Robert Louis Stevenson, the author of this novella has written it very cleverly, with certain techniques used that have a greater impact on the reader and ones that make it more than just any thriller/shocker. Every novella has a purpose to it and so does this story, the purpose of this novella has been made to narrative the reader and it is quite clearly reflecting the genre of the thriller/shocker. As well as this the novella has been made as a shilling shocker which depends on sensationalism and represents an immoral lifestyle that may include violence in extremity.
Stevenson starts the novella by introducing us to Mr. Utterson who is a discrete lawyer who is ‘never lighted by a smile’ and his enigmatic friend Mr. Enfield. He does this because he is using the technique of foreshadowing when the authors put in little hints to then explore in further detail later in the story. Further on we can see that Utterson is microcosm of the rest of the story; however this isn’t the only reason that Utterson is in the story because soon after this he starts to become the narrator along with Enfield. While they are talking to each other the audience is finding out what is happening. Next, later in the novella we find out that Utterson is actually representing schizophrenia and duality that is in the personality of Jekyll.
On one hand Mr. Utterson is showed as a rather typical lawyer but at the same time he fights his temptation to drink vintage wines as it is considered immodest in Victorian morals. So, to console himself he then decides to drink gin which considered better than vintage wines, this creates a difference in society. Also, he likes to go to theatres but he hasn’t crossed the doors of one almost ‘close to a generation’. S...
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...ry one may think that Jekyll should have reflected on his behaviour and when he got inkling to separate the two sides he should have stopped, as then he wouldn’t have been playing with God and becoming a heretic in the eyes of society.
To conclude the way that Stevenson has described Hyde and what Jekyll has done in most parts he has related it to the devil which in Victorian times was considered very dangerous, even though today he’s not considered that powerful it would still make a big impact. Stevenson has been successful in using many elements of a shocker/thriller to write a novella with a much deeper moral significance because every aspect of the story relates back to the Victorian morals of 1837 till 1901 and for a 21st century reader some parts of the novella will make them think what is really happening around them now and whether it is right or not!
The suddenness of this change, especially given that a week prior to this letter is confusing to the reader, but it is the evil hinted at in the imagery of 'sin ' and 'my own dark way ' (itself possibly also foreshadowing Jekyll 's later certainty that his only escape from Hyde will be in committing suicide) which builds suspense so effectively here. Moreover, the self-pity implied in Jekyll 's description of himself as 'the chief of sufferers ' is a new development in his character, and leads the reader to wonder what the nature of the 'sin ' is which Jekyll has committed and yet causes him to 'suffer ' so much
Stevenson then went on to put a scary touch to the story by telling us
The criticism by Vladimir Nabokov, supports the claim that Stevenson uses symbolisms to express ideas and to create suspense. Finally Stevenson’s certain tone when he describes Hyde or the evil things the Hyde commit allowed him to express Hyde’s evil and created an unusual atmosphere. When Hyde was described he was described as small and the facial expression of his was very odd and hard to explain “Mr. Hyde was pale and dwarfish, he gave an impression of deformity without any nameable malformation, he had a displeasing smile, he had borne himself to the lawyer with some sort of murderous mixture of timidity and boldness, and he spoke with a husky, whispering somewhat broken voice” (Stevenson 16). After Utterson’s first encounter with Hyde, he is just amazed and shocked because of Hyde’s physical appearance. Also in their first encounter, the setting was very dark and gloomy which adds to the claim. Also the description of Hyde symbolizes Hyde’s evil. Hyde’s ugliness and his deformed face symbolizes his evil, his small size symbolize Jekyll’s evil side inside him that was repressed for so long along with the dark setting. Another symbolism used in the book is between Jekyll’s laboratory and his house. Jekyll’s house is described as a place of wealth and comfort but his laboratory is described as “a certain sinister block of building thrust forward its gable on the streets” (Stevenson 6). The wealthy house represents the respectable man Jekyll and the laboratory represents the corrupt Hyde. Normal people will not see the two structures as one just like how they won’t be able to see the relationship between Hyde and
The sense of conflict being created through disapproval portrays duality that the Victorians had at the period; it is almost as if they were in a dilemma and confusion in deciding which element of sanity to maintain. Stevenson wrote the story to articulate his idea of the duality of human nature, sharing the mixture good and evil that lies within every human being. In the novel Mr Hyde represents the evil part of a person and of Dr Jekyll.
Stevenson had already created suspense before the chapter had begun through the knowledge we have of Mr Hyde. His character we know of links in to the ideas of Darwin. “And this was more of a dwarf”, Hyde is described as a dwarfish and primitive person, this Links in to the ideas of Darwin of how cave men evolved from apes and how we evolved from cave men. The fear of the Victorians is that since man had evolved from animals he has the same lack of control over emotions as animals.
