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The rococo time period
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The Rococo era in Europe was a time of new ideas, thoughts and expressions. High society adapted to the change in culture when Louis XIV of France died. The Rococo era/time frame brought in a new wave of elegance and sophistication. This period is often referred to as the century of revolutions. Philosophy, science, rhetorical works and industries were all part of the age of revolution, a bevy of ideas and breakthroughs in the world of men. This age influenced American art only in the sense that it became appealingly elegant. Art in Europe, however, was elegant to the utmost; if man was so lofty, high, and scientific, art should be beautiful works of cleverness. Man was confident in himself; women were striving to be independent, a trait that shone through many female pieces such as Labille-Guiard’s Self Portrait with Two Pupils (26-16) and Vigee-Lebrun’s Self Portrait (26-15). As an age of revolutions, ideas ran rampant through people’s minds.
Compared with Baroque art, Rococo art featured people in almost every single painting, sculpture or picture. Though this era was a time of tension and unrest in many countries, the art the people produced was very, almost over decorated with designs and emblems, like Robert Adam’s Etruscan Room (26-24). Architecture was definitely different, but it was still symmetrical. Otherwise, the art remained very majestic but unique to its own era.
Interestingly, the role of women related to the artistic world was a statement of individualism. Women who were tired of being subjected to everything decided to throw off these proverbial bonds and be artists. It was a declaration of independence in society. (Kleiner, 739) An example of this is the beautiful self-portrait paintin...
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...ed Curiatti brothers, and vise versa. Unfortunately, the brothers had disagreements, and despite the laments of their sisters and wives, they fought and ended up killing one another. The tension displayed in this piece is, in a way, a parallel to David's tension he experienced during the French revolution.
Overall, I noticed that each piece from this era though tense at times, had a certain slow-paced peace about it, which is one element that made art from this period so distinctive.
Works Cited
Kleiner, Fred S., and Helen Gardner. Gardner's Art through the Ages: A Global History. Boston, MA: Thomson/Wadsworth, 2009. Print.
"Thomas Gainsborough, The Blue Boy English Rococo Era." Fine Art and Painting Tips. Wordpress. Web. 15 Feb. 2012. .
The male artists portrayed women as a projection of their ideal woman. The artist’s often overlooked the women’s identity’s and personalities in favour of creating aesthetically pleasing art for themselves and other superior males to view and enjoy. This was especially harmful because the more popular the art grew to be, the more often women were categorised as objects rather than people. The art contributed to gender construction by creating these gender roles and reinforcing that in all situations, men were superior to
Before Impressionism came to be a major movement (around 1870-1800s), Neoclassical and Romanticism were still making their impacts. Remembering last week’s lesson, we know that both those styles were different in the fact that one was based on emotion, while the other was practical and serious. However, one thing they both shared was the fact that the artists were trying to get a message across; mostly having to do with the effects of the French Revolution, and/or being ordered to do so. With Impressionism, there is a clear difference from its predecessors.
Kleiner, Fred. Gardner's Art Through the Ages: A Global History. International ed edition. Wadsworth, January 2008.
While studying art history in Pre-Industrial Visual Cultures this semester, one theme has become painfully obvious. There are few if any women artists included in the study of art history. If you dig deep into the books you can find mention of many unknown, unrecognized and often times very talented women artists from the past. Women in history are simply not recognized, and this is due to a large extent to their exclusion from the art world. My paper chooses to focus on a few female artists of the sixties and seventies who sought to make up for past history and ensure women were known. These women invented their own language for art making, which included sexual imagery, and left no doubt of their gender. These women made art as women, instead of trying to make art like men and be accepted. My paper therefore focuses on these women, who although werenít involved directly in pre-industrial art history were very much affected by the exclusion of women from it.
Gardner, Helen, and Fred S. Kleiner. Gardner's Art Through the Ages: The Western Perspective. N.p., 2014. Print.
