Indian family, Salman Rushdie's cynical novel The Moor's Last Sigh laughs mischievously at the world and shivers from its evils. Weaving a tale of murder and suicide, of atheism and asceticism, of affection and adultery, Rushdie's exquisitely crafted storytelling explains the "fall from grace of a high-born crossbreed," namely our narrator Moraes Zogoiby, also known as "Moor." At the centerpiece of this odd and captivating tale stand the embers of Moor's family: a complex web including a ridiculed political
Neocultural deconstruction, Marxism and Sartre’s absurdity T. J. Czeizinger, Jr., M.A. 1. Pynchon and capitalist constructivism “Society is used in the service of hierarchy,” says Derrida; however, according to von Ludwig[1] , it is not so much society that is used in the service of hierarchy, but rather the futility, and thus the meaninglessness, of society. Therefore, if Sartreist absurdity holds, the works of Pynchon are empowering. In the works of Pynchon, a predominant concept is the distinction