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Characterization of sammy in john updike's a & p
Protagonist sammy in updike's a&p criticism
Protagonist sammy in updike's a&p criticism
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Sammy in A&P by John Updike Is where you are in your working career where you want to be for the rest of your life? The answer to that question is simple for Sammy in the story “A&P” by John Updike. Sammy, like many others in this world, is a young man trying to make some money in a small town. But unlike some, he refuses to be stuck in the same job for many years or possibly the rest of his life. One day while working the register at a local grocery store, Sammy notices three girls walk in. The girls are wearing their bathing suits because the beach is close to the store. When the girls reach the register the manager notices the girls attire. He walks over to them and argues with them for a moment and then girls leave. Sammy didn’t understand why the manager had such a problem with what the girls were wearing. Suddenly Sammy decides to quit. He takes off his apron and walks out the door. One of the things that caught my attention the most was Updike’s use of imagery in describing Sammy’s working environment. “The sheep pushing their carts down the aisle-”(34), I thou...
Along with Sammy, the other characters involved in this story are three girls shopping in the A & P in their bathing suits, whom Sammy names Plaid, Queenie and Big Tall Goony-Goony; Stokesie, Sammy's married co-worker; and Lengel, the A & P manager. The "A & P" is told from Sammy's point of view. Sammy presents himself as a nonchalant and flippant young man. He appears to be somewhat contemptuous of the older people shopping in the store. However, near the end of the story, we see that he does take responsibility for his conscience-driven behavior and decision, revealing his passage out of adolescence into adulthood through the courage of his convictions.
Two Works Cited In John Updike’s "A & P," Sammy is accused of quitting his job for childlike, immature reasons. Nathan Hatcher states, "In reality, Sammy quit his job not on a matter of ideals, but rather as a means of showing off and trying to impress the girls, specially Queenie" (37), but Sammy’s motive runs much deeper than that. He was searching for a sense of personal gain and satisfaction. By taking sides with the girls, he momentarily rises in class to meet their standards and the standards of the upper-class.
Sammy observes their movements and gestures, up until the time of checkout. At which point, they are confronted by the store manager and chastised for their unacceptable appearance. He believes their attire is indecent. Sammy, feeling that the managerial display was unnecessary and unduly embarrassing for the girls, decides to quit his position as checker. Though he knows that his decision may be hasty, he knows that he has to follow through and he can never go back.
Sammy’s decision in the end to break away from the conformity that is in the A&P to establish himself is a raw truthful decision. He has chosen to follow his heart which Updike shows is what every person should do. This story is great for readers of all ages, because Sammy could be any person in modern contemporary society who is struggling to find themselves in a world dominated by conformity, rules, and standards of norms. Updike’s story is a powerful message to seek individualism. Although sometimes the road to self-identity is not known the journey getting there is worth all the while.
The boss, Lengel, seems to think that he has authority over Sammy, which he kind of does being the boss and everything. Sammy knows that Lengel thinks he is the big man, Sammy says, “I forgot to say he thinks he’s going to be manager some sunny day, maybe in 1990 when it’s called the Great Alexandrov and Petooshki Tea Company or something”(371). This is where the story gets more complex; since Lengel thinks he is the big boss, he decides that he wants to say something to the girls about being in their bathing suits. The girls were only in the store to pick up one thing for “Queenie’s” mother, but from Sammy’s point of view, it seems as if Lengel just wanted to show that he is higher up than the other workers. Sammy thinks that Lengel disrespected the girls by telling them that they need to wear clothing the next time they came into the store, and this made Sammy mad; Sammy wanted to look like a hero of sorts to the girls and quits his job on the spot in hopes that the girls would hear him and know that he did it for
At the beginning of the story Sammy complains about an older woman, a fifty-year-old "witch" with rouge on her cheekbones and no eyebrows, who is waiting to check out her groceries. She gets annoyed with Sammy because he is too busy drooling over the young flesh which has just walked in the door (Updike 1026). The first half-naked girl who walks into the A&P and catches Sammy’s eye is a chunky girl with a two-piece plaid bathing suit on that showed off her "sweet broad soft-looking can" (Updike l026). As if staring at this girl’s backside wasn’t enough, Sammy also noticed "those two crescents of white just under it, where the sun never seems to hit" (Updike 1026).
“Sammy wishes to quit, but he resists doing so because his parents would regard his decision as 'the sad part of the story'” (Thompson 215). Sammy points out that he thinks of quitting his job many times during the story, subtle as they are, he begins with the observation of quitting during the summer rather the winter and the part where he has mentioned “the sad part of the story” (Up...
In his short story “A&P” Sammy, the narrator is checking groceries when he sees three barefoot girls in bathing suits walk into the grocery store. Sammy is immediately fixed on the leader of the three girls, which he describes as “the queen”. He refers to this girl as queenie. As queenie leads the other two girls around the store, Sammy is enjoying watching the shock of the other customers, because they are not used to seeing girls walking around in bathing suits at the A&P. As Sammy is ringing queenie up, the manager of the grocery store comes in and tells the girls off for wearing nothing but skimpy swimsuits. The manager then proceeds to tell Sammy to ring the girls up. Sammy does as he is told but immediately after, tells the manager that he is quitting. The manager, Lengel, warns Sammy that quitting will ruin his life, but Sammy still turns in his apron and bow tie and goes out into the parking lot. The girls are long gone by the time he gets out there. Sammy watches Lengal checking ...