The Feminist Art Movement raised women’s status and the world’s awareness on gender equality through artworks that reflect women’s lives, feelings, and value. Through creativity, feminist artists invited the audience into their daily livings, to understand their strengths and efficiency, and to consider their needs and feelings. The movement expanded the traditional female role in society, such as housewives, to individuals with talents including artists, writers, the working class, and professionals. The female artists used media ranging from traditional techniques, like painting, to non-traditional art forms, such as installation art, performance art, conceptual art, and sculptures to share with the audience their new perspectives.
“Philosophers, writers, and artists expressed disillusionment with the rational-humanist tradition of the Enlightenment. They no longer shared the Enlightenment's confidence in either reason's capabilities or human goodness.” (Perry, pg. 457) It is interesting to follow art through history and see how the general mood of society changed with various aspects of history, and how events have a strong connection to the art of the corresponding time.
This movement is an important fact in my timeline because the Enlightenment era is where it marks the medieval aspect of the world as dominated by religion, the values of religious faith, and modern view of the world which was governed by science and the belief of human reasons. It was later in the Baroque era that Rococo was known, it was the final stage and the last of the ideas of Enlightenment into the art of
The renaissance was a time in history when people began a new outlook on life. Individualistic views and glorification of the human self and body became very prominent during this time especially in the art and renaissance culture. The new view of individualism showed in every phase of the renaissance. Art in the form of paintings and sculptures, mirror the glorification of the human form. Literature was more secular and exhibited individualism and improvement of individuals, this was also shown in education. As well as the revival of the classics and the new outlook on the human mind and it’s
The shift between the Middle Ages and Renaissance was documented in art for future generations. It is because of the changes in art during this time that art historians today understand the historical placement and the socio-economic, political, and religious changes of the time. Art is a visual interpretation of one’s beliefs and way of life; it is through the art from these periods that we today understand exactly what was taking place and why it was happening. These shifts did not happen overnight, but instead changed gradually though years and years of art, and it is through them that we have record of some of the most important changes of historic times.
The Victorian era was a beautiful time. It was full of highly sophisticated people, not including the artists. The artists of the Victorian era were more to the common people that stood out. Most of the artists back then weren’t as big as they are now. They differed in so many ways trying to be individuals. In this, the works would all be outlining subjects but they differed a great deal. Artists in the Victorian era were expressing themselves with extravagant portraits of daily life in ways of romanticism, realism, impressionism, and post-impressionism.
...t they are because the Baroque period encompasses so many different types of art with very few similarities. These religious, political, and socio-economic aspects, along with many others, facilitated the breadth of Baroque art. Baroque art can range from the theatrical, dramatic, and ornate to the simple and monochromatic, simply based on the artist, the commissioner, and the context. Baroque art varies so greatly because it encompasses so many countries and areas in one small time frame. While the countries included in the Baroque label share many qualities and characteristics, each is different and was working through its own setbacks and successes. Because the failures and successes varied from country to country, so did the art as each country chose to represent this time period in a way that they felt would preserve their ideals for future generations.
The French Revolution, indeed, changed the structure of economics and social sphere of the old regime, and also the ideology of that time. In the years that followed the Revolution, the always increasing senses of both freedom and individuality were evident, not only in French society, but also in art. As stated by Dowd, “leaders of the French Revolution consciously employed all forms of art to mobilize public sentiment in favor of the New France and French nationalism.” In between all the artistic areas, the art of painting had a special emphasis. After the Revolution, the French art academies and also schools were now less hierarchical and there was, now, more freedom of engaging into new themes, not being the apprentices so tied up to their masters footsteps, not being so forced to follow them.
The change towards the Enlightenment style or trends was gradual but it certainly led to art works that significantly such. For example, French painter Jean Baptiste Simeon Chardin's 1740 “Grace at Table” reflected the abandonment of the played-up/erotic rendition of the classics, the Rococo style. The art work, showing a woman setting up a dining table, with two children around and with all subjects in unaffected, natural pose, reflects a style moving towards one that was natural instead of ornamentalized in style, with more natural, simple subjects in natural settings. In other words, painting such as these show how Enlightenment artists were empiricists in the sense of having derived inspiration from
But, if you have ever heard of the Rococo style in the art world you would more than likely hear it is this crazy girl era where women had free reign to create art any way they saw fit. You more than likely would have been influenced to lear...