Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Critical analysis of dantes inferno
Critical analysis of dantes inferno
Milton and dante's inferno
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Critical analysis of dantes inferno
The source of all evil, a terrifying entity, and the adversary of God in an eternal war for the souls of mankind, Satan is often put forward as a powerful “other,” having little in common with those he tempts and torments. For example, in Dante’s Inferno, Satan is massive, strong and beast-like, chained like Cerberus in Hell for the punishment of mankind, chewing on the bodies of history’s greatest traitors like a vicious dog. Milton's relatable, human-like Satan is on the other end of the spectrum. He is depicted as the underdog, one who must overcome tremendous obstacles, causing the reader to see him as a tragic hero and to feel sympathy for the fallen angel. Satan soon begins a transformation of both his mind and physical appearance, not only making his true nature apparent to the reader, but also causing the reader to realize that he or she may have more in common with Satan than previously thought.
Paradise Lost opens in media res: Satan is in a dire situation. He has been, by the command of God, driven out of Heaven with his legion of Angels into the great Deep of Hell, a place “in utter darkness. . . As far removed from God and light of Heaven as from the centre thrice to the utmost pole.” (I.70-75). Satan's desire to rebel against his creator stems from his unwillingness to be suppressed by God and his Son, claiming that angels are "self-begot, self-raised" (5.860) and thereby denying God's authority over them as their creator (Singh). In Book I, Milton portrays Satan as a strong, imposing figure with great abilities as a leader and public statesmen. These persuasive powers are evident throughout the book. Not only is Satan cunning and deceptive, but he is also able to rally the angels to continue in the rebellion after ...
... middle of paper ...
...ames. Milton Criticism: Selections from Four Centuries. London: Routledge and Kegan Paul, 1951. Print.
Samuel, Irene. Dante and Milton: Commedia and Paradise Lost. Ithaca, N.Y.: Cornell University Press, 1966. 112. Print.
Singh, Deepak. "English Literature: Satan in Paradise Lost: Milton." Literarism: The Republic of Letters. N.p., n.d. Web. 10 Apr. 2014.
SparkNotes Editors. “SparkNote on Paradise Lost.” SparkNotes.com. SparkNotes LLC. 2003. Web. 9 Apr. 2014.
Treviño Benet, Diana. "Adam's Evil Conscience And Satan's Surrogate Fall." Milton Quarterly 39.1 (2005): 2-15. Academic Search Premier. Web. 30 Mar. 2014.
Wikipedia contributors. "Serpent (symbolism)." Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 9 Apr. 2014. Web. 11 Apr. 2014.
Zeng, Nicholas. "The Characters of Paradise Lost" darkness visible. Christ's College, n.d. Web. 2 Mar. 2014.
The great debate whether Satan is the hero of Milton’s Epic Poem, Paradise Lost, has been speculated for hundreds of years. Milton, a writer devoted to theology and the appraisal of God, may not have intended for his portrayal of Satan to be marked as heroic. Yet, this argument is valid and shares just how remarkable the study of literature can be. Milton wrote his tale of the fall of man in the 1674. His masterpiece is an example of how ideas of a society change with time. This is because it wasn’t until the 1800’s during the Romantic era, that people no longer saw the hero of literary works as perfect in every way. It started to become more popular to develop the flawed character similar to the ones written in the classics. A literary criterion that is based on a protagonist, who undergoes conflict on the outside and from within and is prevented by a specific flaw to accomplish their main goal, creates an epic Hero. In Paradise Lost, God does not face conflict because he is perfect and all-knowing, and Adam’s conflict is not presented from the very start, Satan’s is. Because Satan is the main character of the work and possesses qualities that would deem him heroic, such as his determination against tough odds, his ability to lead, and his human-like nature to error, he can be seen has the Hero of the famous poem.
