Hollywood Essays

  • A Comparison Of Hemingway And Hollywood

    1638 Words  | 4 Pages

    Hemingway and Hollywood "I try, when I'm writing a screenplay from somebody's original work, to be as faithful to it as I can be, within the limitations of a screenplay and remembering that the novel medium and the screen medium are entirely different" -Screenwriter, Casey Robinson, (Laurence 12). Hollywood attempted twice, but it still could not produce a film adaptation of A Farewell to Arms that Hemingway considered to do literary justice to his classic novel. The first effort

  • Hollywood - Lies and Misrepresentations

    988 Words  | 2 Pages

    Hollywood - Lies and Misrepresentations In Hollywood, many filmmakers portray a distorted view of the Internet. Filmmakers do this by giving out misinformation on topics (i.e. Sharks-Jaws, Internet-The Net) that the public knows little about. When people know little about a specific topic, they begin to fear that issue. People fear the movie because they shut down their brain and tune into their senses, completely letting go of common knowledge. The public does not like to think about the movie

  • Stereotypes In Hollywood Movies

    1083 Words  | 3 Pages

    Hispanics, Asians, and African-Americans in Hollywood Movies Writers and directors are two of the most important positions playing decisive roles in successful movies. While writers are responsible for writing the script, directors are in control of the whole production of a movie including casting actors, choosing costumes, and adjusting the script to suit characters’ personalities and the plot. Thus, writers and directors have powerful influence over who will be chosen to be actors, what will be

  • hollywood on trial

    889 Words  | 2 Pages

    hollywood on trial The world is full of injustice. Of programs that want to accomplish the right things but get twisted by the people that run them. This essay will deal with the reasons and Birth of the Hays Commission, the ludicrous steps they took to add "morality" to the motion picture industry, and some other sensors of the time. All things said in this essay are true and taken from the Hays correspondence its self. It is a known fact that sex sells. It is used by advertisers to get

  • F. Scott Fitzgerald in Hollywood

    1311 Words  | 3 Pages

    F. Scott Fitzgerald in Hollywood "I saw the novel...was becoming subordinated to a mechanical...art...I had a hunch that the talkies would make even the best selling novelist as archaic as silent pictures." (Mizener 165) F. Scott Fitzgerald was keenly aware of the shift in the public's interest from novels to movies. This change made Hollywood stand alone for Fitzgerald as the sole means for expressing his talent and for gaining appropriate recognition, as well as the new way to make money

  • Mary Shelley's Frankenstein and Hollywood

    729 Words  | 2 Pages

    The Monster’s Human Nature Summary Essay Hollywood has played a big part is our lives. Growing up we’ve seen numerous movies, some that scared us others that touch us, and those images stayed with us forever. So what happens when Hollywood takes a classic piece of literature such as Frankenstein and turns into a monster movie. It transforms the story so much that now some 50 years later, people think of Frankenstein as the monster instead of the monster’s creator. It became a classic monster movie

  • The Post-Modern Reality of Hollywood

    2458 Words  | 5 Pages

    The Post-Modern Reality of Hollywood The shower of bullets leave white grooved funnels in the air, as the hero in slow motion leans back to avoid the deadly aims of the gunmen—all the while his black trench-coat billows underneath him. The saddened husband in heaven spans the chasm of hell to be reincarnated with his soul-mate wife. The young business executive places the pistol in his mouth, his blood-shot eyes rolling upwards as beads of sweat trickle down his grimy face. Moments later, after

  • Hollywood vs. History: The Alamo

    1556 Words  | 4 Pages

    Hollywood vs. History: The Alamo The Alamo was one of the most astounding and critical battles of our country. Its men were ruthless in their bravery and love of their country. Their mission for independence lives on in the hearts of all American’s today. Their legacy lives on forever and their courageous souls are still in the heart of the people of the lone star state. This is the story of bravery, love, tyranny, and liberty. This is the story of the Alamo The battle of the Alamo only spanned

  • A Postmodern Take on a Hollywood Film Classic

    2878 Words  | 6 Pages

    A Postmodern Take on a Hollywood Film Classic The jacket blurb on Robert Coover’s creative compilation A Night at the Movies reads: “From Hollywood B-movies to Hollywood classics, A Night at the Movies invents what ‘might have happened’ in these Saturday afternoon matinees. Mad scientists, vampires, cowboys, dance-men, Chaplin, and Bogart, all flit across Robert Coover’s riotously funny screen, doing things and uttering lines that are as shocking to them as they are funny to the reader. As Coover’s

  • Hollywood vs history

    922 Words  | 2 Pages

    History vs. Hollywood The Patriot The Revolutionary war, sparked by the colonist’s anger towards taxation without representation, was a conflict between the United States and its mother country Great Britain. This event had been considered the most significant event in the American history. It separated the thirteen colonies from the tyrannical ruling of King George. The revolutionary war was not a big war, “The military conflict was, by the standards of later wars, a relatively modest one. Battle

