ``Sir Gawain and the Green Knight'' dropped this unspoken rule when he picked up his pen. Why? The detailed description and exposition of the pentangle form the key to understanding this poem. By causing the reader to view Gawain's quest in terms of the pentangle, the narrator compares the knightly ideals with the reality of Gawain's life. The narrator uses the pentangle to promote the knightly
proper atmosphere of a play. Without the development of the proper atmosphere through directions from the author, the whole point of the play may be missed. Words definitely do not tell the whole story in Trifles - the dialog only complements the unspoken. Susan Glaspell tells us her vision of the Wright's kitchen, where the action of her play "Trifles" takes place, through stage directions. She paints a gloomy picture of this center of activity. The kitchen is described as being in disorder
opposed to forbidden automobiles. They also shun electricity, by using fire lit lanterns, radio and any other modern electronics that will jeopardize delicate lifestyle. In this effort, their lives are quiet, slower, and religious to the unseen and unspoken media and scenery to foreign culture. However, instead the Amish get their messages across by telegram, daily journals, by foot or bicycle as opposed to telephones. They have worship in their homes as well as church. Amish are trilingual, Pennsylvania
The Integrity and Strength of Huckleberry Finn When one is young they must learn from their parents how to behave. A child's parents impose society's unspoken rules in hope that one day their child will inuitivly decerne wrong from right and make decisions based on their own judgment. These moral and ethical decisions will affect one for their entire life. In Mark Twains, Adventures of Huckleberry Finn, Huck is faced with the decision of choosing to regard all he has been taught to save
forces people to swallow idealized conceptions of how life should be. The whole song centers on the idea that humans, either through their own fallibility or through society's relentlessness, easily and obliviously mold their lives according to the unspoken standards they set on themselves. The result is a shallow, artificial, "fake plastic" living that perpetuates itself and destroys uniqueness. The first two verses, which reveal the tragic consequences of pretense, evoke feelings of despair and
superiority; through the belief of male superiority relationships are stressed because males constantly need to prove that they are better then females. This stress causes problems within marriages and affects the domestic life of husbands and wives. The unspoken problem between the sexes causes tension and affects thoughts shown within internal monologues more then it directly affects events. Men in this novel need sympathy from the women in order to prove their superiority because by getting sympathy from
Gene Hackman's voice: "Death ends a life. But it does not end a relationship." This film takes that simple fact and uses it to make a poignant and ultimately tragic statement about parents and children, life and death, and all the words that go unspoken. The man is played by Melvyn Douglas, and Hackman plays his son, and the film is about the fierce love they bear for each other, and about their inability to communicate that love, or very much of anything else. The story takes place at a time when
The Friday Everything Changed by Anne Hart The Friday Everything Changed” written by Anne Hart describes how a simple question challenges the unspoken rule, the tradition and in the process, bringing people closer together. We are introduced to Alma Niles, a girl who is well-liked among her peers. She was the one who triggered this exciting revolution. Joined by many other girls such as Minnie Halliday and Doris Pomeroy. These girls rose against tradition and decided to defy the rule: That
Morpheus Held Him” The relationship between a father and son stems from an unspoken competition in many countries. Whether it is a physical or mental rivalry the superior role slowly transcends on to the son as he grows into a man. In Brad Manning’s short story “Arm Wrestling With My Father,” and Itabari Njeri’s “When Morpheus Held Him,” both contain admiring sons and impassive fathers. Despite both stories similarities in unspoken emotions they differ in the aspect of their physical relationships. This