The main character in John Updike's short story “A&P” is Sammy. The story's first-person context gives the reader a unique insight toward the main character's own feelings and choices, as well as the reasons for the choices. The reader is allowed to closely observe Sammy's observations and first impressions of the three girls who come to the grocery store on a summer afternoon in the early 1960s. In order to understand this short story, one must first recognize the social climate of the era, the age of the main character, and the temptation this individual faces.
His annotation of the “women with six children and varicose veins mapping their legs and nobody, including them, could care less” (Updike 159) and “the sheep” (Updike 162) in the checkout lines are an illustration of his everyday repetitious life working at the A&P. He compares these women to animals showing his undeniable sophomoric juvenile behavior. John Updike depicts Sammy’s character as a typical young boy who thinks he is invisible to the idea that consequences apply to him. However, Sammy is granted the harsh actuality that he will no longer be given slaps on the wrist for radical decisions. His coworker Stokesie is twenty-two, married and has two children. Generally speaking, Sammy may still have childish actions but he understands that he does not want to work at the A&P the rest of his life.
Lengel, the manager of the store, spots the girls and gives them a hard time about their dress in the store. He tells them, “Girls, this isn’t the beach.” He says that they are not dressed appropriately to come into this grocery store. Lengel’s words cause Queenie to get embarrassed and start to blush. Sammy cannot believe this and gets frustrated at his boss. He doesn’t believe that it is right to prosecute these innocent girls for the way they are dressed. He also states at this point that the sheep are piling up over in Stokesie line trying to avoid all the commotion the scene has caused. I believe Sammy takes this as the last straw in a long string of aggravations.
Although one’s good deeds may often not be acknowledged, the inevitable lesson of maturity can be taught through such experiences. In “A&P”, Sammy is a teenage clerk who is not acknowledged for accomplishing what he thinks is a good deed. During a hot day, three teenage girls walks into the A&P grocery store, wearing only their bathing suits. The image of the girl’s revealing attire provides an absolute contrast to both the simple interior of the store and also of the other conservative customers. Sammy describes the customers as “sheeps” because they look mindless as they follow each other around the aisles in continual, constant motion. However, these three girls conflict with the imagery of “sheeps” by breaking the norms of what the A&P grocery store, and society in general, has proclaimed as acce...
We see this in the opening line of the story: "In walks three girls in nothing but bathing suits" (Updike 1026). Even the voice of Sammy is very "familiar and colloquial" (Uphaus 373). Much of the information that Sammy relays about the three girls is sexually descriptive in a nineteen-year-old boy’s way: "and a sweet broad looking can [rear] with those two crescents of white under it, where the sun never seems to hit" (Updike 1026). It is apparent that Sammy looks at the three girls who happen to walk into the A&P only as objects of lust or possibly boyish desire. Thus, on the surface it is easy to take this story as that of a boy who would do something like quit his job to "impress" these girls.
Before the girls enter the store, Sammy is unaware that the setting he is so judgmental of reflects his own life. Sammy feels that he is better than the rest of people at the A&P, referring to them as "sheep" and "house-slaves" because they never break from their daily routines. He also condescendingly talks about "whatever it is they[the customers]...mutter." Reinforcing his superiority above the people in the store, Sammy sees himself as a person that can seldom be "trip[ped]...up." Although he sees himself being superior to the store, the reality is that the store closely reflects Sammy's life. He seems to have a long-term commitment to the store since his apron has his name stitched on it, and he has been working at the store long enough to have memorized the entire contents of the "cat-and-dog-food-breakfast-cereal-macaroni-rice-raisins-seasonings-spreads-spaghetti-soft drinks-crackers-and-cookies." His day is also filled with the routine of working at the register, a routine that is so familiar that he has created a cash register song. Sammy also identifies with his co-worker Stokesie, "the responsible married man," and therefore wishes to someday be the manager of the store, like Lengel. Even the "checkerboard" floor represents a game of checkers, a simple one-directional game that closely models Sammy's life. Although Sammy is nineteen ...
Sammy described the customers as “sheep”. He observed that all of the customers are all going in the same direction; they easily conform to the status quo. Although Sammy respected Stocksie, Sammy believed Stocksie was another example of a soul lost to conformity. Sammy described him as, “the responsible married man”, who “thinks he is going to be manager some sunny day, maybe in 1990 when it’s called the Great Alexandrov and Petrooshki Tea Company or something,” in a scoffing tone. Sammy fondly noted that the girls walked against the store’s traffic patterns. His amusement revealed his ambition to defy the town’s values. While ogling over Queenie, Sammy said, “She had her sort of oaky hair that the sun and salt had bleached, done up in a bun that was unraveling, and a kind of prim face. Walking into the A & P with your straps down. I suppose it’s the only kind of face you can have.” Queenie’s attitude and body language appealed to Sammy because he believed his lifestyle and milieu was beneath him; he longed to be successful and rise above his