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Poetry during the heian period
Poetry during the heian period
Poetry during the heian period
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From 794 C.E. to 1184 C.E., the Heian era was widely known for its ground breaking art, poetry, prose, and other forms of literature; most of which was contributed by the imperial court. Of the different types of literature that came from the Heian era, nikki, monogatari, and setsuwa are used as prime examples today of traditional Japanese literature. Despite being different forms of literature, different subjects, and of different lengths, most authors applied applied poetry within nikki, monogatari, and setsuwa and used poetry as a means to embellish the pieces.
Monogatari, translated as ‘talk of things,’ are a retelling of folk stories, myths, romantic stories, etc as prose. Famous monogatari include Genji Monogatari, Heike Monogatari, Ise Monogatari and Taketori Monogatari to name just a few. Among the monogatari, there are various genres, such as uta monogatari, reikishi monogatari, tsukuri monogatari, and uta monogatari, gunki monogatari, setsuwa monogatari, and giko monogatari. Each different genre of monogatari pertained to subjects like romance, folk lore, historical narratives, stories about war, and more. Although an important part of Japanese literature, monogatari were not popular during the Heian era. Typically written in what was at the time the new Japanese character, kana, monogatari was associated with women. This was particularly because women were looked down upon and were not educated in Chinese, what was formerly considered a scholarly and upper class language to the Japanese. For example, Lady Murasaki Shikibu, a member of the court, wrote the renowned Genji Monogatari. Authors of other monogatari such as the Ise Monogatari are never known.
Monogatari were written in prose, however, many authors included...
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Much of Japan’s valued traditional literature came about during the Heian era, despite many of its literary forms being under-appreciated at that time. Not all of the authors used poems in their pieces, however, for those of whom who did, the poems were used as an extension of a character’s emotions and beliefs. Actions could have easily expressed the character, however, during a time as peaceful as the Heian era, expressing one’s self through literary form was of higher value and esteem. Some works may have been embellished with poems than others; however, both literature with and without poetry would later influence other forms of Japanese art and literature in the future.
Works Cited
Keene, Donald. Anthology of Japanese Literature, from the Earliest Era to the Mid- nineteenth Century. New York: Grove, 1955. Print
Class handouts from Laulima
Throughout history artists have used art as a means to reflect the on goings of the society surrounding them. Many times, novels serve as primary sources in the future for students to reflect on past history. Students can successfully use novels as a source of understanding past events. Different sentiments and points of views within novels serve as the information one may use to reflect on these events. Natsume Soseki’s novel Kokoro successfully encapsulates much of what has been discussed in class, parallels with the events in Japan at the time the novel takes place, and serves as a social commentary to describe these events in Japan at the time of the Mejeii Restoration and beyond. Therefore, Kokoro successfully serves as a primary source students may use to enable them to understand institutions like conflicting views Whites by the Japanese, the role of women, and the population’s analysis of the Emperor.
Riichi, Yokomitsu. Shanghai. Michigan: The Center for Japanese Studies, The University of Michigan , 2001.
Ogawa, D. (1993) The Japanese of Los Angeles. Journal of Asian and African Studies, v19, pp.142-3.
As seen in examples of monogatari such as Tales of Ise or nikki with The Tosa Diary, poetry is a very much used tool in the writings. While other examples of the two writing styles use poetry, these two examples best demonstrate the breaks in the writing style changes from a narrative and turns into something that takes on a more personal voice when it clearly goes into its poetic style. These poems are made to compliment the setting, such as in a poem credited to the former governor in The Tosa Diary where there is a description of the waves as they illustrate the governor’s sadness as he leaves Kyoto (83). Another point seen from this poem is that the governor is meant to be very good at constructing his poems and with it comes an example of a good poem as opposed to something that a commoner would have to write. Likewise, in the tenth of the Tales of Ise there are poems describing the love a man has for a woman while he is also comparing the physical setting, such as the mountains. There are comparisons to Mt. Fuji and Mt. Utsu while they represent the waiting for his love or the beautiful vision that the man sees in his dreams with his love respectively (75-6). Such images of the scenery as seen alongside the desires or longing of those who write the poems are examples of how the poems are used to strengthen the narrative prose. Without the poems, the narrative prose in either the monogatari or the nikki would simply be a story and the significance would be lessened as there would not be the personal impact emanating from the characters and their feelings since a reader would only be able to read the description of the events and not get a feel of the thoughts from any of the characters.
21 Pitts, Forrest R., Japan. p. 113. -. 22. Davidson, Judith. Japan- Where East Meets West, p. 107.
Brazell, Karen. Traditional Japanese Theater: An Anthology of Plays. New York: Columbia UP, 1998. Print.
...Yamamoto’s ‘The Legend of Miss Sasagawara’.” Notes on Contemporary Literature 39. 2 (2009). Student Resources in Context. Web. 3 Nov. 2013.
The Tale of Heike." Traditional Japanese Literature: An Anthology, Beginnings to 1600. Ed. Haruo Shirane. New York: Columbia UP, 2007. 736-39. Print.
Suzuki, Tomi. Narrating the Self: Fictions of Japanese Modernity. Palo Alto: Stanford University Press, 1996.
Munsterberg, H. (1985) The Arts of Japan An Illustrated History Charles E. Tuttle, Tokyo, Japan.
Shirane Haruo. et al. Early Modern Japanese Literature: An Anthology 1600-1900. New York: Colombia University Press, 2002. Print.
The Heian period(794-1185), the so-called golden age of Japanese culture, produced some of the finest works of Japanese literature.1 The most well known work from this period, the Genji Monogatari, is considered to be the “oldest novel still recognized today as a major masterpiece.”2 It can also be said that the Genji Monogatari is proof of the ingenuity of the Japanese in assimilating Chinese culture and politics. As a monogatari, a style of narrative with poems interspersed within it, the characters and settings frequently allude to Chinese poems and stories. In addition to displaying the poetic prowess that the Japanese had attained by this time period, the Genji Monogatari also demonstrates how politics and gender ideals were adopted from the Chinese.
Written six hundred and fifty years apart from each other, Matsuo Basho’s Oku no Hosomichi and Ki no Tsurayuki’s Tosa Nikki are both examples of nikki bungaku or “diary literature.” Both of these travel diaries reflect the ideas and values of their respective time periods.
Chapter one of this study is a literature review of the ideology of postmodernism with emphasis on postmodernism and poetry. It also includes the meaning of postmodernism, different views and criticism on Heaney's poetry and his ideas about the principles of imagism.