Innocence is a trap. It is strangled with the ideals of perfection and suffocates the cravings of curiosity. Goodness is expectant and evil is poisonous. However, good and evil resides in even the most innocent of people. Both are nefarious and pestilent to easily corrupt targeted souls in sinister actions. Both equate to uncontrollable factors. Goodness tends to covet the sensations of evil since it depreciates its own purity. In the oscillating novel, The Strange Case of Dr. Jekyll and Mr. Hyde, written by Robert Louis Stevenson, goodness was trapped by evil just as Jekyll was trapped as Hyde. Jekyll’s pure spirituality desired the holy richness of evil and all its wrongdoings. His laboratory experiments discovered his desire to feel the sensation of evil without truly being evil. His laboratory experiments discovered a way for him to escape. Dr. Jekyll and Mr. Hyde fought the battle between good and evil proving the apparent strengths and weaknesses that overall transformed two souls into a single corpse.
disturbing. I am not a Jekyll didn't want to face his dark side and control it, he took the lead. easy way out but splitting his soul and having two separate lives both the extreme opposite of the other. Stevenson is trying to show the reader that this is the wrong way to do things because Jekyll dies and commits murder as well. Stevenson is telling us that we have to live.
intent of purifying his good side from his bad and vice versa. He is a
Within the text of The Strange Case of Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson portrays a complex power struggle between Dr. Jekyll, a respected individual within Victorian London society, and Mr. Hyde a villainous man tempted with criminal urges, fighting to take total control of their shared body. While Dr. Jekyll is shown to be well-liked by his colleagues, Mr. Hyde is openly disliked by the grand majority of those who encounter him, terrified of his frightful nature and cruel actions. Throughout Dr. Jekyll and Mr. Hyde, Stevenson portrays the wealthy side of London, including Mr. Utterson and Dr. Jekyll, as respected and well-liked, while showing the impoverish side as either non-existent or cruel.
When Jekyll first turns into Hyde, he feels delighted at his newfound freedom. He states: "... And yet when I looked upon /that ugly idol in the glass, I was conscious of no repugnance, /rather of a leap of welcome..."(131). Now he could be respected as a scientist and explore his darker passions. Stevenson shows duality of human nature through society.
...ources of human nature, more faith, more sympathy with our frailty than you have done.... The scientific cast of the allegory will act as an incentive to moral self-murder with those who perceive the allegory's profundity." (qtd. in Steuart, II, 83) But Stevenson was nonetheless acting as a moralist. His "shilling shocker," conceived in a dream and written in a white heat, captured both his own deepest divisions and insights into the callous folly of late-Victorian hypocrisy. Stevenson had himself considered suicide at least three times and yet persisted through ill health to natural death.;(34) Far from counselling "moral self-murder," his dark story of monstrous alter egos was counselling integration. Far from starting another Werther-craze, Dr. Jekyll and Mr. Hyde pioneered as a modern admonition of blind, self-destructive behavior. Stevenson's fictional lawyers and scientists show dangerous second sides because they have not persisted in self-knowledge. His fictional workers, like the butler, Poole, see masks in place of the "horrors" that their presumed betters have become because they have opted for distorted vision over clear-sightedness.
Jekyll does deserve his final miserable fate because he commits several selfish deeds to the point where he brings his miserable fate upon himself. In Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson uses Jekyll to represent how man prioritizes by putting himself over others. Throughout the book, Jekyll’s two different sides are used to show that man is consistently selfish and will usually think of himself before others. Even though Jekyll has a good side and an evil side, both sides of him are selfish. Jekyll originally takes the potion for selfish reasons, Jekyll uses Hyde to conquer his own evil temptations, and in the end Jekyll gives into Hyde and completely gives up.
Stevenson firstly describes “The maid’s window overlooked, was brilliantly lit by the full moon. It seems she was romantically given”, this is a juxtaposition of a good night, “never had she felt more at peace with all men or thought more kindly of the world. And as she so sat she became aware of an aged beautiful gentlemen with white hair”, at this point we can see that Stevenson is starting to contrast between the murder that the maid is about to witness. Then the maid noticed Mr. Hyde, as she remembered about Hyde visiting her master, which she had “conceived a dislike”, as the old man and Hyde meet, Stevenson described, “And then all of sudden he broke out in a great flame of anger”, this is also a good metaphor as a fire could spread and burn quickly having an immediate effect on the reader. Also, Stevenson uses simile to describe Hyde having an “ape-like fury” and “hailing down a storm of blows”, which states that the blows are so brutal as the metaphor of big pieces of ice falling and this replicates the brevity of the attack. Stevenson then conveys the image of the bones that were “audibly shattered”, creating the image of cruelty and violence which is forcing the reader to actually see the image of the bones shattering and the sound of the bones
..., and also used subtle contrasts between characters and places to create in depth detail and to portray the popular secrecy that bound the Victorian era. His feelings and thoughts are cleverly wound into his writing. The morals of the story, it is thought that he wrote the books as an allegory, however discreet are very important. Stevenson believed that gentlemen were hypocrites with outward respectability and inward lust and greed, and in this novel there are several occasions where hypocrisy is brought into the lime light.
In fact, Dr. Jekyll at first appearance seems to be a good person, he gives to charity, he is a doctor and he seems to be very religious, but he only does this because of the guilt he feels. The truth is that he longs to be evil and to do this he makes himself a different persona, named Mr. Hyde. As Mr. Hyde, he commits crimes such murdering Sir Danvers Carew and trampling a young girl. Stevenson’s tone throughout the novel is shocking and even melodramatic at parts, but it serves to show the reader a sense of disapproval at what is occurring. It is very hard to understand how such a nice person could do such bad things, but it makes the most sense in the end. His conscience makes him feel so bad that he wants to try to make up for his mistakes, but in the end he is still too tempted by the bad to abandon his altern...