The Sargasso Sea as an Underlying Metaphor in Wide Sargasso Sea
Why did Jean Rhys name her novel about the Creole madwoman in the attic from Jane Eyre after a mysterious body of water in the middle of the Atlantic Ocean? As there is no mention made of the Sargasso Sea in the novel itself, one might wonder why she chose to title her novel after it. In a 1958 letter to a friend and colleague, she describes her changing titles for the novel: “I have no title yet. ‘The First Mrs. Rochester’ is not right. Nor, of course is ‘Creole’. That has a different meaning now. I hope I’ll get one soon, for titles mean a lot to me. Almost half the battle. I thought of ‘Sargasso Sea’ or ‘Wide Sargasso Sea’ but nobody knew what I meant” (Raiskin 136). Since titles and naming hold such significance for Rhys, we must assume that the Sargasso Sea is in some way a larger metaphor that encompasses the whole novel and that it holds meaning and implications that add value to our understanding of the novel.
First, one must beg the question, why does Rhys choose an allusion that nobody will understand? Rhys was fully aware that the title would not lend itself to easy interpretation. Why, then, did she stick with Wide Sargasso Sea instead of the more obvious ‘The First Mrs. Rochester’ or even ‘Creole’? Her seemingly unusual title choice is in actuality a carefully crafted selection that echoes her decision to write about the madwoman in the attic in Jane Eyre; it requires unpacking, just like Bronte’s Bertha. Like the lunatic in the attic, Rhys is asking the readers to not take her at surface value, but to question her reasons: “the reason why Mr. Rochester treats her so abominably and feels justified, the reason why he thinks she is mad and why of course s...
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...ulative natures; and between the uncanny aspects of both the Sargasso and the novel.
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Within Rhys’s novel, he incorporates the normality of the West Indies during the nineteenth and mid- twentieth centuries. Antoinette, the main character, who happens to be a white Creole, is mistreated and discriminated because of her identity. Throughout the text, characters are victimized by prejudices. For example, Antoinette and Annette become victims of traumatic experience as they face numerous kinds of mistreatment. Antoinette had to deal with an arranged marriage, which results her becoming distressed. Throughout this marriage, she was treated irrationally by her husband, Rochester and servants. She was unable to relate to Rochester because their upbringings were incompatible. She had to stomach the trauma of being shunned because of her appearance and identity. She was called names, mainly “white cockroach”, and was treated as an
"Oceans." Opposing Viewpoints Online Collection. Detroit: Gale, 2014. Opposing Viewpoints in Context. Web. 8 May 2014.
Kaeppler, Adrienne Lois, Christian Kaufmann, and Douglas Newton. Oceanic art. English language ed. New York: Harry N. Abrams, 1997.
Kirby, David. Death at SeaWorld: Shamu and the Dark Side of Killer Whales in Captivity. New York: St. Martin's Press, 2012. Print.
By Rochester calling Antoinette Bertha he has effectively created a new person, one he wants to control and rule. Jean Rhys asserts the theme of control through the structure in Wide Sargasso Sea which is very unconventional due to its three part structure. This structure could represent the unconventional ideas that are presented in the novel, women were seen as weak and men often dominated so the era the novel was written the question of where control lies between the two characters would have ultimately been seen as eccentric by many. Rhys also uses a chronological structure to shows the differing points of power in each of the characters’ lives. It could be argued that surroundings could be considered a character as it has so much influence over Antoinette’s life. The one place that Antoinette feels comfort is her home, this was shown in the start of the novel when she shows affection for where she lives but she soon hates the place which she once loved “But I loved this place and you have made it into a place I hate” Rochester has so much control he can change love into hate, he has destroyed her
-Ellen G Friedman, Breaking the Master Narrative: Jean Rhys’ Wide Sargasso Sea, in Breaking the Sequence: Women’s Experimental Fiction. Princeton University Press, 1989,
5. Kellert, S.R. and E.O. Wilson, editors. 1993 The Biophilia Hypothesis. Island Press, Washington, DC
There have been five mass extinctions over the last half-billion years while the sixth extinction is currently being examined by scientists around the world. Studies have shown that this is the most shocking and damaging event since the impact that caused the extinction of dinosaurs. This one is different from all others, because humans are the cause of this disaster to our current environment. If we don’t start to realize this issue and do something about it, eventually it will be too late to try to save the Earth and ourselves. I am going to analyze the sixth chapter, “The Sea Around Us,” for pathos, ethos, visual rhetoric and other related issues
The sense of fear attributed to the setting in 'Wide Sargasso Sea' may have been influenced by Rhys' own experiences as a creole woman growing up in the Caribbean. Rhys' great-grandfather's house was burned down by members of the local black community in an act of revenge, as he was a slave-owner. This event is often considered to have inspired Rhys to write about the arson of Coulibri. This supports the idea that Rhys was influenced by her own feelings of fear in her own home, which indicates that fear is a vital part of the setting in the
For the rioters, Coco the parrot, and Antoinette, fire offers an instrument of escape from and rebellion against the oppressive actions of their respective captors. Wide Sargasso Sea takes place shortly after the emancipation of Jamaican slaves. Annette's husbands, first Alexander Cosway and then Mr. Mason, have both profited immorally off of the exploitation of black Jamaicans. Unsurprisingly, the former slaves feel great hatred towards the Cosways--- hatred that boils over when the ex-slaves set fire to Annette's house (35). The significance of th...
Rhys, Jean, and Judith L. Raiskin. "Wide Sargasso Sea." Wide Saragossa Sea: Backgrounds, Criticism. New York: W.W. Norton, 1998. 3-112. Print.
In Wide Sargasso Sea, Jean Rhys confronts the possibility of another side to Jane Eyre. The story of Bertha, the first Mrs Rochester, Wide Sargasso Sea is not only a brilliant deconstruction of Brontë's legacy, but is also a damning history of colonialism in the Caribbean.
The novel Jane Eyre by Charlotte Bronte and Wide Sargasso Sea by Jean Rhys were produced at different times in history. Indeed, they were created in different centuries and depicted extensively divergent political, social and cultural setting. Despite their differences, the two novels can be compared in the presentation of female otherness, childhood, and the elements that concern adulthood. Indeed, these aspects have been depicted as threatening the female other in the society. The female other has been perceived as an unfathomable force that is demonic in nature but respects these enigmatic threatening characters. The female other has been portrayed as intensely alienated while grows knowing that their actions are subject to ridicule, rumor,
Bowermaster, Jon. Oceans: The Threats to Our Seas and What You Can Do to Turn the Tide: A Participant Media Guide. New York: PublicAffairs, 2010. Print.