Martin, Jessica. "John Milton, Part 3: Does Paradise Lost Really Attempt to Justify God's Ways?" Theguardian.com. Guardian News and Media, 12 Dec. 2011. Web. 24 Feb. 2014.
This document gives a history into the image of Satan and a light anthology of him. This text will instrumental in the metaphysical discernment of this essay.
In John Milton’s epic, Paradise Lost, the author establishes Satan as the most complex and thought-provoking character in the tale through his depiction of Satan’s competing desires. Throughout the first four books of Paradise Lost, Satan repeatedly reveals his yearning both for recognition from God and, simultaneously, independence from God. The paradox that prevents Satan from achieving his desires may be interpreted as a suggestion of Milton’s establishment of a sympathetic reading for this character, as he cannot truly find happiness. In actuality, the construction of Satan’s rivaling aspirations evince Satan’s repulsive depravity to Milton’s audience and encourage readers to condemn his character.
...t, Stephen, gen. ed. “Paradise Lost.” The Norton Anthology of English Literature. 9th ed. Vol. 1. New York: Norton, 2012. Print. 36-39.
Several scholars have made arguments that discuss the Dantean influence seen throughout Paradise Lost. While looking at Dantean influence upon Milton, many scholars use the scene in Paradise Lost where Satan and his companions are turned into serpents as a direct influence from Cantos 24 and 25 in the Inferno in which the thieves must transform for eternity. There are a number of articles that explore this influence of Dante on Milton. In the article “Milton’s Dantean Miniatures: Inflections on Dante’s Inferno and Purgatorio within the Cosmos of Paradise Lost” by Russell M. Hiller, he discusses ways in which Dante’s influence seems to trickle through in Milton’s Paradise Lost. He notes other scholars who have shown areas where Milton seemed to be influenced by the Italian poet. He references Milton’s Commonplace Book in which he states he “features a numerous references to the Commedia” and “reve...
Reichert, John. Milton's Wisdom: Nature and Scripture in Paradise Lost. Ann Arbor, The University of Michigan Press. 1992
Milton’s Satan in Paradise Lost is a complex character meant to be the evil figure in the epic poem. Whenever possible Satan attempts to undermine God and the Son of God who is the true hero of the story. Throughout the story Milton tells the readers that Satan is an evil character, he is meant not to have any redeeming qualities, and to be shown completely as an unsympathetic figure. Satan’s greatest sins are pride and vanity in thinking he can overthrow God, and in the early part of the poem he is portrayed as selfish while in Heaven where all of God’s angels are loved and happy. Satan’s journey starts out as a fallen angel with great stature, has the ability to reason and argue, but by Book X the anguish and pain he goes through is more reason for him to follow an evil path instead. Even so, Milton uses literal and figurative imagery in the description of Satan’s character to manipulate the reader’s response to the possibility that Satan may actually be a heroic figure. As the plot of the story unfolds there are moments where the reader can identify with Satan’s desires and relate to his disappointments.
Loewenstein, David A Student Guide: Milton-Paradise Lost, 2nd Edition Cambridge University Press, 1993, Second Edition 2004.
Helen Gardner addresses this notion, claiming how “Satan is, of course, a character in an epic, and he is in no sense the hero of the epic as a whole. But he is a figure of heroic magnitude and heroic energy, and he is developed by Milton with dramatic emphasis and dramatic intensity” (Baker/Helen, 208). Satan is without a doubt the antichrist, or “villain” in the biblical scriptures, however one must take into consideration his alternative and more ambiguous portrayal in Paradise Lost. In this paper, I will analyze Satan’s actions, physical portrayal and speeches in Book I of Paradise Lost, and argue that from the textual evidence, these aspects of Satan are ultimately ambivalent, thus Satan cannot be categorized as either the extreme hero or the extreme villain, but rather as a dramatic figure with both heroic and villainous characteristics. The preliminary depiction of Satan’s actions in Paradise Lost appears after Milton describes God, his kingdom of heaven, and his children Adam and Eve.... ...