  • The Hollywood Ten

    947 Words  | 2 Pages

    specific group, called the Hollywood Ten felt as if communism was the right direction for our nation to move in. However, many people opposed this group and various acts were passed as well as court cases that had proceeded because of the Hollywood Ten (“Hollywood Blacklist”). It was mentioned that almost all of the members “were convicted in federal court the following year, they were given sentences of six months to one year in prison,” (“Hollywood Ten”). The Hollywood Ten was a communist group

  • Hollywood & History

    511 Words  | 2 Pages

    and change or rewrite history. However, the truth of the matter is that we simply cannot. Everything happens for a reason, and we should learn to accept it. Accept it for what it is, rather than what we would like it to be. However, to often in Hollywood the city of glamour and glitz, fortune and fame, movie producers have a tendency and even feel at liberty to rewrite American history. In my opinion this is all done out of greed. The movie industry, is all about money, therefore producers are obligated

  • The Hollywood Blacklist

    887 Words  | 2 Pages

    America. Hollywood was victim to the bulk of communist accusations in an event called the “Hollywood Blacklist”. The Hollywood Blacklist was a significant event in the Cold War; it affected Hollywood and the victims in many ways. The cold war was a dark time in Hollywood’s history. The growing paranoia of communism and the increasing power of Senator McCarthy resulted in the Hollywood Blacklist. The Hollywood Blacklist occurred when the House on Un-American Activities began targeting Hollywood screenwriters

  • Hollywood Redevelopment Analysis

    1574 Words  | 4 Pages

    Hollywood is so much more than a metonym for the entertainment business, or a tourist attraction; it is an ethnically diverse neighborhood that doesn’t necessarily live up to the glitz and glamour of the movies. Because Hollywood doesn’t live up to tourist expectations, public and private forces seek to change it. The result is gentrification. Since 1986, the forty year multi-million Hollywood Redevelopment Project has overtaken the neighborhood (Reynolds, 2012, p. 101). Initiated by associations

  • Hollywood Hegemony In Hollywood Movies

    1014 Words  | 3 Pages

    see a country not showing Hollywood blockbusters each summer, from action-packed superhero films to children-favourite animations. As Kindem (2000, p2) puts it, “many countries’ domestic movie markets have been greatly impacted if not dominated by Hollywood movies since at least 1917.” The supremacy of American films in foreign markets presents no new phenomenon; it boasts a Hollywood power that shows no sign of waning as of today. That leads to a popular notion of Hollywood hegemony in production and

  • Gangs of New York History vs. Hollywood

    1136 Words  | 3 Pages

    The movie begins in New York, in 1843, with a gang fight. Bill “the butcher” Cutting’s gang of “nativists” have challenged the “dead rabbits” (a gang of mostly Irish immigrants) to a fight to settle once and for all who is the most powerful gang in the area. After an intense battle the “nativists” win by killing the leader of the “dead rabbits”, also Amsterdam’s (the main character’s) father. Amsterdam is then led into an orphanage where he grows to be a man, all while Bill Cutting runs the Five

  • America's Communism Scare and the Hollywood Blacklist

    1767 Words  | 4 Pages

    Communist supporters from American society. Its first major attack was on the Hollywood film industry. Blacklisting of Hollywood writers, actors, producers, directors and others suspected of Communist affiliations began with the committee's hearings in October of 1947, and flourished throughout the 1950s. Senator Joseph McCarthy conducted “witch hunts” in an attempt to find and eliminate suspected Communists. The Hollywood Ten, a group of distinguished writers and directors, were cited for contempt

  • Hollywood Walk Of Fame

    1001 Words  | 3 Pages

    Hollywood Boulevard and Sunset Boulevard have one thing in common, stars. What is so special about the five corners in a copper frame and salmon colored with famous person’s name written in the middle embedded in the sidewalks? The iconic location portrays the American way of life, independence, individualism, and progress. It also reflects an economic statement on how the businesses use every single opportunity to make money out of it. People have come from all over the world to visit the historical

  • Classical Hollywood Cinema

    1792 Words  | 4 Pages

    David Bordwell describes as ‘Classical Hollywood Cinema’; Bordwell and two other film theorists (Janet Staiger and Kristin Thompson) conducted a formalist analysis of 100 randomly selected Hollywood films from the years 1917 to 1960 in order to fully define this movement. Their results yielded that most Hollywood made films during that era were centred on, or followed, specific blueprints that formed the finished product. Through this analysis of Hollywood films the theorists were able to establish

  • Classical and Post-Classical Hollywood Cinema

    2472 Words  | 5 Pages

    Post-Classical Hollywood Cinema INTRODUCTION During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative