A seemingly traditional approach towards the Western frontier is the reason for John Cawelti's assessment from The Six-Gun Mystique. His description of the Western formula being 'far easier to define than that of the detective story'; may clearly be a paradigm for many authors, but not particularly for Stephen Crane. The standards Cawelti has set forth for a successful Western is quite minimal by thought, but at the same time relevant. Crane signifies a different perspective to these standards. Crane's
The Western Lawman The west was filled with various characters ranging from cowboys, bandits, bar owners, and ultimately the law. The different attitudes towards men of authority during the western era can be seen through the national radio show of Gun smoke. The knowledgeable, caring, and just sheriff of Dodge County named Matt Dillon portrays many societal roles as he is faced with perplexing situations. Through three episodes of Gunskmoke, the reoccurring theme is that Matt Dillon is the
In the late nineteenth century the expansion to the west increased the American culture. Since population was growing they needed to satisfy demands equally for every person. The idea of Manifest Destiny was used as a justification for the expansion and westward movement. Natives Americans were against the thought Americans had about the West. As a result Americans put a number of policies that helped remove the Natives Americans of the West. Americans were trying to destroy the culture Natives had
The Western Subjectivity Thought Since modern times subjectivity thought has been one of the fundamental contents and the significant achievements of western philosophy. It is faced with many difficulties in its development process and has been declared to "have died", but I think that it indeed still has bright prospects of development. 1. Historical Development of Western Subjectivity Thought The word "subject" comes from the Latin word " subjectum ", which means something in front,
A Western Hero in Shane The western genre plays an important part in the mythologising of American history. The way the western genre and particularly the western hero are put across in such films as Shane, are most likely not how real life in the 1880s was. In Shane the hero arrived on horseback, he was confident, handsome and managed to charm the female character, Marion, almost immediately. Typically, throughout the film the mysterious gunslinger was wearing a cowboy hat and a holster
Ever since the early 20th century, there had been several attempts and experimentation in creating a new genre of cinema known as the Western. The first well-known Western movie The Great Train Robbery (1903), while not necessarily being the first ever Western, it is by both film historians and theorists definitely considered the pinnacle of the genre, that got it all started and that would be the first step in creating others similar to it, but also very different. Because it was still an unknown
affairs back to its roots. Tracing today’s occurrences back to their origin is possible due to the fact that the agents’ (nations) origins are known. Having understood that the world has taken the form it has through the domination or imperialism of Western countries, it is said that they are the agents that have greatly influenced the world; their ideologies in addition to their political as well as economic influences have spread across the globe through time (Headrick, 1981). In order to understand
the Western Schoolhouse "School-Teacher Wanted: One room schoolhouse seeks a young, single white woman who is willing to leave her sheltered life and come teach twenty to thirty classes a day, for a variety of students ranging in ages from five to twenty-two. Teacher must be able to perform with inadequate teaching materials and minimal funding for her salary and for the maintenance of the school." If you fit these qualifications, you would've been a wonderful addition to the old Western schoolhouse
The Western Blindness to Non-Western Philosophies Western philosophers still tend to think that philosophy, in a sense that they can take with professional interest, does not exist in non-Western traditions. To persuade them otherwise would require them to make an effort that they prefer to evade. I attempt to begin to persuade them by closely paraphrasing a few arguments by the early Chinese philosopher Chuang Tzu and a few by the Indian skeptic and mystic Shriharsha (about 1150 CE). One of Chuang
Heroes in Western Film In the genre of western films, the hero plays a key role. Humanity portrays civilization overcoming the hostile country (Miller 66). In many films the American civil war is over, and people have turned their attention to more constructive pursuits. Battling nature to progress America's future, rather than each other. In between this wild country, fraught with danger and corruption lies the role of the hero. A hero is an individual with exceptional skills and through his
The Western world, otherwise called the West and the Occident, is combined of many different diverse countries and cities, including Rome, Greece, Jerusalem, and many more. The ancient western civilization was the development of the European people in the hunter-gatherer societies that first started to organize agricultural societies. Western human advancement is beneficiary to prior developments that were created out of the Mediterranean area. The idea of the Western area is its origins during the
The Western as a Genre John Ford’s Stagecoach (United Artists) has been hailed as the official Western Classic. Released in 1939 after the lull in production of Westerns caused by the advent of sound and The Great Depression during the mid 1930’s, it is considered one of the key films that helped revived the A-Western in the 1940’s prior to WWII. Stagecoach has the classic Western recipe. The main staple of that recipe in Stagecoach were authentically dressed cowboys and town folk, the dress
who draws first is the question? This grand showdown was produced by one of the best western directors in the game. His name is Sergio Leone. Sergio Leone combined the smallest and largest details to create a “spaghetti western” movie. The so called “Spaghetti western” film that I will be focusing on will be, Once Upon a Time in the West. I found that Leone is very precise with his facts about the historical western era plus his ability to put us in the setting of the film. Leone demonstrates in this
Most of the early music that we have today still in print is primarily sacred music. This music, for the most part, is in the form of sections of the Mass, such as the Gloria, Kyrie and Agnus Dei. Most people of the Middle Ages were poor peasants who worked all day for meager wages and had no idle time lounging the way the upper classes did. Therefore, there are few extant secular compositions of music from this era. The rise of a new middle class, however, gave financial freedom for some people
The film genre of the Western has long since proven to be more about the conflict and showdowns that occur in the storyline. Usually the western genre incorporates traditional western motifs and icons and adheres to those common plot structures of the genre, but Brokeback Mountain is different from what is to be normally expected because it does not seem like a traditional and conventional Western film at all. Brokeback Mountain has several different twists to it, like the more modern take on it
be like before actually watching it. For example, the Western genre is set in the American frontier often centering on the life of a cowboy armed with a rifle who rides a horse and fights a gunslinger or bandit. Western genre is one of the oldest, most endur¬ing and flexible genres and one of the most characteristically American genres in their mythic origins (Goodykoontz & Jacobs, 2014, Sec 4.2, p. 81). This paper will focus on the Western genre, specifically the film The Wild
The Western Frontier The western frontier is full of many experiences that changed the frontier. Each significant event has an important role on the shaping of society and way it influenced a new nation. Each author brought a new perspective and thought process to the western experience which either contradicted Turner or supported his theories. The frontier ideas that interested me include topics such as trading frontier, farming frontier, nationality and government, and the neglecting of women
Traditions in Chinese culture are long-rooted and are taken very seriously from generation to generation. However, there must always be room for modern change in order for society to grow and strive across the globe. In Bound Feet and Western Dress the conflict between Chinese traditions and modern change arises. With this conflict it is important to discuss the different meanings of liberation for men and women and they way in which Chang Yu-I was able to obtain liberation throughout her life
varies from location, religion and culture. How western cultures view the body and how the body is treated (our body and others) are different from how non western cultures view and treat bodies. We can see the differences in the western and non western bodies in such works as Anne Fadiman’s account of a Hmong child in America and in articles like Genital Surgeries: Gendering Bodies. Along with the many differences between western and non western thoughts there are also several similarities. Especially
Hollywood Westerns essentially focus on the concept of bringing the law to the lawless and for movie goers, it has been said, that the best Westerns were the movies that moved, not only from a physical action standpoint, but also in terms of moving an audience emotionally. It was this engaging combination that garnered the most satisfaction and praise from movie-going audiences. Most film scholars believe the first Western to be ‘Cripple Creek Bar Room’ (W. Dickson’s 1898 tableau). To understand