The Fallen Angels in Paradise Lost The fallen angels are Satan's minions and the voices by which Milton may express a variety of opinions and views, showing the diversity. and the intricacies of Hell, and the immorality of their actions and proposals. Whilst we are often impressed by the skill with which the individual leaders perform their tasks and speeches, we are never left in any doubt as to the truth of G-d, and the futility of their debates. By examining the angels as a group, Milton is able to leave the infernal dungeon, to take a flight throughout history, giving his own point of view.
Milton's introduction of Satan shows the reader how significant Satan is to Paradise Lost. He uses Satan's heroic qualities to his followers, and his ability to corrupt to show the thin line between good and evil. Satan was one of the highest angels in Heaven and was know as Lucifer, meaning, light bearer. This shows he was once a good angel. Milton makes the reader see him as a leader and a strong influence to all in his presence. He best describes Satan's ways when stating, "His pride/ had cast him out from Heaven, with all his host. / Of rebel angels, by whose aspiring/ To set himself in glory above his peers" (Milton Book I). Satan's pride was the main reason that God banned him from heaven. Satan always tried to be number one and a leader, instead of following in God's shadow. He would of lived a life in Paradise forever, but he had to follow his feelings as he states, "Better to reign in Hell than serve in Heaven" (Milton 31). This shows how strongly he felt about not being above everybody else.
Seeing paradise only reminds Satan of what he lost as a result of his fall from Heaven. Satan comes to the conclusion that he is the very embodiment of hell, bringing it everywhere he goes : “The Hell within him, for within him Hell /He brings, and round about him, nor from Hell/One step no more then from himself can fly (20-22).” Compared to the Bible, we actually get to see the torment Satan suffers as he lives his life as God’s adversary. Satan actually takes responsibility for his fall , pointing out the flaws that led to it: “Till Pride and worse Ambition threw me down” ( 40 ) . Unlike the Satan in Genesis and Job, Milton’s Satan clearly understands why he has fallen. As Satan continues to ponder his situation , he realizes that even if there was a chance for his redemption, he would never be comfortable being God’s servant. Sooner or later, the same feelings of inferiority and the desire to overthrow God would rise. Satan becomes bitterer as his soliloquy goes on and resolves that his fate is sealed : “So farwel Hope, and with Hope farwel Fear,/ Farwel Remorse: all Good to me is lost;/Evil be thou my Good;”( 108-110). He then goes on to continue his revenge plot on God. Angry with God for putting him in the position to fall , Satan sees the same potential for failure in Adam and Eve. He then explains that it is in fact God’s fault that he must corrupt them and tells them to “ Thank him
...nowing (Satan is just hunk of mass with no free will) and that Satan is our epic hero (Satan is head the rebel angels). Satan also loses because of the fact that due to his trickery he would be a snake forever, and that The Son was going to come down to earth and die to save Adam & Eve, so that Satan’s action would be eliminated. Break down Paradise Lost to it bare essentials, removing all religious overtones, and all that remains is an epic poem. The hero of this poem is a man named Satan who is banished for challenging the leadership of the clan. This man Satan makes a vow to destroy or corrupt anything created by the clan. This Satan was resourceful, making the best of what he had, very little, and accomplishing his goal. Satan may just be the nonconformist who could not abide by what was considered normal. In any case, one must show their admiration for Satan in his unwillingness to serve in Heaven, and then in the way he accepted his resulting role in Hell.
Throughout Paradise Lost, Milton uses various tools of the epic to convey a traditional and very popular Biblical story. He adds his own touches to make it more of an epic and to set forth new insights into God's ways and the temptations we all face. Through his uses of love, war, heroism, and allusion, Milton crafted an epic; through his references to the Bible and his selection of Christ as the hero, he set forth a beautifully religious Renaissance work. He masterfully combined these two techniques to create a beautiful story capable of withstanding the test of time and touching its readers for centuries.